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Author: John A Buckley
Publisher: First Edition Design Pub.
ISBN: 1506903959
Category : Fiction
Languages : en
Pages : 212
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Book Description
A young adult begins a series of murders that gets the attention of the FBI’s most senior investigators. The serial killer challenges the retiring Feds as they have never been before. They do all possible to stop the kill spree that mostly happens at music events. He’s creative, intelligent, daring, and adventurous as he kills in ways that take the FBI team to their limits again and again. No one knows when, where, or how he will kill. All anyone knows is that he will kill again. Chasing a genius is always difficult, but doing it through crowded rock concerts is an exceptional challenge. Both killer and law enforcement have to be exceptionally creative to stay a part of this most deadly chase.
Author: John A Buckley
Publisher: First Edition Design Pub.
ISBN: 1506903959
Category : Fiction
Languages : en
Pages : 212
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Book Description
A young adult begins a series of murders that gets the attention of the FBI’s most senior investigators. The serial killer challenges the retiring Feds as they have never been before. They do all possible to stop the kill spree that mostly happens at music events. He’s creative, intelligent, daring, and adventurous as he kills in ways that take the FBI team to their limits again and again. No one knows when, where, or how he will kill. All anyone knows is that he will kill again. Chasing a genius is always difficult, but doing it through crowded rock concerts is an exceptional challenge. Both killer and law enforcement have to be exceptionally creative to stay a part of this most deadly chase.
Author: John Barylick
Publisher: UPNE
ISBN: 1611682657
Category : History
Languages : en
Pages : 328
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Book Description
The definitive book on The Station nightclub fire on the 10th anniversary of the disaster
Author: Jim Tuedio
Publisher: McFarland
ISBN: 0786458283
Category : Music
Languages : en
Pages : 366
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Book Description
This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact.
Author: Peter Conners
Publisher: Cornell University Press
ISBN: 150171256X
Category : Music
Languages : en
Pages : 255
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Book Description
On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings—referred to as "Betty Boards"—began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially.With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles.Rooted in dozens of interviews—including a conversation with Betty Cantor-Jackson about her recording—and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell '77 is still considered a touchstone in the history of the band.As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77."
Author: Jonathan Buckley
Publisher: Sort of Books
ISBN: 1908745789
Category : Fiction
Languages : en
Pages : 283
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Book Description
In the small hours of January 1st, a man begins to write, having watched Le Grand Concert de la Nuit, a film in which a former lover - Imogen - plays a major role. For the next year, he writes something every day. His journal is a ritual of commemoration and an investigation of the character of Imogen and her relationships - with himself; with her family and friends; with other lovers. Imogen is an elusive subject, and The Great Concert of the Night is an intricate text, mixing scenes from the writer's memory and the present day, and scenes from Imogen's films, with observations on a range of subjects, from the visions of female saints to the history of medicine and the festivals of ancient Rome. But one subject comes to occupy him above all: what happens when a person becomes a character on the page.
Author: Joe McMichael
Publisher: Omnibus Press
ISBN: 0857127373
Category : Music
Languages : en
Pages : 946
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Book Description
In this concert file, Joe McMichael and 'Irish' Jack Lyons assemble an amazingly thorough chronicle of live performances played by the hardest working rock 'n' roll band of all time. This book includes:Over 1500 gigs, including set-lists, eye-witness accounts and background notes. Updated coverage of all the concerts up to the American tour of 2002. Backstage dramas, audience reactions and on-stage rantsYear by year summaries of 'The Who's concert schedules. Contributions from leading Who commentators, including Chris Charlesworth. Rare live photographs.
Author: Joel Selvin
Publisher: HarperCollins
ISBN: 0062444271
Category : Music
Languages : en
Pages : 295
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Book Description
In this breathtaking cultural history filled with exclusive, never-before-revealed details, celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones’ infamous Altamont concert, the disastrous historic event that marked the end of the idealistic 1960s. In the annals of rock history, the Altamont Speedway Free Festival on December 6, 1969, has long been seen as the distorted twin of Woodstock—the day that shattered the Sixties’ promise of peace and love when a concertgoer was killed by a member of the Hells Angels, the notorious biker club acting as security. While most people know of the events from the film Gimme Shelter, the whole story has remained buried in varied accounts, rumor, and myth—until now. Altamont explores rock’s darkest day, a fiasco that began well before the climactic death of Meredith Hunter and continued beyond that infamous December night. Joel Selvin probes every aspect of the show—from the Stones’ hastily planned tour preceding the concert to the bad acid that swept through the audience to other deaths that also occurred that evening—to capture the full scope of the tragedy and its aftermath. He also provides an in-depth look at the Grateful Dead’s role in the events leading to Altamont, examining the band’s behind-the-scenes presence in both arranging the show and hiring the Hells Angels as security. The product of twenty years of exhaustive research and dozens of interviews with many key players, including medical staff, Hells Angels members, the stage crew, and the musicians who were there, and featuring sixteen pages of color photos, Altamont is the ultimate account of the final event in rock’s formative and most turbulent decade.
Author: Jeff Abraham
Publisher: Chicago Review Press
ISBN: 1641602201
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. The Show Won't Go On covers almost every genre of entertainment, and is full of unearthed anecdotes, exclusive interviews, colorful characters, and ironic twists. With dozens of heart-stopping stories, it's the perfect book to dip into on any page.
Author: Saul Austerlitz
Publisher: Thomas Dunne Books
ISBN: 1250083192
Category : Biography & Autobiography
Languages : en
Pages : 337
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Book Description
“The most blisteringly impassioned music book of the season.” —New York Times Book Review A thrilling account of the Altamont Festival—and the dark side of the ‘60s. If Woodstock tied the ideals of the '60s together, Altamont unraveled them. In Just a Shot Away, writer and critic Saul Austerlitz tells the story of “Woodstock West,” where the Rolling Stones hoped to end their 1969 American tour triumphantly with the help of the Grateful Dead, the Jefferson Airplane, and 300,000 fans. Instead the concert featured a harrowing series of disasters, starting with the concert’s haphazard planning. The bad acid kicked in early. The Hells Angels, hired to handle security, began to prey on the concertgoers. And not long after the Rolling Stones went on, an 18-year-old African-American named Meredith Hunter was stabbed by the Angels in front of the stage. The show, and the Woodstock high, were over. Austerlitz shows how Hunter’s death came to symbolize the end of an era while the trial of his accused murderer epitomized the racial tensions that still underlie America. He also finds a silver lining in the concert in how Rolling Stone’s coverage of it helped create a new form of music journalism, while the making of the movie about Altamont, Gimme Shelter, birthed new forms of documentary. Using scores of new interviews with Paul Kantner, Jann Wenner, journalist John Burks, filmmaker Joan Churchill, and many members of the Rolling Stones' inner circle, as well as Meredith Hunter's family, Austerlitz shows that you can’t understand the ‘60s or rock and roll if you don’t come to grips with Altamont.
Author: Stephen Jenkinson
Publisher: North Atlantic Books
ISBN: 1583949739
Category : Social Science
Languages : en
Pages : 417
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Book Description
Die Wise does not offer seven steps for coping with death. It does not suggest ways to make dying easier. It pours no honey to make the medicine go down. Instead, with lyrical prose, deep wisdom, and stories from his two decades of working with dying people and their families, Stephen Jenkinson places death at the center of the page and asks us to behold it in all its painful beauty. Die Wise teaches the skills of dying, skills that have to be learned in the course of living deeply and well. Die Wise is for those who will fail to live forever. Dying well, Jenkinson writes, is a right and responsibility of everyone. It is not a lifestyle option. It is a moral, political, and spiritual obligation each person owes their ancestors and their heirs. Die Wise dreams such a dream, and plots such an uprising. How we die, how we care for dying people, and how we carry our dead: this work makes our capacity for a village-mindedness, or breaks it. Table of Contents The Ordeal of a Managed Death Stealing Meaning from Dying The Tyrant Hope The Quality of Life Yes, But Not Like This The Work So Who Are the Dying to You? Dying Facing Home What Dying Asks of Us All Kids Ah, My Friend the Enemy
