In-Between: Architectural Drawing and Imaginative Knowledge in Islamic and Western Traditions PDF Download
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Author: Hooman Koliji
Publisher: Routledge
ISBN: 1317117700
Category : Architecture
Languages : en
Pages : 251
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Book Description
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Author: Hooman Koliji
Publisher: Routledge
ISBN: 1317117700
Category : Architecture
Languages : en
Pages : 251
Get Book Here
Book Description
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Author: Hooman Koliji
Publisher: Lund Humphries Publishers
ISBN: 9781472438690
Category : Architecture
Languages : en
Pages : 231
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Book Description
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer's imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognised as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the Imaginal as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (e.g. form, proportion, colour), highly evocative, yet with no matter.Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Author: Dr Hooman Koliji
Publisher:
ISBN: 9781472438683
Category : Architecture
Languages : en
Pages : 0
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Book Description
This book argues that design drawings should be recognised as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The book argues that this ‘in-between’ quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (e.g. form, proportion, colour), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. It also adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Author: Paul Emmons
Publisher: Taylor & Francis
ISBN: 1317162285
Category : Architecture
Languages : en
Pages : 302
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Book Description
Confabulation is a drawing together through storytelling. Fundamental to our perception, memory, and thought is the way we join fractured experiences to construct a narrative. Confabulations: Storytelling in Architecture weaves together poetic ideas, objects, and events and returns you to everyday experiences of life through juxtapositions with dreams, fantasies, and hypotheticals. It follows the intellectual and creative framework of architectural cosmopoesis developed and practiced by the distinguished thinker, architect, and professor Dr. Marco Frascari, who thought deeply about the role of storytelling in architecture. Bringing together a collection of 24 essays from a diverse and respected group of scholars, this book presents the convergence of architecture and storytelling across a broad temporal, geographic, and cultural range. Beginning with an introduction framing the topic, the book is organized along a continuous thread structured around four key areas: architecture of stories, stories of architecture, stories of theory and practice of stories. Beautifully illustrated throughout and including a 64-page full colour section, Confabulations is an insightful investigation into architectural narratives.
Author: Yvonne Elet
Publisher: Cambridge University Press
ISBN: 1108216110
Category : Art
Languages : en
Pages : 382
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Book Description
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
Author: Mohammed Hamdouni Alami
Publisher: Bloomsbury Publishing
ISBN: 0857731750
Category : Architecture
Languages : en
Pages : 304
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Book Description
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Author: Michael Meinecke
Publisher:
ISBN: 9780814763193
Category : ARCHITECTURE
Languages : en
Pages : 161
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Book Description
"Drawing upon a lifetime's knowledge, Patterns of Stylistic Change in Islamic Architecture presents Michael Meinecke's unique view of the evolution and development of Islamic architecture. Departing from conventional method which groups buildings and monuments according to dynasties and defines national characteristics based on the ethnic origins of Arabic, Persian, or Turkish patrons, Meinecke emphasizes the similarities which resulted from interrelations among neighboring or far-away areas. He argues that transformations in the development of Islamic architecture can be explained by the movements of skilled craftsmen who traveled extensively in their search for challenging work, allowing for their influence to be felt across a broad region. Meinecke's unique approach to Islamic architecture will no doubt inspire others to emulate his approach in studying other regions or areas. Few, however, will be able to attain the consummate mastery of the subject which enlivens these essays"--Publisher description.
Author: Gülru Necipoğlu
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414
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Book Description
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
Author: Faris Hajamaideen
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 624
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Book Description
Throughout history, the conception of architecture has, in one form or another, always been related to the human body. In the Western tradition, this can be traced back to the writings of Vitruvius as well as a chain of thinkers who followed in his footstep. In several non-Western traditions, however, the relationship is not as clearly traceable. The Islamic tradition is one conspicuous example. Although Muslim scholars seem to have been familiar with Vitruvius' representation of the human body as a measure for architecture, the developments of their thought on the topic have remained rather ambiguous. This thesis aims to investigate these developments and to explore new terrains of Islamic thought on this topic in parallel with those of the Western tradition. The thesis presents a fresh reading of the intertwined history of body and architecture based on a selected range of philosophical, mystical, and historical texts of key Western and Muslim figures, such as Plato, Vitruvius, St. Augustine, Alberti, al-Fārābī, Ibn Sīna, al-Ghazālī, al-Suhrawardī, and Ibn ʻArabī. It shows how the enduring idea of body and building was conceived, detailed, and developed consistently in both traditions, and how the lack of canonical architectural sources in the Islamic tradition does not mean an absence of sustained thinking on the topic, which can be found richly illustrated in non-architectural sources. The thesis focuses on the concept of "measure," that is, the way in which the human body was conceived to be a reference point for the act of making. In the Western traditions, the foundations of this conception reach back to Pythagoras, who reduced the body to a set of mathematical ratios to be used in the act of building. In being a reflection of a cosmic model, these mathematical ratios of the body became the measure through which both the body and its constructed images (a building, a settlement, or a city) became microcosms. This conception extends to the Islamic tradition, which laid an additional emphasis on the role the soul as an intangible ruler of the body. The study shows how in the premodern world man was seen to represent, in an abbreviated fashion, the measure of the entire cosmos, how this human measure, in turn, played a central role in informing the theories and practices of architecture, how the human body became a divine model for the architecture of both the cosmos and built environment, and how the macrocosmic-microcosmic relationship that once bound the body to both architecture and the universe has been irrecoverably lost in modern times.
Author: Rabah Saoud
Publisher: Noor Publishing
ISBN: 9783330852402
Category :
Languages : en
Pages : 492
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Book Description
So many books have been written and so much ink has been spilled on the Muslim and western enmity. There existed many instances of coexistence and cooperation, shared human values, trade exchanges, and mutual cultural penetration. These were either deliberately concealed or mistakenly ignored. The present book gives a ground-breaking account of such co-existence. It provides unique perspectives on Muslim-European cultural encounters, and architectural and artistic exchanges. The work is dedicated to the contribution of Muslim architecture to many aspects of European architecture, particularly during the medieval period. Based on the historical research and image evidence, the analysis focuses on Muslim influence, tracing the origins of Muslim motifs -employed in the West (Europe)-, the routes by which such motifs were transferred, and provide where possible the evidence. The book should provide a new insight to historians, architects, academics, politicians and the general public in both the West and lands of Islam to understand and appreciate each other to achieve a well-deserved reconciliation and live in a lasting peace.
