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Author: Great Britain. Parliament. House of Lords
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 736
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Book Description
Appendices accompany vols. 64, 67-71.
Author: Great Britain. Parliament. House of Lords
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 736
Get Book Here
Book Description
Appendices accompany vols. 64, 67-71.
Author: John W. Smith
Publisher:
ISBN:
Category : Macon County (Ill.)
Languages : en
Pages : 320
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Book Description
Author: Great Britain. Parliament. House of Lords
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
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Book Description
Author: Francis Hilliard
Publisher:
ISBN:
Category : Torts
Languages : en
Pages : 706
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Book Description
Author: John Levering
Publisher:
ISBN:
Category :
Languages : en
Pages : 1092
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Book Description
Author: George Chambers
Publisher:
ISBN:
Category : Irish
Languages : en
Pages : 182
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Book Description
Author: Stephen Pearl Andrews
Publisher:
ISBN:
Category : Shorthand
Languages : en
Pages : 372
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Book Description
Author: B. W. Higman
Publisher:
ISBN: 9789766401139
Category : History
Languages : en
Pages : 382
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Book Description
First published in 1988, this volume contains a representative sample of the large collection of plantation maps and plans in the National Library of Jamaica. It explores the diversity of agricultural activity on the island and the changing patterns of land use during the 18th and 19th centuries.
Author: Douglas Hall
Publisher:
ISBN: 9789766400668
Category : History
Languages : en
Pages : 350
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Book Description
Thomas Thistlewood (1721-1786) was a British estate overseer and small landowner in western Jamaica. He arrived in Jamaica, the most important of the British sugar colonies in 1750, when he was 29 years old. He became the overseer or manager of the Egypt sugar plantation near the small port of Savanna la Mar. He stayed in Jamaica until his death in 1786. He wrote a diary, which eventually ran to some 10,000 pages, and this diary became an important historical document on slavery and history of Jamaica.
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
