Author: Eavan Boland
Publisher: W. W. Norton & Company
ISBN: 0393346455
Category : Poetry
Languages : en
Pages : 81
Book Description
The publication of Eavan Boland's previous book, Outside History: Selected Poems 1980-1990, established Boland as a significant presence in the contemporary American poetry world. This, her seventh book, continues to mine what she has termed "the meeting place between womanhood and history."
In a Time of Violence: Poems
Author: Eavan Boland
Publisher: W. W. Norton & Company
ISBN: 0393346455
Category : Poetry
Languages : en
Pages : 81
Book Description
The publication of Eavan Boland's previous book, Outside History: Selected Poems 1980-1990, established Boland as a significant presence in the contemporary American poetry world. This, her seventh book, continues to mine what she has termed "the meeting place between womanhood and history."
Publisher: W. W. Norton & Company
ISBN: 0393346455
Category : Poetry
Languages : en
Pages : 81
Book Description
The publication of Eavan Boland's previous book, Outside History: Selected Poems 1980-1990, established Boland as a significant presence in the contemporary American poetry world. This, her seventh book, continues to mine what she has termed "the meeting place between womanhood and history."
New Collected Poems
Author: Eavan Boland
Publisher: Carcanet Press
ISBN:
Category : Poetry
Languages : en
Pages : 340
Book Description
"Eavan Boland's first Collected Poems confirmed her place at the forefront of modern Irish poetry. New Collected Poems brings the record of her achievement up to date, adding The Lost Land (1998) and Code (2001) and reproducing all her earlier collections in their entirety, together with two key poems from 23 Poems (1962) and an excerpt from her unpublished 1971 play 'Femininity and Freedom'. Following the chronology of publication, the reader experiences the development of a poet writing in a space she has cleared by critical engagement and experiment with form, theme, and language."--BOOK JACKET.
Publisher: Carcanet Press
ISBN:
Category : Poetry
Languages : en
Pages : 340
Book Description
"Eavan Boland's first Collected Poems confirmed her place at the forefront of modern Irish poetry. New Collected Poems brings the record of her achievement up to date, adding The Lost Land (1998) and Code (2001) and reproducing all her earlier collections in their entirety, together with two key poems from 23 Poems (1962) and an excerpt from her unpublished 1971 play 'Femininity and Freedom'. Following the chronology of publication, the reader experiences the development of a poet writing in a space she has cleared by critical engagement and experiment with form, theme, and language."--BOOK JACKET.
Sense Violence
Author: Helena Boberg
Publisher:
ISBN: 9781939568311
Category : Poetry
Languages : en
Pages : 0
Book Description
In this first full-length English-language translation of the work of Helena Boberg, we are powerfully confronted with what she has called "a creative testimony that points out patterns of injustice, sexism, and violence" in the society we inhabit. A book-length poem, Sense Violence hinges on the dichotomy of a masculine will to power and a call to action for a feminine collective to confront it on all corners--from mythologies to cultural tropes and ingrained hierarchies. Translated by Johannes Göransson, the English edition faithfully captures Boberg's wordplay and linguistic richness bringing this urgent and uniquely-voiced work to a new audience.
Publisher:
ISBN: 9781939568311
Category : Poetry
Languages : en
Pages : 0
Book Description
In this first full-length English-language translation of the work of Helena Boberg, we are powerfully confronted with what she has called "a creative testimony that points out patterns of injustice, sexism, and violence" in the society we inhabit. A book-length poem, Sense Violence hinges on the dichotomy of a masculine will to power and a call to action for a feminine collective to confront it on all corners--from mythologies to cultural tropes and ingrained hierarchies. Translated by Johannes Göransson, the English edition faithfully captures Boberg's wordplay and linguistic richness bringing this urgent and uniquely-voiced work to a new audience.
Domestic Violence
Author:
Publisher:
ISBN:
Category : Family violence
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Family violence
Languages : en
Pages : 0
Book Description
In the Sanctuary of Women
Author: Jan L. Richardson
Publisher: Upper Room Books
ISBN: 0835811492
Category : Religion
Languages : en
Pages : 353
Book Description
Come spend some time in the sanctuary of women, an often-ignored space in Jewish and Christian history. This devotional book for women highlights six women from around the world and across the centuries, inviting us to discover what their lives tell us about God. Jan Richardson, a gifted poet, artist, and author, believes it is essential for women to listen to one another's wisdom and bring the fullness of their lives, with all the wonders and messiness, into their prayer life. In the Sanctuary of Women gathers together these women from scripture and history: Eve Brigid of Kildare The desert mothers Hildegard of Bingen Harriet Powers The Woman of the Song of Songs Each chapter becomes its own sanctuary, with one of the women serving as a companion as you contemplate the theme that her life offers. Throughout the readings Richardson weaves her own stories, poetry, prayers, and blessings. Midway through each chapter, a section called "The Secret Room" gives you a chance to pause and reflect on unexpected insights. Reading the book daily will carry you through six months, or you can dip into the readings as you wish. An invitation into reflection and prayer alone or in the company of others, In the Sanctuary of Women is a book to treasure and to share with the women and the men in your life.
Publisher: Upper Room Books
ISBN: 0835811492
Category : Religion
Languages : en
Pages : 353
Book Description
Come spend some time in the sanctuary of women, an often-ignored space in Jewish and Christian history. This devotional book for women highlights six women from around the world and across the centuries, inviting us to discover what their lives tell us about God. Jan Richardson, a gifted poet, artist, and author, believes it is essential for women to listen to one another's wisdom and bring the fullness of their lives, with all the wonders and messiness, into their prayer life. In the Sanctuary of Women gathers together these women from scripture and history: Eve Brigid of Kildare The desert mothers Hildegard of Bingen Harriet Powers The Woman of the Song of Songs Each chapter becomes its own sanctuary, with one of the women serving as a companion as you contemplate the theme that her life offers. Throughout the readings Richardson weaves her own stories, poetry, prayers, and blessings. Midway through each chapter, a section called "The Secret Room" gives you a chance to pause and reflect on unexpected insights. Reading the book daily will carry you through six months, or you can dip into the readings as you wish. An invitation into reflection and prayer alone or in the company of others, In the Sanctuary of Women is a book to treasure and to share with the women and the men in your life.
Time and Materials
Author: Robert Hass
Publisher: Harper Collins
ISBN: 0061754226
Category : Poetry
Languages : en
Pages : 98
Book Description
The poems in Robert Hass's new collection—his first to appear in a decade—are grounded in the beauty and energy of the physical world, and in the bafflement of the present moment in American culture. This work is breathtakingly immediate, stylistically varied, redemptive, and wise. His familiar landscapes are here—San Francisco, the Northern California coast, the Sierra high country—in addition to some of his oft-explored themes: art; the natural world; the nature of desire; the violence of history; the power and limits of language; and, as in his other books, domestic life and the conversation between men and women. New themes emerge as well, perhaps: the essence of memory and of time. The works here look at paintings, at Gerhard Richter as well as Vermeer, and pay tribute to his particular literary masters, friend Czeslaw Milosz, the great Swedish poet Tomas Tranströmer, Horace, Whitman, Stevens, Nietszche, and Lucretius. We are offered glimpses of a surprisingly green and vibrant twenty-first-century Berlin; of the demilitarized zone between the Koreas; of a Bangkok night, a Mexican desert, and an early summer morning in Paris, all brought into a vivid present and with a passionate meditation on what it is and has been to be alive. "It has always been Mr. Hass's aim," the New York Times Book Review wrote, "to get the whole man, head and heart and hands and everything else, into his poetry." Every new volume by Robert Hass is a major event in poetry, and this beautiful collection is no exception.
Publisher: Harper Collins
ISBN: 0061754226
Category : Poetry
Languages : en
Pages : 98
Book Description
The poems in Robert Hass's new collection—his first to appear in a decade—are grounded in the beauty and energy of the physical world, and in the bafflement of the present moment in American culture. This work is breathtakingly immediate, stylistically varied, redemptive, and wise. His familiar landscapes are here—San Francisco, the Northern California coast, the Sierra high country—in addition to some of his oft-explored themes: art; the natural world; the nature of desire; the violence of history; the power and limits of language; and, as in his other books, domestic life and the conversation between men and women. New themes emerge as well, perhaps: the essence of memory and of time. The works here look at paintings, at Gerhard Richter as well as Vermeer, and pay tribute to his particular literary masters, friend Czeslaw Milosz, the great Swedish poet Tomas Tranströmer, Horace, Whitman, Stevens, Nietszche, and Lucretius. We are offered glimpses of a surprisingly green and vibrant twenty-first-century Berlin; of the demilitarized zone between the Koreas; of a Bangkok night, a Mexican desert, and an early summer morning in Paris, all brought into a vivid present and with a passionate meditation on what it is and has been to be alive. "It has always been Mr. Hass's aim," the New York Times Book Review wrote, "to get the whole man, head and heart and hands and everything else, into his poetry." Every new volume by Robert Hass is a major event in poetry, and this beautiful collection is no exception.
In a Time of Violence: Poems
Author: Eavan Boland
Publisher: W. W. Norton & Company
ISBN: 0393312984
Category : Poetry
Languages : en
Pages : 81
Book Description
A collection of poems exploring "the unspoken." To paraphrase The Parcel: "There are dying arts and one of them is the way my mother used to make up a parcel. Paper first, mid-brown and coarse, then the scissors, not a glittering let-up, but a dour pair. Ball of twine, flame, sealing wax, melted and spread into a brittle terracotta medal. Names and places, crayon and fountain pen, town underlined once, country twice. It's ready for the post."
Publisher: W. W. Norton & Company
ISBN: 0393312984
Category : Poetry
Languages : en
Pages : 81
Book Description
A collection of poems exploring "the unspoken." To paraphrase The Parcel: "There are dying arts and one of them is the way my mother used to make up a parcel. Paper first, mid-brown and coarse, then the scissors, not a glittering let-up, but a dour pair. Ball of twine, flame, sealing wax, melted and spread into a brittle terracotta medal. Names and places, crayon and fountain pen, town underlined once, country twice. It's ready for the post."
The Poetry of Eavan Boland
Author: Pilar Villar-Argaiz
Publisher: Academica Press,LLC
ISBN: 1933146230
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
"Pilar Villar-Argáiz's sustained, meticulous, and exacting study of Eavan Boland opens up and articulates in a fresh way the key dimensions of her poetry. It succeeds not only in tracking the far-reaching ramifications of Eavan Boland's politicized aesthetic as a postcolonial writer but in urging us to revisit the crystalline and precisely etched poems of one of the most significant artists in contemporary Irish culture." Professor Anne Fogarty, University College, Dublin (from the Introduction) This monograph is an original and important contribution to the growing body of critical studies devoted to one of Ireland's major living poets: Eavan Boland (see Haberstroh 1996; Hagen & Zelman 2005). It details the controversies that were prompted by the inclusion of Ireland in a postcolonial framework and then tests the application of an array of cogent theories and concepts to Boland's work. In an attempt to explore the richness and complexity of her poetry, Villar- Argáiz discusses the contradictory pulls in her desire to surpass, and yet at the same time epitomize, Irish nationality. Boland's remarkable achievement as a poet lies in her ability to stretch, by constant negotiations and re-appropriations, the borderlines of inherited definitions of nationality and femininity. Chapters include: Re-examining the postcolonial: Gender and Irish studies, Towards an understanding of Boland's poetry as minority/ postcolonial discourse, A post-nationalist or a post-colonial writer?: Boland's revisionary stance on Mother Ireland, To a "third" space: Boland's imposed exile as a young child, The subaltern in Boland's poetry, Boland's mature exile in the US: An 'Orientalist' writer? and Conclusion. Review: "This rigorous and informative exploration of the poetry of Eavan Boland by Pilar Villar-Argáiz proves the validity of drawing upon the resources of postcolonial theory to illuminate her work. Through the lens of postcolonialism, the deep-seated preoccupations and complex imaginative foundations of Boland's writing are carefully excavated and interpreted. Villar-Argáiz, moreover, in her observant close readings of poems from different phases of the author's oeuvre reveals how recurrent issues such as the problem of national and cultural identity, the ethical responsibility of engaging with the past, and the quest for fluidity and openness are variously engaged with, both aesthetically and philosophically. Villar-Argáiz's sustained, meticulous, and exacting study of Eavan Boland opens up and articulates in a fresh way key dimensions of her poetry. It succeeds not only in tracking the far-reaching ramifications of Eavan Boland's politicized aesthetic as a postcolonial writer but in urging us to revisit the crystalline and precisely etched poems of one of the most significant artists in contemporary Irish culture." - Professor Anne Fogarty, Department of English, University College Dublin, Ireland About the Author: Dr. Pilar Villar-Argáiz lectures in the Department of English Philology at the University of Granada, Spain, where she obtained a European Doctorate in English Studies (Irish Literature). She is the author of Eavan Boland's Evolution As an Irish Woman Poet: An Outsider within an Outsider's Culture (The Edwin Mellen Press, 2007). She has also published extensively on the representation of femininity in contemporary Irish women's poetry, on cinematic representations of Ireland, and on the theoretical background and application of feminism and postcolonialism to the study of Irish literature. In addition, Dr. Villar Argáiz has co-edited two books on English literature. Irish Research Series, No.51
Publisher: Academica Press,LLC
ISBN: 1933146230
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
"Pilar Villar-Argáiz's sustained, meticulous, and exacting study of Eavan Boland opens up and articulates in a fresh way the key dimensions of her poetry. It succeeds not only in tracking the far-reaching ramifications of Eavan Boland's politicized aesthetic as a postcolonial writer but in urging us to revisit the crystalline and precisely etched poems of one of the most significant artists in contemporary Irish culture." Professor Anne Fogarty, University College, Dublin (from the Introduction) This monograph is an original and important contribution to the growing body of critical studies devoted to one of Ireland's major living poets: Eavan Boland (see Haberstroh 1996; Hagen & Zelman 2005). It details the controversies that were prompted by the inclusion of Ireland in a postcolonial framework and then tests the application of an array of cogent theories and concepts to Boland's work. In an attempt to explore the richness and complexity of her poetry, Villar- Argáiz discusses the contradictory pulls in her desire to surpass, and yet at the same time epitomize, Irish nationality. Boland's remarkable achievement as a poet lies in her ability to stretch, by constant negotiations and re-appropriations, the borderlines of inherited definitions of nationality and femininity. Chapters include: Re-examining the postcolonial: Gender and Irish studies, Towards an understanding of Boland's poetry as minority/ postcolonial discourse, A post-nationalist or a post-colonial writer?: Boland's revisionary stance on Mother Ireland, To a "third" space: Boland's imposed exile as a young child, The subaltern in Boland's poetry, Boland's mature exile in the US: An 'Orientalist' writer? and Conclusion. Review: "This rigorous and informative exploration of the poetry of Eavan Boland by Pilar Villar-Argáiz proves the validity of drawing upon the resources of postcolonial theory to illuminate her work. Through the lens of postcolonialism, the deep-seated preoccupations and complex imaginative foundations of Boland's writing are carefully excavated and interpreted. Villar-Argáiz, moreover, in her observant close readings of poems from different phases of the author's oeuvre reveals how recurrent issues such as the problem of national and cultural identity, the ethical responsibility of engaging with the past, and the quest for fluidity and openness are variously engaged with, both aesthetically and philosophically. Villar-Argáiz's sustained, meticulous, and exacting study of Eavan Boland opens up and articulates in a fresh way key dimensions of her poetry. It succeeds not only in tracking the far-reaching ramifications of Eavan Boland's politicized aesthetic as a postcolonial writer but in urging us to revisit the crystalline and precisely etched poems of one of the most significant artists in contemporary Irish culture." - Professor Anne Fogarty, Department of English, University College Dublin, Ireland About the Author: Dr. Pilar Villar-Argáiz lectures in the Department of English Philology at the University of Granada, Spain, where she obtained a European Doctorate in English Studies (Irish Literature). She is the author of Eavan Boland's Evolution As an Irish Woman Poet: An Outsider within an Outsider's Culture (The Edwin Mellen Press, 2007). She has also published extensively on the representation of femininity in contemporary Irish women's poetry, on cinematic representations of Ireland, and on the theoretical background and application of feminism and postcolonialism to the study of Irish literature. In addition, Dr. Villar Argáiz has co-edited two books on English literature. Irish Research Series, No.51
Prelude to Bruise
Author: Saeed Jones
Publisher: Coffee House Press
ISBN: 1566893844
Category : Poetry
Languages : en
Pages : 123
Book Description
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
Publisher: Coffee House Press
ISBN: 1566893844
Category : Poetry
Languages : en
Pages : 123
Book Description
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
Human Hours
Author: Catherine Barnett
Publisher: Graywolf Press
ISBN: 1555978665
Category : Poetry
Languages : en
Pages : 112
Book Description
Winner of the Believer Book Award The triumphant follow-up collection to The Game of Boxes, winner of the James Laughlin Award Catherine Barnett’s tragicomic third collection, Human Hours, shuttles between a Whitmanian embrace of others and a kind of rapacious solitude. Barnett speaks from the middle of hope and confusion, carrying philosophy into the everyday. Watching a son become a young man, a father become a restless beloved shell, and a country betray its democratic ideals, the speakers try to make sense of such departures. Four lyric essays investigate the essential urge and appeal of questions that are “accursed,” that are limited—and unanswered—by answers. What are we to do with the endangered human hours that remain to us? Across the leaps and swerves of this collection, the fevered mind tries to slow—or at least measure—time with quiet bravura: by counting a lover’s breaths; by remembering a father’s space-age watch; by envisioning the apocalyptic future while bedding down on a hard, cold floor, head resting on a dictionary. Human Hours pulses with the absurd, with humor that accompanies the precariousness of the human condition.
Publisher: Graywolf Press
ISBN: 1555978665
Category : Poetry
Languages : en
Pages : 112
Book Description
Winner of the Believer Book Award The triumphant follow-up collection to The Game of Boxes, winner of the James Laughlin Award Catherine Barnett’s tragicomic third collection, Human Hours, shuttles between a Whitmanian embrace of others and a kind of rapacious solitude. Barnett speaks from the middle of hope and confusion, carrying philosophy into the everyday. Watching a son become a young man, a father become a restless beloved shell, and a country betray its democratic ideals, the speakers try to make sense of such departures. Four lyric essays investigate the essential urge and appeal of questions that are “accursed,” that are limited—and unanswered—by answers. What are we to do with the endangered human hours that remain to us? Across the leaps and swerves of this collection, the fevered mind tries to slow—or at least measure—time with quiet bravura: by counting a lover’s breaths; by remembering a father’s space-age watch; by envisioning the apocalyptic future while bedding down on a hard, cold floor, head resting on a dictionary. Human Hours pulses with the absurd, with humor that accompanies the precariousness of the human condition.