Improvising Without Scales PDF Download
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Author: Carl Verheyen
Publisher: Mel Bay Publications
ISBN: 1610652339
Category : Music
Languages : en
Pages : 33
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Book Description
In this remarkable book, Carl Verheyen teaches his philosophy and techniques for improvising. Rather than hashing out scales, Carl teaches how to play lines with strong melodic content. By approaching melodies through intervals and chord qualities, infinite lines can be generated. Carl stresses the importance of collecting lines that can be used in improvised settings. These lines and examples will provide outstanding material for any guitarist yearning for melodic ideas and inspiration. Presented in standard notation and tab.
Author: Carl Verheyen
Publisher: Mel Bay Publications
ISBN: 1610652339
Category : Music
Languages : en
Pages : 33
Get Book Here
Book Description
In this remarkable book, Carl Verheyen teaches his philosophy and techniques for improvising. Rather than hashing out scales, Carl teaches how to play lines with strong melodic content. By approaching melodies through intervals and chord qualities, infinite lines can be generated. Carl stresses the importance of collecting lines that can be used in improvised settings. These lines and examples will provide outstanding material for any guitarist yearning for melodic ideas and inspiration. Presented in standard notation and tab.
Author: Paul Musso
Publisher: Mel Bay Publications
ISBN: 1619114399
Category : Music
Languages : en
Pages : 61
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Book Description
This book and accompanying audio offer a unique, simplified approach to using arpeggios when improvising. The material is for guitarists of all levels looking to improve their technique and improvisation skills. This method makes it possible to seamlessly incorporate arpeggios into jazz improvisation. Included are over thirty arpeggio-based licks spanning major, minor, dominant, blues and ii-V-I categories. The book also presents straightforward methods for using arpeggios creatively. Most guitarists view arpeggios and scales as separate entities - this book solves this problem by illustrating the relationship between eight simple arpeggio fingerings and scales/modes. Several etudes are also included. These simple mini-arpeggios will provide the reader with an entire world of musical possibilities.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 57
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Book Description
If you ask anyone who's been playing guitar for a while how to turn scales into solos, you'll likely get a variety of answers. They'll tell you to learn licks, work on your arpeggios, even learn your favorite players' solos note for note. While this is all good advice, I've had some particularly stubborn students that wanted to go beyond that; they wanted to be able to improvise using any scale up and down the fretboard, but at the same time break free from those deeply-ingrained scalar lines and patterns. It was then that I suggested the zonal approach to improvisation; by working in reduced areas of the neck with specifically designed patterns, they were soon able to create melodic, flowing lines that didn't sound at all like scales--they sounded like real music! This is the approach you'll find in this book. We dissect 15 of the most common scales, beyond the pentatonics, and break them down into zones which can be practiced either by scale, or for any particular scale across the fretboard. The objective of this book then is to provide a structured reference to make the transition from playing scales to playing, improvising and creating musical lines when soloing. It’s aimed at the intermediate to advanced guitarist looking to be able to improvise confidently and freely on the instrument in a wide variety of styles. It is also aimed at guitarists that want to move beyond rote pentatonic/blues soloing and incorporate other scales and modes into their playing, as well as building up a vocabulary to solo fluently over chord changes.
Author: Jeffrey Agrell
Publisher:
ISBN:
Category : Games with music
Languages : en
Pages : 384
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Book Description
Why don't classical musicians improvise? Why do jazz players get to have all the fun? And how do they develop such fabulous technique and aural skills? With these words, Jeffrey Agrell opens the door to improvisation for all non-jazz musicians who thought it was beyond their ability to play extemporaneously. Step-by-step, Agrell leads through a series of games, rather than exercises. The game format takes the pressure off of classically trained musicians, steering them away from their fixation on mistake-free performance and introducing the basic concepts of playing with music itself instead of obsessing over a perfect rendition of a written score. Agrell draws an analogy with sports that illustrates the absurdity of the traditional approach to classically-oriented music performance.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 28
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Book Description
A lot of students ask me how they can take their improvisation skills to the next level and move beyond pentatonic scales and into modes and arpeggios. My response is to tell them not to abandon pentatonic scales in favor of modes and other soloing devices, but to use them as a springboard and a solid foundation from which to expand their harmonic awareness. If you play rock, blues and even jazz, you’ll be using pentatonic scales for the rest of your life, so there’s no need to discard them! In this book, we’ll be using the much-loved minor pentatonic scale as the basis for learning and having a quick way to access the modes of the major scale, as well as the basic seventh chord arpeggios. This means that when you go to improvise, you'll have a vast array of options with which to go beyond pentatonic soloing. Work through this book daily and I guarantee you a smooth and painless transition from pentatonics to incorporating modes and arpeggios into your playing.
Author: Michael Titlebaum
Publisher: Routledge
ISBN: 9780367854751
Category : Music
Languages : en
Pages : 300
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Book Description
Jazz Improvisation Using Simple Melodic Embellishment teaches fundamental concepts of jazz improvisation, highlighting the development of performance skills through embellishment techniques. Written with the college-level course in mind, this introductory textbook is both practical and comprehensive, ideal for the aspiring improviser, focused not on scales and chords but melodic embellishment. It assumes some basic theoretical knowledge and level of musicianship while introducing multiple techniques, mindful that improvisation is a learned skill as dependent on hard work and organized practice as it is on innate talent. This jargon-free textbook can be used in both self-guided study and as a course book, fortified by an array of interactive exercises and activities: musical examples performance exercises written assignments practice grids resources for advanced study and more! Nearly all musical exercises--presented throughout the text in concert pitch and transposed in the appendices for E-flat, B-flat, and bass clef instruments--are accompanied by backing audio tracks, available for download via the Routledge catalog page along with supplemental instructor resources such as a sample syllabus, PDFs of common transpositions, and tutorials for gear set-ups. With music-making at its core, Jazz Improvisation Using Simple Melodic Embellishment implores readers to grab their instruments and play, providing musicians with the simple melodic tools they need to "jazz it up."
Author: Don Latarski
Publisher: Alfred Music Publishing
ISBN: 9780898986921
Category : Music
Languages : en
Pages : 164
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Book Description
A guitar player's guide to music theory. This book is a complete theory course with recorded examples that put everything in an applicable, musical context. The recording includes all the musical examples and play-along tracks.
Author: Carl Filipiak
Publisher: Mel Bay Publications
ISBN: 1610651669
Category : Music
Languages : en
Pages : 41
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Book Description
Carl Filipiak's Private Lessons Series on Rock/Fusion Improvising is the perfect vehicle for the rock guitarist who wants to add elements of jazz to their playing. Discover many of the concepts that fusion, jazz, and "jam bands" use. Intervallic harmony, diminished scales and how to use them are just a few topics that are covered. Take your blues/rock licks to another level! This play-along CD includes odd-time signatures, funk and Indian grooves and features Carl Filipiak on guitar and a smokin' rhythm section, which includes John Thomakos on drums and Steve Zerlin on bass. Also included on one track is world-renown drummer, Dennis Chambers.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 24
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Book Description
3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.
Author: Jody Fisher
Publisher:
ISBN: 9781470627645
Category : Music
Languages : en
Pages : 0
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Book Description
Organized into two sections: the first part of the book breaks down scale and chord theory in a step-by-step manner; the second part is a handy, comprehensive chord and scale finder that allows cross-referencing of scales with chords and vice versa.
