Improve your sight-reading! Trombone (Bass Clef) Grades 1-5 PDF Download
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Author: Paul Harris
Publisher: Faber Music Ltd
ISBN: 0571592546
Category : Music
Languages : en
Pages : 49
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Book Description
The full eBook version of Improve Your Sight-Reading! Trombone (Bass Clef) Grades 1-5 in fixed-layout format. This edition of Improve your sight-reading! Trombone (Bass Clef) Grades 1-5 has been revised to support the ABRSM syllabus from 2023. It also includes online audio of the 'going solo' pieces for students to check their performances against. The ability to sight-read fluently is a vital skill, enabling students to learn new pieces more quickly and play with other musicians. The best-selling Improve your sight-reading! series, by renowned educationalist Paul Harris, is designed to develop sight-reading skills and improve confidence. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.
Author: Paul Harris
Publisher: Faber Music Ltd
ISBN: 0571592546
Category : Music
Languages : en
Pages : 49
Get Book Here
Book Description
The full eBook version of Improve Your Sight-Reading! Trombone (Bass Clef) Grades 1-5 in fixed-layout format. This edition of Improve your sight-reading! Trombone (Bass Clef) Grades 1-5 has been revised to support the ABRSM syllabus from 2023. It also includes online audio of the 'going solo' pieces for students to check their performances against. The ability to sight-read fluently is a vital skill, enabling students to learn new pieces more quickly and play with other musicians. The best-selling Improve your sight-reading! series, by renowned educationalist Paul Harris, is designed to develop sight-reading skills and improve confidence. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.
Author: Paul Harris
Publisher: Faber Music Ltd
ISBN: 0571590446
Category : Music
Languages : en
Pages : 41
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Book Description
Improve your sight-reading! Grade 1 is part of the best-selling series by Paul Harris guaranteed to improve your sight-reading! This workbook helps the player overcome problems, by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously-graded sight-reading pieces. This new edition has been completely re-written, with new exercises and pieces to support the Associated Board's new sight-reading requirements from 2009. Improve your sight-reading! will help you improve your reading ability, and with numerous practice tests included, will ensure sight-reading success in graded exams.
Author: Louis Bellson
Publisher: Alfred Music
ISBN: 9781457466373
Category : Music
Languages : en
Pages : 100
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Book Description
This book has become a classic in all musicians' libraries for rhythmic analysis and study. Designed to teach syncopation within 4/4 time, the exercises also develop speed and accuracy in sight-reading with uncommon rhythmic figures. A must for all musicians, especially percussionists interested in syncopation.
Author: Janek Gwizdala
Publisher:
ISBN: 9781711933023
Category :
Languages : en
Pages : 46
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Book Description
Bass Player's Guide to Looping: A Comprehensive Method to Pedal Looping on Bass [OVER 2.5 HOURS OF VIDEO INCLUDED]Bass Player's Guide to Looping is the definitive method to mastering the art of live-looping with the electric bass. Join world-renowned bassist Janek Gwizdala as he reveals every single detail of his signal chain--including illustrated pedal settings, tips on effects and gear, and proper looping techniques--giving you an endless array of tools to practice, compose, and perform live as a true artist. Whether you've used a loop pedal for years or just purchased your first one, Bass Player's Guide to Looping will help you to become the best looping bassist you can be.With purchase of this book, you also gain access to over 2.5 hours of video instruction. These videos include in-depth explanations and performances of every concept in the book, bonus footage of techniques used in solo bass performance, and live footage of looping with both a drummer in a duo setting as well as with a live band.
Author: Joannes Rochut
Publisher: Ravenio Books
ISBN:
Category : Music
Languages : en
Pages : 48
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Book Description
120 Melodious Etudes for Trombone, Book 1. From the vocalises of Marco Bordogni. Selected and transcribed by Joannes Rochut.
Author: Arnold Evans
Publisher: Mel Bay Publications
ISBN: 1609740254
Category : Music
Languages : en
Pages : 81
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Book Description
This book was written for bassists who wish to learn to read music as well as for those who wish to sharpen their music reading skills. the studies in the book progress from beginning to professional levels and represent an variety of styles that modern bassists are likely to encounter in real-world musical situations. for those conversant in music's universal language, a whole world of musical styles, ideas, and sounds is always available. This book aims to sharpen the skills of serious student bass players so that they may partake of this endless stream of ideas, information, and inspiration. Standard notation only. None of the exercises in this book contain fingering indications. This omission was made in order to make these exercises useful to players of all types of bass instruments, both electric and acoustic. the author strongly recommends that students work through this book with the supervision of a qualified teacher. If you are a professional musician the author hopes this book will help you stay in top sight-reading form, giving you an edge in a highly competitive market. If you are a novice bassist, this book will help you hone your skills in becoming a skilled professional.
Author: Andy Beck
Publisher: Alfred Music
ISBN: 9781457420115
Category : Music
Languages : en
Pages : 100
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Book Description
A sequential sight-singing curriculum for all choirs. Each of the six units (containing four lessons each) clearly introduces new music reading concepts, reinforces those concepts with several rhythm and pitch exercises, motivates students with helpful hints and challenge exercises, and concludes with fun-filled review games and "Evaluating Your Performance" questions. The helpful "Getting Ready" pages (which precede each unit) are filled with music fundamentals, and for choirs who have never read music before, an optional "Before We Begin" chapter opens the book. And it's all a neatly laid out publication and a perfect fit for your students. From whole notes to sixteenth-note patterns, seconds to sevenths, key signatures, dynamics, articulations, and tempo markings; it's all here, and it's all logically ordered to insure student success! Spend just a few minutes a day with this book and your choir, too, will learn to "Sing at First Sight!"
Author:
Publisher: Hal Leonard Corporation
ISBN: 1476863458
Category : Music
Languages : en
Pages : 195
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Book Description
(Instructional). Exercises and Etudes for the Jazz Instrumentalist is a collection of original pieces by the master trombonist/composer J.J. Johnson. Designed as study material and playable by any instrument, these pieces run the gamut of the jazz experience, featuring common and uncommon time signatures and keys, and styles from ballads to funk. They are progressively graded so that both beginners and professionals will be challenged by the demands of this wonderful music.
Author: Robert Anthony
Publisher: Createspace Independent Publishing Platform
ISBN: 9781507759912
Category : Piano
Languages : en
Pages : 0
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Book Description
First and foremost: THIS IS NOT A METHOD BOOK. It is precisely what it says it is: 300 Progressive Sight Reading Exercises! Volume One is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. The first 32 exercises isolate the hands while the remaining exercises combine them. For most of the exercises, the de-emphasized hand stays within a single five-finger position. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). This entire first volume is in C Major or its relative modes. Key signatures, accidentals, dynamics, tempo, and expressive markings will be covered in future volumes. All of the exercises are eight measures long. If one has done any study of formal analysis, they will find that eight measures is a typical ''period'' of music and usually contains two, four-bar phrases (also typical in length). For example, many sonatinas, jazz standards, and pop songs use "32 Bar Form" (A A B A), "Binary Form" (A B), and "Ternary Form" (A B A), with each section often being eight bars. Thus, eight measures (one period of music) makes the perfect length for sight-reading studies, in my opinion. Various strategies to using this book may be implemented. With my students, I start toward the beginning and zig-zag through the book, skipping the appropriate number of pages to make it into the more challenging sections. The further they are in the book, the more we skip. This approach prevents the student from memorizing the exercises, allowing for them to remain useful. Note: Although Amazon has classified this book as large print, there is also a LARGE PRINT version (much larger print) that for printing purposes had to be divided into two books, and is clearly marked on the cover and in the title. If you have poor vision or want this book to be easier to SEE on an electronic device, you might prefer the LARGE PRINT Version. "These books differ from conventional ''methods'' in that technical and theoretical instructions have been omitted, in the belief that these are more appropriately left for the teacher to explain to the student." - Bela Bartok, Mikrokosmos. I whole-heartedly agree with Bartok''s sentiment and if music teachers would ask their students what they like least (or hate the most) about typical lessons, it is the method books that win this contest EVERY TIME. I have completely eliminated method books from my own teaching practice and have much happier and more productive students than ever. While this book is intended to train sight-reading skills, it may also be used by beginners or those new to reading to acquire basic reading skills, but it assumes one either has a teacher or can at least find C on their instrument. It starts at a very basic level (only three notes) and adds a new note, rhythm, or concept every four exercises and thoroughly reinforces them throughout the rest of the book. Next, the music''s composition is a slave to its function: The purpose of the books is to train reading skill, and the exercises keep challenging the range that has been established by previous exercises as well as less-than-convenient intervalic skips. They are composed from a ''music-first'' perspective, as opposed to an ''instrument-first'' perspective, and are purposely composed to be difficult to memorize. For example, the first exercises begin on C because they are in the key of C, and then go on to sometimes start and end on different scale degrees of the same key. Those familiar with the Fundamental Modes will likely recognize what they are hearing, but those unfamiliar with these modes will likely be hearing something that sounds a bit different, or odd, until their ears acclimate to these sounds. I see many students go through this process with altered dominants and augmented triads as well.
Author: Robert Anthony
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Volume Two starts out rhythmically simpler than Volume One ends, and then - of course - progresses to a more difficult level, adding dynamic markings, expanding the key signatures to C, G, F, D, Bb, A, Eb, E, Ab Major and their relative minor keys and modes, and adding the time signatures 3/8 and 9/8 into the mix. Instructions and a free preview are available in pdf form at the Robert Anthony Publishing website. Like in Volume One, the exercises are all eight measures (two phrases, or one period) in length. While they are composed to be melodic and pleasant to the ear, they are also composed to be difficult to memorize, and utilize many rhythms that seem to be absent from other sight reading books. Next, I have made the staff font slightly larger than standard. While this will largely go unnoticed in the printed version of this book, it should make the electronic versions significantly easier to read. Finally, there are many correct ways to use this book. The instructions and a preview in pdf form are posted on my website so that I can update the instructions as I discover additional strategies. For example, I sometimes receive emails in which people tell me how they like to use this book. My opinions will evolve the more I use this book to train my students, so I want the ability to easily update the instructions as needed. The link for the pdf download will be directly below the picture of the cover of this book. Instructional videos supporting this book will be posted, as they are created, in the same place.
