Author: Franz Schubert
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 156
Book Description
Impromptus ; Moments musicaux ; Drei Klavierstücke
Author: Franz Schubert
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 156
Book Description
Schubert - Four Impromptus, D. 899 (0p. 90) (Songbook)
Author: Immanuela Gruenberg
Publisher: Hal Leonard Corporation
ISBN: 1480317969
Category : Music
Languages : en
Pages : 126
Book Description
(Schirmer Performance Editions). Composed in the fall of 1827, these impromptus enjoy enormous popularity among students, performers and audiences alike. The first and third are more lyrical in character, while the second and fourth are more like etudes. Includes audio recordings.
Publisher: Hal Leonard Corporation
ISBN: 1480317969
Category : Music
Languages : en
Pages : 126
Book Description
(Schirmer Performance Editions). Composed in the fall of 1827, these impromptus enjoy enormous popularity among students, performers and audiences alike. The first and third are more lyrical in character, while the second and fourth are more like etudes. Includes audio recordings.
The Unknown Schubert
Author: Lorraine Byrne Bodley
Publisher: Routledge
ISBN: 1351539833
Category : Music
Languages : en
Pages : 294
Book Description
Franz Schubert (1797-1828) is now rightly recognized as one of the greatest and most original composers of the nineteenth century. His keen understanding of poetry and his uncanny ability to translate his profound understanding of human nature into remarkably balanced compositions marks him out from other contemporaries in the field of song. Schubert was one of the first major composers to devote so much time to song and his awareness that this genre was not rated highly in the musical hierarchy did not deter him, throughout a short but resolute and hard-working career, from producing songs that invariably arrest attention and frequently strike a deeply poetic note. Schubert did not emerge as a composer until after his death, but during his short lifetime his genius flowered prolifically and diversely. His reputation was first established among the aristocracy who took the art music of Vienna into their homes, which became places of refuge from the musical mediocrity of popular performance. More than any other composer, Schubert steadily graced Viennese musical life with his songs, piano music and chamber compositions. Throughout his career he experimented constantly with technique and in his final years began experiments with form. The resultant fascinating works were never performed in his lifetime, and only in recent years have the nature of his experiments found scholarly favor. In The Unknown Schubert contributors explore Schubert's radical modernity from a number of perspectives by examining both popular and neglected works. Chapters by renowned scholars describe the historical context of his work, its relation to the dominant artistic discourses of the early nineteenth century, and Schubert's role in the paradigmatic shift to a new perception of song. This valuable book seeks to bring Franz Schubert to life, exploring his early years as a composer of opera, his later years of ill-health when he composed in the shadow of death, and his efforts to reflect i
Publisher: Routledge
ISBN: 1351539833
Category : Music
Languages : en
Pages : 294
Book Description
Franz Schubert (1797-1828) is now rightly recognized as one of the greatest and most original composers of the nineteenth century. His keen understanding of poetry and his uncanny ability to translate his profound understanding of human nature into remarkably balanced compositions marks him out from other contemporaries in the field of song. Schubert was one of the first major composers to devote so much time to song and his awareness that this genre was not rated highly in the musical hierarchy did not deter him, throughout a short but resolute and hard-working career, from producing songs that invariably arrest attention and frequently strike a deeply poetic note. Schubert did not emerge as a composer until after his death, but during his short lifetime his genius flowered prolifically and diversely. His reputation was first established among the aristocracy who took the art music of Vienna into their homes, which became places of refuge from the musical mediocrity of popular performance. More than any other composer, Schubert steadily graced Viennese musical life with his songs, piano music and chamber compositions. Throughout his career he experimented constantly with technique and in his final years began experiments with form. The resultant fascinating works were never performed in his lifetime, and only in recent years have the nature of his experiments found scholarly favor. In The Unknown Schubert contributors explore Schubert's radical modernity from a number of perspectives by examining both popular and neglected works. Chapters by renowned scholars describe the historical context of his work, its relation to the dominant artistic discourses of the early nineteenth century, and Schubert's role in the paradigmatic shift to a new perception of song. This valuable book seeks to bring Franz Schubert to life, exploring his early years as a composer of opera, his later years of ill-health when he composed in the shadow of death, and his efforts to reflect i
Beethoven Forum
Author: Christopher Reynolds
Publisher: U of Nebraska Press
ISBN: 9780803239067
Category : Music
Languages : en
Pages : 270
Book Description
This inaugural volume of Beethoven Forum presents the work of ten leading scholars who focus on an array of matters that clearly illustrate the vitality of current thought on Beethoven. Scott Burnham leads off the collection with a discussion of the reception of Beethoven's Third Symphony, the Eroica, a composition that continues to spur new interpretations. In succeeding chapters James Webster analyzes the formal sophistication of Beethoven's most influential and idiosyncratic creation, the last movement of his Ninth Symphony; Roger Kamien and William Kinderman examine piano sonatas; David Smyth and Richard Kramer investigate string quartets; Robert Freeman discusses his discovery of previously unknown cadenzas for Beethoven's piano concertos; Theodore Albrecht relates Beethoven's reading of Shakespeare to Beethoven's own life, and both to the "Tempest" Sonata; and Nicholas Marston uses Barry Cooper's recent work on Beethoven as the basis for a consideration of value of sketch studies. In an especially innovating article Julia Moore discusses the economic forces that shaped Beethoven's career. An annual series, Beethoven Forum will serve as an international venue for articles, notes, queries, critical exchanges, and reviews.
Publisher: U of Nebraska Press
ISBN: 9780803239067
Category : Music
Languages : en
Pages : 270
Book Description
This inaugural volume of Beethoven Forum presents the work of ten leading scholars who focus on an array of matters that clearly illustrate the vitality of current thought on Beethoven. Scott Burnham leads off the collection with a discussion of the reception of Beethoven's Third Symphony, the Eroica, a composition that continues to spur new interpretations. In succeeding chapters James Webster analyzes the formal sophistication of Beethoven's most influential and idiosyncratic creation, the last movement of his Ninth Symphony; Roger Kamien and William Kinderman examine piano sonatas; David Smyth and Richard Kramer investigate string quartets; Robert Freeman discusses his discovery of previously unknown cadenzas for Beethoven's piano concertos; Theodore Albrecht relates Beethoven's reading of Shakespeare to Beethoven's own life, and both to the "Tempest" Sonata; and Nicholas Marston uses Barry Cooper's recent work on Beethoven as the basis for a consideration of value of sketch studies. In an especially innovating article Julia Moore discusses the economic forces that shaped Beethoven's career. An annual series, Beethoven Forum will serve as an international venue for articles, notes, queries, critical exchanges, and reviews.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1578
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1578
Book Description
Klavierstücke
Author: Josef Matthias Hauer
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 22
Book Description
Nineteenth-Century Piano Music
Author: R. Larry Todd
Publisher: Routledge
ISBN: 1136731288
Category : Music
Languages : en
Pages : 488
Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1136731288
Category : Music
Languages : en
Pages : 488
Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 516
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 516
Book Description
Includes entries for maps and atlases.
The National Union Catalog
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 516
Book Description
Library of Congress Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 520
Book Description
A cumulative list of works represented by Library of Congress printed cards.
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 520
Book Description
A cumulative list of works represented by Library of Congress printed cards.