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Author: Sylvie Eve Blum-Reid
Publisher: Vernon Press
ISBN: 1648898114
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
‘Impressions from Paris’ studies the contributions of various women artists and writers who lived in Paris during the Interwar Years, from the 1920s to 1940. The “Roaring Twenties” constituted years of experimentation and freedom to test new techniques and lifestyles at a time affected by serious political changes leading to World War II. Their trajectories have left traces that can be mapped out, studied, and addressed today, a hundred years later. The volume revisits their experiences through various lenses that include art history, gender, fashion, literary analysis, psychology, philosophy, as well as film and food. The volume revisits the artistic, literary, and journalistic contributions of women worldwide, including France, as they flocked to Paris from the 1920s to 1940. The overall principle lies in the inclusion of female painters, visual artists, and writers from diverse international and national backgrounds. Scholars who participate in the volume explore the possibilities presented in a modern literary and artistic history while building on previous scholarship. Two seminal books and a documentary film inspire this project: Shari Benstock’s ‘Women of the Left Bank. Paris 1900-1940’ (Texas UP 1986) and Andrea Weiss’s ‘Paris was a woman. Portraits from the Left Bank’ (HarperSanFrancisco 1995), which in turn produced an eponymous film (Greta Schiller/Andrea Weiss 1996). These works highlight the community of women artists, editors and writers during the interwar years in Paris. There is scholarship in the area, although most of it is scattered in single monographs, crossing various genres, and various languages, from (recent) graphic novels, to fiction, biographical studies, cultural histories as well as scholarly artistic and literary studies.
Author: Sylvie Eve Blum-Reid
Publisher: Vernon Press
ISBN: 1648898114
Category : Literary Criticism
Languages : en
Pages : 205
Get Book Here
Book Description
‘Impressions from Paris’ studies the contributions of various women artists and writers who lived in Paris during the Interwar Years, from the 1920s to 1940. The “Roaring Twenties” constituted years of experimentation and freedom to test new techniques and lifestyles at a time affected by serious political changes leading to World War II. Their trajectories have left traces that can be mapped out, studied, and addressed today, a hundred years later. The volume revisits their experiences through various lenses that include art history, gender, fashion, literary analysis, psychology, philosophy, as well as film and food. The volume revisits the artistic, literary, and journalistic contributions of women worldwide, including France, as they flocked to Paris from the 1920s to 1940. The overall principle lies in the inclusion of female painters, visual artists, and writers from diverse international and national backgrounds. Scholars who participate in the volume explore the possibilities presented in a modern literary and artistic history while building on previous scholarship. Two seminal books and a documentary film inspire this project: Shari Benstock’s ‘Women of the Left Bank. Paris 1900-1940’ (Texas UP 1986) and Andrea Weiss’s ‘Paris was a woman. Portraits from the Left Bank’ (HarperSanFrancisco 1995), which in turn produced an eponymous film (Greta Schiller/Andrea Weiss 1996). These works highlight the community of women artists, editors and writers during the interwar years in Paris. There is scholarship in the area, although most of it is scattered in single monographs, crossing various genres, and various languages, from (recent) graphic novels, to fiction, biographical studies, cultural histories as well as scholarly artistic and literary studies.
Author: Sylvie Eve Blum-Reid
Publisher: Curating and Interpreting Culture
ISBN: 9781648897351
Category : Art
Languages : en
Pages : 0
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Book Description
'Impressions from Paris' studies the contributions of various women artists and writers who lived in Paris during the Interwar Years, from the 1920s to 1940. The "Roaring Twenties" constituted years of experimentation and freedom to test new techniques and lifestyles at a time affected by serious political changes leading to World War II. Their trajectories have left traces that can be mapped out, studied, and addressed today, a hundred years later. The volume revisits their experiences through various lenses that include art history, gender, fashion, literary analysis, psychology, philosophy, as well as film and food. The volume revisits the artistic, literary, and journalistic contributions of women worldwide, including France, as they flocked to Paris from the 1920s to 1940. The overall principle lies in the inclusion of female painters, visual artists, and writers from diverse international and national backgrounds. Scholars who participate in the volume explore the possibilities presented in a modern literary and artistic history while building on previous scholarship. Two seminal books and a documentary film inspire this project: Shari Benstock's 'Women of the Left Bank. Paris 1900-1940' (Texas UP 1986) and Andrea Weiss's 'Paris was a woman. Portraits from the Left Bank' (HarperSanFrancisco 1995), which in turn produced an eponymous film (Greta Schiller/Andrea Weiss 1996). These works highlight the community of women artists, editors and writers during the interwar years in Paris. There is scholarship in the area, although most of it is scattered in single monographs, crossing various genres, and various languages, from (recent) graphic novels, to fiction, biographical studies, cultural histories as well as scholarly artistic and literary studies.
Author: Sylvie Blum-Reid
Publisher: Wallflower Press
ISBN: 9781903364673
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
This book examines Franco-Asian film and literary productions in the context of France's colonial history. Includes analysis of such key film texts as Indochine, Cyclo and The Lover.
Author: Rori Bloom
Publisher: Associated University Presse
ISBN: 9780838757246
Category : Fiction
Languages : en
Pages : 212
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Book Description
Best known for the short novel Manon Lescaut, Antoine-Francois Prevost was also the author of a dictionary, several important translations, an extensive corpus of historical writing, a dozen novels, and more than twenty volumes of journalism. While much of his fiction is reminiscent of the adventure stories of baroque novelists, Prevost's nonfiction expresses an encyclopedic ambition that prefigures the intellectual enterprises of the philosophes. In her exploration of the tension between his novelistic and journalistic writing, Rori Bloom argues that Prevost's novels employ established and even archaic attitudes toward authorship, while his newspaper elaborates a new understanding of the roles of author and public. By juxtaposing Prevost's novels and newspaper, Bloom analyzes the sophisticated literary strategies through which this author constructed his complex professional identity. Rori Bloom is an Assistant Professor of French in the Department of Romance Languages and Literatures at the University of Florida.
Author: Sylvie Blum-Reid
Publisher: Springer
ISBN: 1137553545
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Travel narratives abound in French cinema since the 1980s. This study delineates recurrent travel tropes in films such as departures and returns, the chase, the escape, nomadic wandering, interior voyages, the unlikely travel, rituals, pilgrimages, migrants' narratives and emergencies, women's travel, and healing narratives.
Author: Clara Oropeza
Publisher: Routledge
ISBN: 1351675478
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Anaïs Nin: A Myth of Her Own traces Nin’s literary craft by following the intimacy of self-exploration and poetic expression attained in the details of the quotidian, transfigured into fiction. By digging into the mythic tropes that permeate both her literary diaries and fiction, this book demonstrates that Nin constructed a mythic method of her own, revealing the extensive possibilities of an opulent feminine psyche. Clara Oropeza demonstrates that the literary diary, for Nin, is a genre that with its traces of trickster archetype, among others, reveals a mercurial, yet particular understanding of an embodied and at times mystical experience of a writer. The cogent analysis of Nin’s fiction alongside the posthumously published unexpurgated diaries, within the backdrop of emerging psychological theories, further illuminates Nin’s contributions as an experimental and important modernist writer whose daring and poetic voice has not been fully appreciated. By extending research on diary writing and anchoring Nin’s literary style within modernist traditions, this book contributes to the redefinition of what literary modernism was comprised, who participated and how it was defined. Anaïs Nin: A Myth of Her Own is unique in its interdisciplinary expansion of literature, literary theory, mythological studies and depth psychology. By considering the ecocritical aspects of Nin’s writing, this book forges a new paradigm for not only Nin’s work, but for critical discussions of self-life writing as a valid epistemological and aesthetic form. This impressive work will be of great interest to academics and students of Jungian and post-Jungian studies, literary studies, cultural studies, mythological studies and women’s studies.
Author: Laura Hamer
Publisher: Cambridge University Press
ISBN: 1108605184
Category : Music
Languages : en
Pages : 357
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Book Description
This Companion explores women's work in music since 1900 across a broad range of musical genres and professions, including the classical tradition, popular music, and music technology. The crucial contribution of women to music education and the music industries features alongside their activity as composers and performers. The book considers the gendered nature of the musical profession, in areas including access to training, gendered criticism, sexualization, and notions of 'gender appropriate' roles or instruments. It covers a wide range of women musicians, such as Marin Alsop, Grace Williams, Billie Holiday, Joni Mitchell and Adele. Each thematic section concludes with a contribution from a practitioner in her own words, reflecting upon the impact of gender on her own career. Chapters include suggestions for further reading on each of the topics covered, providing an invaluable resource for students of Feminist Musicology, Women in Music, and Music and Gender.
Author: Brigitte Weltman-Aron
Publisher: Columbia University Press
ISBN: 0231539878
Category : Philosophy
Languages : en
Pages : 327
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Book Description
Born and raised in French Algeria, Assia Djebar and Hélène Cixous represent in their literary works signs of conflict and enmity, drawing on discordant histories so as to reappraise the political on the very basis of dissensus. In a rare comparison of these authors' writings, Algerian Imprints shows how Cixous and Djebar consistently reclaim for ethical and political purposes the demarcations and dislocations emphasized in their fictions. Their works affirm the chance for thinking afforded by marginalization and exclusion and delineate political ways of preserving a space for difference informed by expropriation and nonbelonging. Cixous's inquiry is steeped in her formative encounter with the grudging integration of the Jews in French Algeria, while Djebar's narratives concern the colonial separation of "French" and "Arab," self and other. Yet both authors elaborate strategies to address inequality and injustice without resorting to tropes of victimization, challenging and transforming the understanding of the history and legacy of colonized space.
Author: Katerina Atanassova
Publisher: Arnoldsche Verlagsanstalt GmbH
ISBN: 9783897905474
Category :
Languages : en
Pages : 296
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Book Description
- Approximately 125 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism- A detailed chronology explores the multifaceted ways in which Canadians contributed to the evolution of ImpressionismFollow these Canadian artists as they travel abroad and return home again, over a series of journeys taking place during the last decades of the nineteenth century to the turn of the twentieth. Approximately 125 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism and present a fresh perspective on its reception in the arts of Canada. Adopting a thematic approach, comprehensive essays demonstrate the commitment of these pioneering artists to an innovative interpretation of foreign and familiar surroundings, imbued with an Impressionist vocabulary. A detailed chronology explores the multifaceted ways in which Canadians contributed to the evolution of Impressionism and to the advent of modernity in their homeland. This book accompanies exhibitions at the Kunsthalle der Hypo-Kulturstiftung, Munich (DE), July - November 2019; Fondation de l Hermitage, Lausanne (CH), January - May 2020; Musée Fabre, Montpellier (FR), June - September 2020; and the National Gallery of Canada, Ottawa (CA), November 2020 - April 2021.
Author: Mirjam Rajner
Publisher: BRILL
ISBN: 9004408908
Category : Performing Arts
Languages : en
Pages : 474
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Book Description
In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan. These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath. interview with the author
