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Author: Patricia Railing
Publisher:
ISBN: 9780946311002
Category : Art
Languages : en
Pages : 0
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Book Description
The French Impressionist painters discovered new means for painting light - they used a "solar palette", the pigments matched to the colors the eyes see. They are the colors of a ray of light. This little book reproduces palettes by 8 of the plein-air painters - Cézanne, Manet, Monet, Pissarro, Renoir, Seurat, Signac, and Van Gogh.
Author: Patricia Railing
Publisher:
ISBN: 9780946311002
Category : Art
Languages : en
Pages : 0
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Book Description
The French Impressionist painters discovered new means for painting light - they used a "solar palette", the pigments matched to the colors the eyes see. They are the colors of a ray of light. This little book reproduces palettes by 8 of the plein-air painters - Cézanne, Manet, Monet, Pissarro, Renoir, Seurat, Signac, and Van Gogh.
Author: Patricia Railing
Publisher:
ISBN: 9780946311279
Category : Art
Languages : en
Pages : 0
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Book Description
The 19th century was a century of new pigments. They were derived from recently recognised metals?cadmium, chrome, zinc and others? as well as from the discovery of the chemical colouring substances of plants. From indigo the aniline dyes were manufactured, and from madder came the alizarin red pigments? there were hundreds of these coal tar pigments. The English chemist, George Field, published his Chromatography in 1835, a comprehensive collection which included many of the new pigments and, as the century wore on so new pigments were added to up-dated editions of his book in 1869 and 1885. They were published by the English colour-makers, Winsor & Newton, so become a chronicle of a world of new pigments for painters not only in England but also in France and Germany especially. '19th Century Colour Palettes' traces these developments, presenting the pigments in dictionary form in extracts taken from the editions of Field's Chromatography.
Author: Susie Hodge
Publisher: Harper Collins
ISBN: 0060747919
Category : Art
Languages : en
Pages : 148
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Book Description
Impressionism has captured the imagination of people the world over since its first exhibition in Paris in 1874. People have long sought to understand how and why the Impressionists created their paintings and how their techniques might be replicated. Susie Hodge reveals the answers to these questions by assessing the techniques and styles of the great masters of Impressionism and showing how artists today can use their methods. An informative introduction explains how the Impressionist movement came about, explores its historical context, and defines the style and inspiration of the artists involved. The heart of the book, however, focuses on eight major Impressionist painters -- Monet, Pissarro, Renoir, Cassatt, Degas, Cezanne, Seurat and Van Gogh -- revealing how they worked and analyzing their well-known paintings. Each case includes step-by-step demonstrations that show the reader exactly how to re-create Impressionist painting details in appropriate style.
Author: Bernard Dunstan
Publisher: Watson-Guptill Publications
ISBN: 9780823037124
Category : Art
Languages : en
Pages : 160
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Book Description
Studies the techniques of sixteen great painters of the nineteenth and twentieth centuries, quoting extensively from their writings and examining masterworks in detail
Author: Laura Anne Kalba
Publisher: Penn State Press
ISBN: 0271079789
Category : Art
Languages : en
Pages : 713
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Book Description
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Author: Caroline Holmes
Publisher: Acc Art Books
ISBN: 9781851496532
Category : Gardens
Languages : en
Pages : 0
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Book Description
'Impressionists in Their Gardens' explores gardens through the senses of the Impressionists from three continents - Europe, North America and Australia - enjoying the essentially similar pleasures of the garden, but engaging with the light from their skies in order to create very different sensations. The enclosure of the garden acts like a picture frame showcasing a living canvas that exudes the individuality, vision and taste of its tenants, their family, friends, lifestyles and, in the simple words of the greatest Impressionist and gardener Monet, providing motifs to paint. The first section uses contemporary paintings and photographs to see the who, what and where of Impressionist gardens - planting, eating, loving, sleeping, children, animals, working and painting. The second section, illustrated with paintings, old photographs and modern images, starts at the horticultural source - the nurseryman Latour-Marliac at Temple sur Lot, then Monet at Giverny; American Impressionists at Old Lyme, Cos Cob and Appledore in the USA; Gertrude Jekyll at Munstead Wood and beyond; the Heidelburg School and Frederick McCubbin at Fontainebleau; and, chronologically last but not least, Renoir at Les Colettes. Caroline Holmes' travels have enabled her to take this unique approach, as a garden historian and gardener she understands how weather has shaped and formed the earth's sublime topography and how the control of the human hand is beautifully displayed in its fine crafted gardens, observed and colourfully captured by these artists. Join her in the garden for the great pleasures of solitude and sociability; food and friendship; sound and scent; cool shade and balmy warmth, not forgetting glorious colour. 200 colour illustrations
Author: Kimberly Brooks
Publisher: Chronicle Books
ISBN: 1797200674
Category : Art
Languages : en
Pages : 235
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Book Description
Here is everything you need to know about getting into oil painting—and maintaining a safe, solvent-free oil painting practice—in a slim, sophisticated guide. Oil painting is an exciting and adventurous medium, but aspiring artists can feel daunted by complex setups and the thought of using harsh chemicals. All of that changes now. The New Oil Painting walks you step-by-step through oil painting fundamentals—which materials you actually need, how to mix paint, how to set up your painting space—and, most revolutionary of all, how to eliminate harmful solvents from your work and replace them with safe, effective substitutes. This instructional handbook is organized into chapters with helpful diagrams throughout illustrating various techniques and tools. Whether you're a true beginner or have been painting with oils for years, you will find that this book has everything you need to build a new, thriving, toxin-free practice. • UNIQUE APPROACH: Not only does this book help aspiring artists build a repertoire of skills and materials, it also offers all artists, regardless of their experience levels, methods for eliminating solvents and other toxic substances from their oil painting practices. What was once a dangerous pastime is now a guilt-free, health-conscious, and rewarding activity. And using safe, nontoxic materials is better for the environment! • LONG-TERM USE: Good art instruction can deliver over a long period of time, and this handy guide is no exception. Along with being able to use this as an entryway into oil painting, you can also use it for reference or reread sections when you need a brushup. • EXPERT AUTHOR WITH IMPRESSIVE CREDENTIALS: Painter Kimberly Brooks was the founding arts editor at Huffington Post. As a painter, she exhibits her work frequently throughout the United States and was a featured artist with the National Endowment for the Arts. She has led oil painting workshops, and now she shares her vast knowledge of the subject in this accessible and comprehensive handbook. Perfect for: • Artists and art aspirants interested in exploring a new medium • Experienced oil painters looking to eliminate solvents from their practices • Painting students and teachers
Author: Anthea Callen
Publisher: Yale University Press
ISBN: 0300084021
Category : Art
Languages : en
Pages : 270
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Book Description
"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.
Author:
Publisher: Pomegranate
ISBN: 9780876544433
Category : Art
Languages : en
Pages : 154
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Book Description
In this best-selling book Elizabeth Murray discusses the development and maintenance of Claude Monet's Giverny estate as well as Monet's color theories, design elements, and use of light and shade. Richly illustrated with Murray's lush photographs of the present-day Giverny gardens, Monet's Passion also offers full-color illustrations of the gardens drawn to scale and four Giverny-based garden plans that can be executed anywhere.
Author: Ogden N. Rood
Publisher: Alpha Edition
ISBN: 9789353926113
Category : History
Languages : en
Pages : 338
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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
