Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Impressionist and Modern Paintings, Drawings and Sculpture, Part I Et Part II
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Impressionist and Modern Paintings, Drawings and Sculptures, Part II.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Impressionist and Modern Paintings, Drawings and Sculpture, Part I
Author:
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages :
Book Description
Impressionist and Modern Paintings, Drawings and Sculpture, Part 2
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Impressionist and Modern Paintings, Drawings and Sculpture (Part II)
Author: Christie, Manson & Woods International, Inc. (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 263
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 263
Book Description
Impressionist and Modern Paintings, Drawings and Sculpture (part I)
Author: Christie, Manson & Woods International Inc
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 0
Book Description
Impressionist and Modern Paintings, Drawings, Watercolour & Sculpture, Part II
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Impressionist and Modern Paintings, Drawings and Sculpture (Part II) the Properties of the Estate of Mrs. Alexander Brailowsky, the Collection of William Copley... and from Various Sources
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Impressionist and Modern Paintings and Sculpture
Author: Christie, Manson & Woods International, Inc. (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 166
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 166
Book Description
Mapping Impressionist Painting in Transnational Contexts
Author: Emily C. Burns
Publisher: Routledge
ISBN: 1000372952
Category : Art
Languages : en
Pages : 318
Book Description
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.
Publisher: Routledge
ISBN: 1000372952
Category : Art
Languages : en
Pages : 318
Book Description
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.