Author: Julia L. Farmer
Publisher: Bucknell University Press
ISBN: 1611487471
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Imperial Tapestries represents a transnational approach to questions of monarchical power and literary form in early modern Europe. In line with Barbara Fuchs’s recent call for considerations of center versus periphery in Old World contexts, it explores the ways in which some of the most significant authors of the early modern era questioned the structures of Spanish Habsburg authority through “imperial texts”—texts that call attention to their organizational process—in order to mirror authors’ perceptions of the structures of Habsburg power. With a contextual basis in Fuchs’ notion of imperium studies, ideas of self-fashioning, and theories of early modern reading, the study explores the ways in which complex narrative forms in the early modern period reflected the concerns with the structures of Habsburg imperial power subtly portrayed within the narratives themselves. A close reading of the various strands that form the tapestries of the texts at issue reveals a deep undercurrent of misgivings toward various manifestations of Spanish Habsburg power on the part of authors who had experienced its effects first-hand. Whether the complex narrative devices in question cast the Habsburg monarchs as monster, misogynist, sorceress, aloof shepherdess, or mad would-be knight errant, they all have one thing in common: the spatialized forms that they create correspond directly with the ways in which the authors in question perceive the more disillusioning aspects of Habsburg hegemony. Authors studied in the volume include Ludovico Ariosto, Garcilaso de la Vega,Jorge de Montemayor, Miguel de Cervantes, and María de Zayas.
Imperial Tapestries
Author: Julia L. Farmer
Publisher: Bucknell University Press
ISBN: 1611487471
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Imperial Tapestries represents a transnational approach to questions of monarchical power and literary form in early modern Europe. In line with Barbara Fuchs’s recent call for considerations of center versus periphery in Old World contexts, it explores the ways in which some of the most significant authors of the early modern era questioned the structures of Spanish Habsburg authority through “imperial texts”—texts that call attention to their organizational process—in order to mirror authors’ perceptions of the structures of Habsburg power. With a contextual basis in Fuchs’ notion of imperium studies, ideas of self-fashioning, and theories of early modern reading, the study explores the ways in which complex narrative forms in the early modern period reflected the concerns with the structures of Habsburg imperial power subtly portrayed within the narratives themselves. A close reading of the various strands that form the tapestries of the texts at issue reveals a deep undercurrent of misgivings toward various manifestations of Spanish Habsburg power on the part of authors who had experienced its effects first-hand. Whether the complex narrative devices in question cast the Habsburg monarchs as monster, misogynist, sorceress, aloof shepherdess, or mad would-be knight errant, they all have one thing in common: the spatialized forms that they create correspond directly with the ways in which the authors in question perceive the more disillusioning aspects of Habsburg hegemony. Authors studied in the volume include Ludovico Ariosto, Garcilaso de la Vega,Jorge de Montemayor, Miguel de Cervantes, and María de Zayas.
Publisher: Bucknell University Press
ISBN: 1611487471
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Imperial Tapestries represents a transnational approach to questions of monarchical power and literary form in early modern Europe. In line with Barbara Fuchs’s recent call for considerations of center versus periphery in Old World contexts, it explores the ways in which some of the most significant authors of the early modern era questioned the structures of Spanish Habsburg authority through “imperial texts”—texts that call attention to their organizational process—in order to mirror authors’ perceptions of the structures of Habsburg power. With a contextual basis in Fuchs’ notion of imperium studies, ideas of self-fashioning, and theories of early modern reading, the study explores the ways in which complex narrative forms in the early modern period reflected the concerns with the structures of Habsburg imperial power subtly portrayed within the narratives themselves. A close reading of the various strands that form the tapestries of the texts at issue reveals a deep undercurrent of misgivings toward various manifestations of Spanish Habsburg power on the part of authors who had experienced its effects first-hand. Whether the complex narrative devices in question cast the Habsburg monarchs as monster, misogynist, sorceress, aloof shepherdess, or mad would-be knight errant, they all have one thing in common: the spatialized forms that they create correspond directly with the ways in which the authors in question perceive the more disillusioning aspects of Habsburg hegemony. Authors studied in the volume include Ludovico Ariosto, Garcilaso de la Vega,Jorge de Montemayor, Miguel de Cervantes, and María de Zayas.
The Tapestries of the Vienna Imperial Court
Author: Hermann Schmitz
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 174
Book Description
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 174
Book Description
Tapestries
Author: George Leland Hunter
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
The Imperial Tapestry
Author: Norma Alarcón
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 228
Book Description
The Tapestries of the Vienna Imperial Court
Author: Hermann Schmitz
Publisher:
ISBN:
Category : Tapestry, Flemish
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Tapestry, Flemish
Languages : en
Pages : 0
Book Description
Tapestries, Their Origin, History and Renaissance
Author: George Leland Hunter
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 458
Book Description
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 458
Book Description
The Tapestries of the Vienna Imperial Court
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Imagining Qianlong
Author: Florian Knothe
Publisher: Hong Kong University Press
ISBN: 9789881902498
Category : Art, Chinese
Languages : en
Pages : 77
Book Description
This publication accompanies an unprecedented exhibition highlighting four of the magnificent chinoiserie tapestries of Chinese Emperor Qianlong, woven after designs by Fran ois Boucher at the famous Beauvais manufactory from 1758-1760. The large and well-preserved textiles form part of the royal French commission by King Louis XV, objects of which were presented to Qianlong in 1766. These celebrated tapestries are joined by another historic set of culturally related depictions in print--The Battles of the Emperor of China. The engravings were ordered by Qianlong, drawn by Jesuit painters at the Imperial Court in Beijing and then printed in Paris 1769-1774. The 'culture' of these prints follows King Louis XIV's influential images of the Histoire du Roi and presents Qianlong as both a war hero and as the undisputed leader of China in the mid-eighteenth century. These depictions date to the exact same time period, one that coincides with the high demand for chinoiserie in France--culminating in the world-famous designs by Boucher--and the Imperial Court of China's interest in French design and culture. Despite their world-renowned fame, these groups of images previously have not been shown together. Imagining Qianlong presents one of the rare topics to celebrate the court cultures in both France and China, at a time when the empires idolized each other, and cultural influences and exchanges were highly significant and supported by well-established and prosperous monarchs during an increasingly enlightened eighteenth century. In order to highlight the cross-cultural aspects of this project, Florian Knothe (HKU), Pascal-Fran ois Bertrand (Bordeaux), Nicholas Pearce (Glasgow) and Kristel Smentek (MIT) have contributed essays detailing the sociocultural history of the tapestries and prints. Each scholar is an expert in their fields and a well-versed lecturer on Chinese artistic influences in France, as well as French and European Jesuit culture in China.
Publisher: Hong Kong University Press
ISBN: 9789881902498
Category : Art, Chinese
Languages : en
Pages : 77
Book Description
This publication accompanies an unprecedented exhibition highlighting four of the magnificent chinoiserie tapestries of Chinese Emperor Qianlong, woven after designs by Fran ois Boucher at the famous Beauvais manufactory from 1758-1760. The large and well-preserved textiles form part of the royal French commission by King Louis XV, objects of which were presented to Qianlong in 1766. These celebrated tapestries are joined by another historic set of culturally related depictions in print--The Battles of the Emperor of China. The engravings were ordered by Qianlong, drawn by Jesuit painters at the Imperial Court in Beijing and then printed in Paris 1769-1774. The 'culture' of these prints follows King Louis XIV's influential images of the Histoire du Roi and presents Qianlong as both a war hero and as the undisputed leader of China in the mid-eighteenth century. These depictions date to the exact same time period, one that coincides with the high demand for chinoiserie in France--culminating in the world-famous designs by Boucher--and the Imperial Court of China's interest in French design and culture. Despite their world-renowned fame, these groups of images previously have not been shown together. Imagining Qianlong presents one of the rare topics to celebrate the court cultures in both France and China, at a time when the empires idolized each other, and cultural influences and exchanges were highly significant and supported by well-established and prosperous monarchs during an increasingly enlightened eighteenth century. In order to highlight the cross-cultural aspects of this project, Florian Knothe (HKU), Pascal-Fran ois Bertrand (Bordeaux), Nicholas Pearce (Glasgow) and Kristel Smentek (MIT) have contributed essays detailing the sociocultural history of the tapestries and prints. Each scholar is an expert in their fields and a well-versed lecturer on Chinese artistic influences in France, as well as French and European Jesuit culture in China.
Tapestries, Their Origin, History and Renaissance
Author: George Leland Hunter
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 466
Book Description
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 466
Book Description
Imperial Tapestries
Author: Julia L. Farmer
Publisher:
ISBN: 9781611487466
Category : Italian literature
Languages : en
Pages : 0
Book Description
Imperial Tapestries explores how key authors of early modern Italy and Spain questioned Habsburg authority through "imperial texts"--texts that call attention to their organizational process. In so doing, the study offers innovative insights into the politics of such classic authors as Ludovico Ariosto, Garcilaso de la Vega, Jorge de Montemayor, Miguel de Cervantes, and María de Zayas as it teases out the nuances of their often indirect portrayals of their relationship with the Crown.
Publisher:
ISBN: 9781611487466
Category : Italian literature
Languages : en
Pages : 0
Book Description
Imperial Tapestries explores how key authors of early modern Italy and Spain questioned Habsburg authority through "imperial texts"--texts that call attention to their organizational process. In so doing, the study offers innovative insights into the politics of such classic authors as Ludovico Ariosto, Garcilaso de la Vega, Jorge de Montemayor, Miguel de Cervantes, and María de Zayas as it teases out the nuances of their often indirect portrayals of their relationship with the Crown.