The Sonic Persona

The Sonic Persona PDF Author: Holger Schulze
Publisher: Bloomsbury Publishing USA
ISBN: 150130545X
Category : Music
Languages : en
Pages : 273

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Book Description
In The Sonic Persona, Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation: This book presents a fundamental critique concerning recent sound theories and their anthropological concepts – and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses. I'm going to prove the impossible really exists.

The Sonic Persona

The Sonic Persona PDF Author: Holger Schulze
Publisher: Bloomsbury Publishing USA
ISBN: 150130545X
Category : Music
Languages : en
Pages : 273

Get Book Here

Book Description
In The Sonic Persona, Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation: This book presents a fundamental critique concerning recent sound theories and their anthropological concepts – and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses. I'm going to prove the impossible really exists.

Literacy, Language and Learning:The Nature and Consequences of Reading and Writing

Literacy, Language and Learning:The Nature and Consequences of Reading and Writing PDF Author: David R. Olson
Publisher: CUP Archive
ISBN: 9780521319126
Category : Education
Languages : en
Pages : 454

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Book Description
Literacy is an important concern of contemporary societies. This book offers a comprehensive survey of recent efforts to understand the nature of written language and its role in cognition and in social and intellectual life. The authors represent a wide range of disciplines - cognitive psychology, linguistics, anthropology, sociology, education, history and philosophy - and address a wide range of questions. Is literacy a decisive factor in historical and cultural change? Does it alter the mental and social lives of individuals? If so how and via what mechanisms? Does learning to read and write change children's speech, thought or orientation to language? What are children and adults learning when they acquire literate skills? Are there differences - linguistic, psychological and functional - between speaking and writing? And are there differences between oral and written languages?

Reading Descartes. Consciousness, Body, and Reasoning

Reading Descartes. Consciousness, Body, and Reasoning PDF Author: Andrea Strazzoni
Publisher: Firenze University Press
ISBN:
Category : Philosophy
Languages : en
Pages : 208

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Book Description
This volume takes cue from the idea that the thought of no philosopher can be understood without considering it as the result of a lively dialogue with other thinkers. On this ground, it addresses the ways in which René Descartes’s philosophy evolved and was progressively understood by intellectuals from different contexts and eras, either by considering direct interlocutors of Descartes such as Isaac Beeckman and Elisabeth of Bohemia, thinkers who developed upon his ideas and on particular topics as Nicolas Malebranche or Thomas Willis, those who adapted his overall methodology in developing new systems of knowledge as Johannes Clauberg and Pierre-Sylvain Régis, and contemporary thinkers from continental and analytic traditions like Emanuele Severino and Peter Strawson.

The Sound of Music

The Sound of Music PDF Author: Caryl Flinn
Publisher: Bloomsbury Publishing
ISBN: 1839020598
Category : Performing Arts
Languages : en
Pages : 137

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Book Description
Fifty years after its release, The Sound of Music (1965) remains the most profitable and recognisable film musical ever made. Quickly consolidating its cultural authority, the Hollywood film soon eclipsed the German film and Broadway musical that preceded it to become one of the most popular cultural reference points of the twenty-first century. In this fresh exploration, Caryl Flinn foregrounds the film's iconic musical numbers, arguing for their central role in the film's longevity and mass appeal. Stressing the unique emotional bond audiences establish with The Sound of Music, Flinn traces the film's prehistories, its place amongst the tumultuous political, social and cultural events of the 1960s, and its spirited afterlife among fans around the world.

The Oxford Handbook of Sound and Image in Western Art

The Oxford Handbook of Sound and Image in Western Art PDF Author: Yael Kaduri
Publisher: Oxford University Press
ISBN: 0190631694
Category : Music
Languages : en
Pages :

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Book Description
The Oxford Handbook of Sound and Image in Western Art examines, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms. The book represents state-of-the-art case studies with key figures of modern thinking constituting a foundation for discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks. The book is organized around three core thematic sections. The first, Sights and Sounds, concentrates on the interaction between the experience of seeing and the experience of hearing. Examples of painting, classic and digital animation, video art, choreography, and music performance are examined in this section. Sound, Space, and Matter explores experimental forms emanating from the expansion of the concepts of music and space to include environmental sounds, vibrating frequencies, silence, language, human habitats, the human body, and more. The reader will find here an analysis of different manifestations of this aesthetic shift in sound art, fine art, contemporary dance, multimedia theatre, and cinema. The last section, Performance, Performativity, and Text, shows how new light shed by modernism and the avant-garde on the performative aspect of music have led it - together with sound, voice, and text - to become active in new ways in postmodern and contemporary art creation. In addition to examples of real-time performing arts such as music theatre, experimental theatre, and dance, it includes case studies that demonstrate performativity in fine art, visual poetry, short film, and cinema. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners.

Simultaneity and Delay

Simultaneity and Delay PDF Author: Jay Lampert
Publisher: Bloomsbury Publishing
ISBN: 1441183051
Category : Philosophy
Languages : en
Pages : 273

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Book Description
Through original speculations on the surprisingly complementary concepts of simultaneity and delay, and new interpretations of the great philosophers of time, this book proposes an innovative theory of staggered time. In the early 20th Century, Bergson and Husserl (following Einstein) made Simultaneity-what it means for events to occur at the same time-a central motif in philosophy. In the late 20th Century, Derrida and Deleuze instead emphasized Delay-events staggered over distant times. This struggle between convergent and staggered time also plays out in 20th Century aesthetics (especially music), politics, and the sciences. Despite their importance in the history of philosophy, this is the first book to comprehensively examine the concepts of simultaneity and delay. By putting simultaneity and delay into a dialectical relation, this book argues that time in general is organized by elastic rhythms. Lampert's concepts describe the time-structures of such diverse phenomena as atonal music, political decision-making, neuronal delays, leaps of memory and the boredom of waiting; and simultaneities and delays in everyday experience and behaviour.

The Oxford Handbook of Music and Queerness

The Oxford Handbook of Music and Queerness PDF Author: Fred Everett Maus
Publisher: Oxford University Press
ISBN: 0197607527
Category : Social Science
Languages : en
Pages : 691

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Book Description
Music and queerness interact in many different ways. The Oxford Handbook of Music and Queerness brings together many topics and scholarly disciplines, reflecting the diversity of current research and methodology. Each of the book's six sections exemplifies a particular rhetoric of queer music studies. The section "Kinds of Music" explores queer interactions with specific musics such as EDM, hip hop, and country. "Versions" explores queer meanings that emerge in the creation of a version of a pre-existing text, for instance in musical settings of Biblical texts or practices of karaoke. "Voices and Sounds" turns in various ways to the materiality of music and sound. "Lives" focuses on interactions of people's lives with music and queerness. "Histories" addresses moments in the past, beginning with times when present conceptualizations of sexuality had not yet developed and moving to cases studies of more recent history, including the creation of pop songs in response to HIV/AIDS and the Eurovision song contest. The final section, "Cross-cultural Queerness," asks how to understand gender and sexuality in locations where recent Euro-American concepts may not be appropriate.

Immediacy and Non-simultaneity

Immediacy and Non-simultaneity PDF Author: Diedrich Diederichsen
Publisher: Schlebrugge Editor
ISBN: 9783851601732
Category : Music
Languages : en
Pages : 0

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Book Description


The Oxford Handbook of New Audiovisual Aesthetics

The Oxford Handbook of New Audiovisual Aesthetics PDF Author: John Richardson
Publisher: Oxford University Press
ISBN: 019998509X
Category : Music
Languages : en
Pages : 748

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Book Description
This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.

Vocal Projections

Vocal Projections PDF Author: Annabelle Honess Roe
Publisher: Bloomsbury Publishing USA
ISBN: 1501331256
Category : Performing Arts
Languages : en
Pages : 321

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Book Description
Vocal Projections: Voices in Documentary examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary and authenticating functions. The international range of contributors offers an innovative approach to the issues relating to voices in documentary. While taking account of the existing paradigm in documentary studies pioneered by Bill Nichols, in which voice is equated with political rhetoric and subjective representation, the contributors move into new territory, addressing current and emerging research in voice, sound, music and posthumanist studies.