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Author: Magali M. Carrera
Publisher: University of Texas Press
ISBN: 0292782756
Category : Art
Languages : en
Pages : 302
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Book Description
Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. Winner, Book Award, Association of Latin American Art, 2004 Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad (status) and raza (lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of casta paintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies—elite and non-elite—as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.
Author: Magali M. Carrera
Publisher: University of Texas Press
ISBN: 0292782756
Category : Art
Languages : en
Pages : 302
Get Book Here
Book Description
Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. Winner, Book Award, Association of Latin American Art, 2004 Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad (status) and raza (lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of casta paintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies—elite and non-elite—as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.
Author: Henry Kamen
Publisher:
ISBN:
Category : History
Languages : en
Pages : 264
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Book Description
'Imagining Spain' is an analysis of the myths that Spaniards have held, and continue to hold, about themselves and about their collective past. The text discusses how perceptions of key aspects of early modern Spain were influenced by ideologies that continue to play a role in the formation of contemporary Spanish attitudes.
Author: Magali M. Carrera
Publisher: Duke University Press
ISBN: 0822349914
Category : Art
Languages : en
Pages : 350
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Book Description
How colonial mapping traditions were combined with practices of nineteenth-century visual culture in the first maps of independent Mexico, particularly in those created by the respected cartographer Antonio Garc&ía Cubas.
Author: Ilona Katzew
Publisher: Yale University Press
ISBN: 9780300109719
Category : Art
Languages : en
Pages : 262
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Book Description
Casta painting is a distinctive Mexican genre that portrays racial mixing among the Indians, Spaniards & Africans who inhabited the colony, depicted in sets of consecutive images. Ilona Katzew places this art form in its social & historical context.
Author: María Elena Martínez
Publisher: Stanford University Press
ISBN: 0804756481
Category : History
Languages : en
Pages : 425
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Book Description
Genealogical Fictions examines how the state, church, Inquisition, and other institutions in colonial Mexico used the Spanish notion of limpieza de sangre (purity of blood) over time and how the concept's enduring religious, genealogical, and gendered meanings came to shape the region's patriotic and racial ideologies.
Author: Andrew N. Wegmann
Publisher: University of Georgia Press
ISBN: 0820360775
Category : History
Languages : en
Pages : 259
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Book Description
For decades, scholars have conceived of the coastal city of New Orleans as a remarkable outlier, an exception to nearly every “rule” of accepted U.S. historiography. A frontier town of the circum-Caribbean, the popular image of New Orleans has remained a vestige of North America’s European colonial era rather than an Atlantic city on the southern coast of the United States. Beginning with the French founding of New Orleans in 1718 and concluding with the outbreak of the American Civil War in 1861, An American Color seeks to correct this vision. By tracing the impact of racial science, law, and personal reputation and identity through multiple colonial and territorial regimes, it shows how locally born mulâtres in French New Orleans became part of a self-conscious, identifiable community of Creoles of color in the United States. An American Color places this local history in the wider context of the North American continent and the Atlantic world. This book shows that New Orleans and its free population of color did not develop in a cultural, legal, or intellectual vacuum. More than just a study of race and law, this work tells a story of humanity in the Atlantic world, a story of how a people on the French colonial frontier in the mid-eighteenth century became unlikely, accepted parts of a vast political, social, and racial United States without ever leaving home.
Author: Joanne Rappaport
Publisher: Duke University Press
ISBN: 0822376857
Category : History
Languages : en
Pages : 303
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Book Description
Much of the scholarship on difference in colonial Spanish America has been based on the "racial" categorizations of indigeneity, Africanness, and the eighteenth-century Mexican castas system. Adopting an alternative approach to the question of difference, Joanne Rappaport examines what it meant to be mestizo (of mixed parentage) in the early colonial era. She draws on lively vignettes culled from the sixteenth- and seventeenth-century archives of the New Kingdom of Granada (modern-day Colombia) to show that individuals classified as "mixed" were not members of coherent sociological groups. Rather, they slipped in and out of the mestizo category. Sometimes they were identified as mestizos, sometimes as Indians or Spaniards. In other instances, they identified themselves by attributes such as their status, the language that they spoke, or the place where they lived. The Disappearing Mestizo suggests that processes of identification in early colonial Spanish America were fluid and rooted in an epistemology entirely distinct from modern racial discourses.
Author: Tara Zanardi
Publisher: Penn State Press
ISBN: 0271076682
Category : Art
Languages : en
Pages : 583
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Book Description
Majismo, a cultural phenomenon that embodied the popular aesthetic in Spain from the second half of the eighteenth century, served as a vehicle to “regain” Spanish heritage. As expressed in visual representations of popular types participating in traditional customs and wearing garments viewed as historically Spanish, majismo conferred on Spanish “citizens” the pictorial ideal of a shared national character. In Framing Majismo, Tara Zanardi explores nobles’ fascination with and appropriation of the practices and types associated with majismo, as well as how this connection cultivated the formation of an elite Spanish identity in the late 1700s and aided the Bourbons’ objective to fashion themselves as the legitimate rulers of Spain. In particular, the book considers artistic and literary representations of the majo and the maja, purportedly native types who embodied and performed uniquely Spanish characteristics. Such visual examples of majismo emerge as critical and contentious sites for navigating eighteenth-century conceptions of gender, national character, and noble identity. Zanardi also examines how these bodies were contrasted with those regarded as “foreign,” finding that “foreign” and “national” bodies were frequently described and depicted in similar ways. She isolates and uncovers the nuances of bodily representation, ultimately showing how the body and the emergent nation were mutually constructed at a critical historical moment for both.
Author: Chiara Bottici
Publisher: Cambridge University Press
ISBN: 1107015618
Category : History
Languages : en
Pages : 221
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Book Description
Chiara Bottici and Benoît Challand explore the formative process of a European identity situated between myth and memory.
Author: Benedict Anderson
Publisher: Verso Books
ISBN: 178168359X
Category : Political Science
Languages : en
Pages : 338
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Book Description
What are the imagined communities that compel men to kill or to die for an idea of a nation? This notion of nationhood had its origins in the founding of the Americas, but was then adopted and transformed by populist movements in nineteenth-century Europe. It became the rallying cry for anti-Imperialism as well as the abiding explanation for colonialism. In this scintillating, groundbreaking work of intellectual history Anderson explores how ideas are formed and reformulated at every level, from high politics to popular culture, and the way that they can make people do extraordinary things. In the twenty-first century, these debates on the nature of the nation state are even more urgent. As new nations rise, vying for influence, and old empires decline, we must understand who we are as a community in the face of history, and change.
