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Author: Yasmin Arshad
Publisher: Bloomsbury Publishing
ISBN: 135005898X
Category : Drama
Languages : en
Pages : 360
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Book Description
Shakespeare's characterization of Cleopatra may dominate the collective consciousness, but he was only one of several 16th-century writers fascinated by the enigmatic queen of Egypt. Early modern conceptions of Cleopatra offer a rich, complex, and variable set of models for understanding the period's responses to race, female sovereignty, and classical antiquity. This interdisciplinary study investigates images of Cleopatra in the early modern period and examines how her story was mediated and used – from drawing lessons from history to being a symbol of female heroism. It draws on early historiographical works, political and philosophical treatises, coterie dramatic productions, and gender, race and performance studies, as well as evidence from material culture, to consider what was known and thought about Cleopatra in the period This book provides a new literary and cultural history of one of the world's most contested and politically-charged iconic female figures. It combines a close reading of literary and dramatic works with historical and political contexts, paying particular attention to the three major early modern Cleopatra plays: Mary Sidney's translation of Robert Garnier's Marc Antoine, Samuel Daniel's The Tragedie of Cleopatra, and Shakespeare's Antony and Cleopatra. By examining these conflicting historical and fictional identities, Yasmin Arshad offers a diverse and ground-breaking study of Cleopatra's 'infinite variety'.
Author: Yasmin Arshad
Publisher: Bloomsbury Publishing
ISBN: 135005898X
Category : Drama
Languages : en
Pages : 360
Get Book Here
Book Description
Shakespeare's characterization of Cleopatra may dominate the collective consciousness, but he was only one of several 16th-century writers fascinated by the enigmatic queen of Egypt. Early modern conceptions of Cleopatra offer a rich, complex, and variable set of models for understanding the period's responses to race, female sovereignty, and classical antiquity. This interdisciplinary study investigates images of Cleopatra in the early modern period and examines how her story was mediated and used – from drawing lessons from history to being a symbol of female heroism. It draws on early historiographical works, political and philosophical treatises, coterie dramatic productions, and gender, race and performance studies, as well as evidence from material culture, to consider what was known and thought about Cleopatra in the period This book provides a new literary and cultural history of one of the world's most contested and politically-charged iconic female figures. It combines a close reading of literary and dramatic works with historical and political contexts, paying particular attention to the three major early modern Cleopatra plays: Mary Sidney's translation of Robert Garnier's Marc Antoine, Samuel Daniel's The Tragedie of Cleopatra, and Shakespeare's Antony and Cleopatra. By examining these conflicting historical and fictional identities, Yasmin Arshad offers a diverse and ground-breaking study of Cleopatra's 'infinite variety'.
Author: Yasmin Arshad
Publisher: Bloomsbury Publishing
ISBN: 1350248878
Category : Drama
Languages : en
Pages : 361
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Book Description
Shakespeare's characterization of Cleopatra may dominate the collective consciousness, but he was only one of several 16th-century writers fascinated by the enigmatic queen of Egypt. Early modern conceptions of Cleopatra offer a rich, complex, and variable set of models for understanding the period's responses to race, female sovereignty, and classical antiquity. This interdisciplinary study investigates images of Cleopatra in the early modern period and examines how her story was mediated and used – from drawing lessons from history to being a symbol of female heroism. It draws on early historiographical works, political and philosophical treatises, coterie dramatic productions, and gender, race and performance studies, as well as evidence from material culture, to consider what was known and thought about Cleopatra in the period This book provides a new literary and cultural history of one of the world's most contested and politically-charged iconic female figures. It combines a close reading of literary and dramatic works with historical and political contexts, paying particular attention to the three major early modern Cleopatra plays: Mary Sidney's translation of Robert Garnier's Marc Antoine, Samuel Daniel's The Tragedie of Cleopatra, and Shakespeare's Antony and Cleopatra. By examining these conflicting historical and fictional identities, Yasmin Arshad offers a diverse and ground-breaking study of Cleopatra's 'infinite variety'.
Author: Bianca Turetsky
Publisher: Poppy
ISBN: 031622491X
Category : Juvenile Fiction
Languages : en
Pages : 163
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Book Description
Walk, talk, and dress like an Egyptian. When Louise Lambert tries on a lavender Grecian gown during a visit to the mysterious Traveling Fashionista Vintage Sale, she feels a familiar tug and falls back in time, arriving at the dusty base of an enormous pyramid. She has landed in ancient Egypt...or has she? It turns out that Louise is on the legendary Old Hollywood film set of Cleopatra, but her time there is short-lived. Rummaging through the wardrobe tent, Louise gets her hands on a pearl necklace that dates back to 51 BC, and she suddenly finds herself whisked away once more, this time to the ancient city of Alexandria, Egypt. Gold and jewels shimmer in the Egyptian sunlight, but poisonous snakes and dangerous enemies also roam the palace halls. Louise quickly learns that life as a handmaiden to Queen Cleopatra is much more treacherous--and fashionable--than she ever could have imagined.
Author: Helen R. Davis
Publisher: Savant Books & Publications
ISBN: 0996325522
Category : Fiction
Languages : en
Pages : 328
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Book Description
The first book of three in a richly imagined ancient world where the course of history is altered by one battle. In this world, Antony and Cleopatra triumph at the Battle of Actium, and Cleopatra emerges as a queen, stateswoman, and politician. Those around her come to life as the reader returns to those days to live them with her.
Author: Stanley Mayer Burstein
Publisher: University of Oklahoma Press
ISBN: 9780806138718
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
An engaging, accessible biography of the legendary Egyptian queen, with source documents Ambitious, intelligent, and desired by powerful men, Cleopatra VII came to power at a time when Roman and Egyptian interests increasingly concerned the same object: Egypt itself. Cleopatra lived and reigned at the center of this complex and persistent power struggle. Her legacy has since lost much of its former political significance, as she has come to symbolize instead the potent force of female sexuality and power. In this engaging and multifaceted account, Stanley M. Burstein displays Cleopatra in the full manifold brilliance of the multiple cultures, countries, and people that surrounded her throughout her compelling life, and in so doing develops a stunning picture of a legendary queen and a deeply historic reign. Designed as an accessible introduction to Cleopatra VII and her time, The Reign of Cleopatra offers readers and researchers an appealing mix of descriptive chapters, biographical sketches, and annotated primary documents. The narrative chapters conclude with a discussion of Cleopatra’s significance as a person, a queen, and a symbol. A glossary and annotated bibliography round out the volume.
Author: Marvin Rosenberg
Publisher: University of Delaware Press
ISBN: 9780874139242
Category : Drama
Languages : en
Pages : 628
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Book Description
"In his analysis, Marvin Rosenberg sets out to steer a path between the "extremes" of Rome and Egypt and all they stand for: and to explore the relentless "to and back" confrontation of their different sets of values which leads ultimately to destruction."
Author: Sarah Hatchuel
Publisher: Fairleigh Dickinson
ISBN: 1611474485
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Is William Shakespeare's Antony and Cleopatra a sequel to the earlier Julius Caesar? If this question raises issues of authorship and reception, it also interrogates the construction of dramatic sequels: how does a playtext ultimately become the follow-up of another text? This book explores how dramatic works written before and after Shakespeare's time have encouraged us to view Shakespeare's Julius Caesar and Antony and Cleopatra as strongly interconnected plays, encouraging their sequelization in the theater and paving the way toward the filmic conflations of the twentieth century. Uniquely blending theories of literary and filmic intertextuality with issues of race and gender, and written by an experienced author trained both in early modern and film studies, this book can easily find its place in any syllabus in Shakespeare or in media studies, as well as in a wide range of cultural and literary courses.
Author: Marga Munkelt
Publisher: Bloomsbury Publishing
ISBN: 1350321443
Category : Drama
Languages : en
Pages : 425
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Book Description
This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
Author: Susan Frye
Publisher: Oxford University Press
ISBN: 0195353595
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
This new collection of sixteen essays considers evidence for the varied forms of women's alliances in early modern England. It shows how women, prohibited from direct participation in the institutional structures that shaped the lives of men, constructed informal connections with other females for purposes of survival, advancement, and creativity. The essays presented here consider a variety of communities--formed among groups as diverse as serving women, vagrants, aristocrats, and authors--in order to study the historical traces of women's connections. "Alliance"--as understood by the essayists in this volume--does not preclude competition or antagonism, since the bonds among women were frequently determined by an opposition to other women. As shown here, the theorizing of women's connections, and the recovery of the historical evidence for these connections, can only add to our understanding of women's activities in early modern English society. Maids and Mistresses, Cousins and Queens is divided into four sections. The first two, "Alliances in the City" and "Alliances in the Household," examine the circumstances of women's communities in two primary sites for women of this place and time. The second two, "Materializing Communities" and "Emerging Alliances," fully study the aspirations that guided and transformed the courses of women's lives. All of these interdisciplinary essays, deftly combining literary and historical methods and materials, are informed by feminism, queer theory, and studies of class and race in the early modern period.
Author: Lisa Jackson-Schebetta
Publisher: University of Alabama Press
ISBN: 081737115X
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference Introduction —LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL PART I STUDIES IN THEATRE HISTORY Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason —ODAI JOHNSON Caricatured, Marginalized, and Erased: African American Artists and Philadelphia’s Negro Unit of the FTP, 1936–1939 —JONATHAN SHANDELL Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins’s Appropriate —SCOTT PROUDFIT Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance —ANGELA K. AHLGREN PART II WITCH CHARACTERS AND WITCHY PERFORMANCE Editor’s Introduction to the Special Section Shifting Shapes: Witch Characters and Witchy Performances —CHRYSTYNA DAIL To Wright the Witch: The Case of Joanna Baillie’s Witchcraft —JANE BARNETTE Nothing Wicked This Way Comes: Shakespeare’s Subversion of Archetypal Witches in The Winter’s Tale —JESSICA HOLT Of Women and Witches: Performing the Female Body in Caryl Churchill’s Vinegar Tom —MAMATA SENGUPTA (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba’s Heroine Journey in Wicked —REBECCA K. HAMMONDS Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell —DAVID BISAHA PART III Essay from the Conference The Robert A. Schanke Award-Winning Essay, MATC 2020 New Conventions for a New Generation: High School Musicals and Broadway in the 2010s —LINDSEY MANTOAN
