Images of Victorian Womanhood in English Art PDF Download
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Author: Susan P. Casteras
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Author: Susan P. Casteras
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Author: Jo Devereux
Publisher: McFarland
ISBN: 1476626049
Category : Art
Languages : en
Pages : 265
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Book Description
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
Author: Lynn Mae Alexander
Publisher: Ohio University Press
ISBN: 0821414933
Category : Art and literature
Languages : en
Pages : 266
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Book Description
In Victorian England, virtually all women were taught to sew, but this essentially domestic virtue took on a different aspect for the professional seamstress of the day. This study considers the way this powerful image of working-class suffering was used by social reformers in art and literature.
Author: Clarissa Campbell Orr
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Examines the ideology of women's art practice and their position in the art world of Victorian Britain in relation to codes of femininity and feminist movements.
Author: Elree I. Harris
Publisher: Routledge
ISBN: 1135494347
Category : History
Languages : en
Pages : 388
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Book Description
First Published in 1997. This book is intended as a resource for anyone interested in the artistic contributions and activities of women in nineteenth-century Britain. It is an index as well as an annotated bibliography and provides sources for information about women well known in their own time and about women who were little known then and are forgotten now
Author: Elizabeth Siegel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
This title examines comprehensively the little-known phenomenon of Victorian photocollage, presenting imagery that has rarely - and in many cases, never - been displayed or reproduced.
Author: Andrew Bradstock
Publisher: Springer
ISBN: 134926749X
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
An interdisciplinary study of Victorian women of faith as portrayed in the fiction and non-fiction of the period. The book explores how novelists, biographers and other writers depicted religious women, with special reference to the influence of the ideal of the 'Angel in the House' as embodied in Coventry Patmore's poem of that name. Among those whose work is explored are George Eliot, Elizabeth Gaskell, Christina Rossetti, George Moore and Anne Bront as well as hymnwriters, missionary biographers, non-conformist obituarists and artists of the Aesthetic Movement.
Author: PH D Antonia Losano
Publisher:
ISBN: 9780814257364
Category :
Languages : en
Pages : 316
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Book Description
The nineteenth century saw a marked rise both in the sheer numbers of women active in visual art professions and in the discursive concern for the woman artist in fiction, the periodical press, art history, and politics. The Woman Painter in Victorian Literature argues that Victorian women writers used the controversial figure of the woman painter to intervene in the discourse of aesthetics. These writers were able to assert their own status as artistic producers through the representation of female visual artists. Women painters posed a threat to the traditional heterosexual erotic art scenarios--a male artist and a male viewer admiring a woman or feminized art object. Antonia Losano traces an actual movement in history in which women writers struggled to rewrite the relations of gender and art to make a space for female artistic production. She examines as well the disruption female artists caused in the socioeconomic sphere. Losano offers close readings of a wide array of Victorian writers, particularly those works classified as noncanonical--by Anne Thackeray Ritchie, Margaret Oliphant, Anne Brontë, and Mrs. Humphrey Ward--and a new look at better-known novels such as Jane Eyre and Daniel Deronda, focusing on the pivotal social and aesthetic meanings of female artistic production in these texts. Each of the novels considered here is viewed as a contained, coherent, and complex aesthetic treatise that coalesces around the figure of the female painter.
Author: Susan Butlin
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575251
Category : Art
Languages : en
Pages : 354
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Book Description
Florence Carlyle (1864-1923), born in Galt, Ontario, emerged as one of the most successful Canadian artists of her time. Trained in Paris, she lived and worked in New York City and in Canada, cultivating a career as a popular portrait and genre painter. Known for her masterful use of colour, Carlyle's paintings are nuanced and perceptive portrayals of feminine spaces, the female figure, and women's domestic work.
Author: Rachel Gotlieb
Publisher: Bloomsbury Publishing
ISBN: 1350354864
Category : History
Languages : en
Pages : 313
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Book Description
This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.
