Imagery in Scientific Thought Creating 20th-Century Physics PDF Download
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Author: MILLER
Publisher: Birkhäuser
ISBN: 1468405454
Category : Science
Languages : en
Pages : 364
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Book Description
Author: MILLER
Publisher: Birkhäuser
ISBN: 1468405454
Category : Science
Languages : en
Pages : 364
Get Book Here
Book Description
Author: Arthur I. Miller
Publisher: Mit Press
ISBN: 9780262631044
Category : Art
Languages : en
Pages : 355
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Book Description
Arthur I. Miller is a historian of science whose approach has been strongly influenced by current work in cognitive science, and in this book he shows how the two fields might be fruitfully linked to yield new insights into the creative process.
Author: Alan J. Rocke
Publisher: University of Chicago Press
ISBN: 0226723356
Category : Science
Languages : en
Pages : 403
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Book Description
Nineteenth-century chemists were faced with a particular problem: how to depict the atoms and molecules that are beyond the direct reach of our bodily senses. In visualizing this microworld, these scientists were the first to move beyond high-level philosophical speculations regarding the unseen. In Image and Reality, Alan Rocke focuses on the community of organic chemists in Germany to provide the basis for a fuller understanding of the nature of scientific creativity. Arguing that visual mental images regularly assisted many of these scientists in thinking through old problems and new possibilities, Rocke uses a variety of sources, including private correspondence, diagrams and illustrations, scientific papers, and public statements, to investigate their ability to not only imagine the invisibly tiny atoms and molecules upon which they operated daily, but to build detailed and empirically based pictures of how all of the atoms in complicated molecules were interconnected. These portrayals of “chemical structures,” both as mental images and as paper tools, gradually became an accepted part of science during these years and are now regarded as one of the central defining features of chemistry. In telling this fascinating story in a manner accessible to the lay reader, Rocke also suggests that imagistic thinking is often at the heart of creative thinking in all fields. Image and Reality is the first book in the Synthesis series, a series in the history of chemistry, broadly construed, edited by Angela N. H. Creager, John E. Lesch, Stuart W. Leslie, Lawrence M. Principe, Alan Rocke, E.C. Spary, and Audra J. Wolfe, in partnership with the Chemical Heritage Foundation.
Author: Gerald Holton
Publisher: Harvard University Press
ISBN: 9780674877481
Category : History
Languages : en
Pages : 514
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Book Description
The highly acclaimed first edition of this major work convincingly established Gerald Holton’s analysis of the ways scientific ideas evolve. His concept of “themata,” induced from case studies with special attention to the work of Einstein, has become one of the chief tools for understanding scientific progress. It is now one of the main approaches in the study of the initiation and acceptance of individual scientific insights. Three principal consequences of this perspective extend beyond the study of the history of science itself. It provides philosophers of science with the kind of raw material on which some of the best work in their field is based. It helps intellectual historians to redefine the place of modern science in contemporary culture by identifying influences on the scientific imagination. And it prompts educators to reexamine the conventional concepts of education in science. In this new edition, Holton has masterfully reshaped the contents and widened the coverage. Significant new material has been added, including a penetrating account of the advent of quantum physics in the United States, and a broad consideration of the integrity of science, as exemplified in the work of Niels Bohr. In addition, a revised introduction and a new postscript provide an updated perspective on the role of themata. The result of this thoroughgoing revision is an indispensable volume for scholars and students of scientific thought and intellectual history.
Author: Joseph Rouse
Publisher: University of Chicago Press
ISBN: 022629370X
Category : Philosophy
Languages : en
Pages : 430
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Book Description
Naturalism as a guiding philosophy for modern science both disavows any appeal to the supernatural or anything else transcendent to nature, and repudiates any philosophical or religious authority over the workings and conclusions of the sciences. A longstanding paradox within naturalism, however, has been the status of scientific knowledge itself, which seems, at first glance, to be something that transcends and is therefore impossible to conceptualize within scientific naturalism itself. In Articulating the World, Joseph Rouse argues that the most pressing challenge for advocates of naturalism today is precisely this: to understand how to make sense of a scientific conception of nature as itself part of nature, scientifically understood. Drawing upon recent developments in evolutionary biology and the philosophy of science, Rouse defends naturalism in response to this challenge by revising both how we understand our scientific conception of the world and how we situate ourselves within it.
Author: Sebastian Normandin
Publisher: Springer Science & Business Media
ISBN: 9400724454
Category : Philosophy
Languages : en
Pages : 373
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Book Description
Vitalism is understood as impacting the history of the life sciences, medicine and philosophy, representing an epistemological challenge to the dominance of mechanism over the last 200 years, and partly revived with organicism in early theoretical biology. The contributions in this volume portray the history of vitalism from the end of the Enlightenment to the modern day, suggesting some reassessment of what it means both historically and conceptually. As such it includes a wide range of material, employing both historical and philosophical methodologies, and it is divided fairly evenly between 19th and 20th century historical treatments and more contemporary analysis. This volume presents a significant contribution to the current literature in the history and philosophy of science and the history of medicine.
Author: Harold Himsworth
Publisher: Johns Hopkins University Press
ISBN: 9781421434766
Category : Philosophy
Languages : en
Pages : 130
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Book Description
If we are ever to attain a degree of control over problems that derive from human activities, Himsworth claims that we only succeed by approaching them in a comparably objective way.
Author: Richard Wilton
Publisher: Routledge
ISBN: 1315529270
Category : Psychology
Languages : en
Pages : 181
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Book Description
Science and Psychology provides a comprehensive introduction to the structure and characteristics of scientific explanation, using examples from a variety of sciences to illuminate the scientific approach taken in psychology. In addition, the authors discuss a range of conceptual issues particular to psychology. They examine the concepts of free will, consciousness, and purposeful behaviour, and consider the social implications of possible future changes in our understanding of these concepts and of ourselves. The final chapters of the book provide an account of what psychology can tell us about the history and origins of science. Assuming no previous understanding of either the philosophy of science or any science other than psychology, Science and Psychology is an ideal resource for both final year undergraduates and postgraduates studying psychology. Psychologists and other scientists who wish to further their understanding of the relationship between psychology and the natural sciences may also find the contents to be of interest.
Author: Elina Gertsman
Publisher: Penn State Press
ISBN: 0271089032
Category : Art
Languages : en
Pages : 257
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Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Author: John-Michael Kuczynski
Publisher: John-Michael Kuczynski
ISBN:
Category : Philosophy
Languages : en
Pages : 1003
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Book Description
A comprehensive treatise on analytic philosophy, with special attention paid to the theoretical basis of psychopathology.
