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Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.
Author: Ilya Kabakov
Publisher: University of Chicago Press
ISBN: 022638487X
Category : Art
Languages : en
Pages : 380
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Book Description
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages. Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists. This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
Author: Ilya Kabakov
Publisher:
ISBN: 9783735604620
Category : Artists' preparatory studies
Languages : en
Pages : 124
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Book Description
Acclaimed Russian-born American artists Ilya and Emilia Kabakov have been working collaboratively for nearly 30 years.Although built with unbridled imagination and optimism, their installation-based works are directly inspired by the life of a regular citizen under the totalitarian government, the dangers and illusions of utopia, the desire to escape from oppression of Soviet state, limitations of everyday life into dreams and fantasies.Spanning the years between 1985 and the present day, the exhibition The Utopian Projects in the Hirshhorn Museum features more than 20 of the Kabakovs' maquettes and whimsical models. This new publication gives insight into the ideas and realization of the Utopian Projects.Published on the occasion of the exhibition at The Hirshhorn Museum, Washington, D.C. (7 September 2017 - 29 April 2018).
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher: ICA (London)
ISBN:
Category : Art, Modern
Languages : en
Pages : 70
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Book Description
Author: Emilia Kabakov
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 130
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Book Description
The exhibition catalogue "Gina Osterloh: Mirror Shadow Shape" will accompany an exhibition of thesame name at the Columbus Museum of Art in Columbus, Ohio. This catalogue will be the first full monograph and survey of artist Gina Osterloh's work. Osterloh, a Filipino-American artist, uses photography to mine her own history to pose questions about identity that are both intellectually and aesthetically compelling to wider audiences. Both the exhibition and its catalogue focus on the cogent development of ideas set forth by Osterloh in photographic series that span a period of fifteen years (2005-2020). Osterloh's practice is unique for how it has seamlessly blended photography, film, performance, anddrawing-creating a sustained engagement with a rigorous set of questions across radically differentmanifestations. The series Osterloh has made throughout her career to date have unfolded like a series ofpropositions. Her early work with photographic tableaus quite literally set the stage for what would become a fixation with abstraction: figures flatten into silhouettes whose forms are covered by the same patternedbackdrops into which they are set; bodies are emptied of viscera and filled with paper; and heads are turneddown and away from the camera, becoming faceless portraits. While these works challenge photographicconventions, however, they also engage self-reflexively with the medium's history. The catalogue will be richly illustrated with full color plates and include a foreword by Tyler Cann,Director of Exhibitions and Pizzuti Family Curator of Contemporary Art of the Columbus Museum of Art; anintroductory essay by Anna Lee, the exhibition curator; an academic essay by art historian Ellen Tani; anartist conversation/interview between Osterloh and artist Sheilah ReStack; and chronology with key works,concepts, and events in Osterloh's career.
Author: Amei Wallach
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
This is the first comprehensive monograph on an important contemporary artist, one who has come to represent the Russian avant-garde in the post-Stalinist era much in the way that Joseph Beuys was a stimulus for European art after World War II. In her fascinating text, Amei Wallach draws on extensive research and interviews with Kabakov and his circle over the past eight years, and puts the work in the context of the artist's life and the social, historical, cultural, and political forces that have shaped it - from his boyhood during Stalin's regime, to his obligatory career as a children's book illustrator in the official Artists' Union, to his involvement in Moscow's furtive and fertile underground avant-garde of artists and writers, to his more recent travels in the international art circuit. This groundbreaking volume also includes an introduction by Robert Storr, a curator in the Department of Painting and Sculpture at the Museum of Modern Art in New York, and commentaries by the artist himself that accompany the 290 illustrations, including paintings, drawings, albums, and sketches and photographs of installations.
Author: Denise Wendel-Poray
Publisher: Skira Editore
ISBN: 9788857240206
Category :
Languages : en
Pages : 444
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Book Description
The book as theater: four astounding luxury editions of Painting the Stage, each housed in a wooden sculpture by archistar Mario Botta, with prints by William Kentridge, Ilya and Emilia Kabakov, and Jan Fabre For this extraordinary tour de force of bookmaking, the acclaimed Swiss architect Mario Botta has designed a wooden sculpture that houses a luxurious clothbound edition of Denise Wendel-Poray's Painting the Stage--a pioneering history of the relationship between opera and art--with a signed, numbered print by an artist featured in the book: Jan Fabre, Ilya and Emilia Kabakov, and William Kentridge. The publication comes in four versions, each made in an edition of 60 copies. The print by Belgian artist Jan Fabre reproduces a prepatory drawing for his 2004 staging of Wagner's Tannhäuser in watercolor and pencil; the Kabakovs' print is from The Flies: A Musical Phantasmagoria; William Kentridge's edition is divided into two editions of 30 each, both featuring sugarlift aquatint portraits inspired by Alban Berg's Lulu. Each edition features a different wood: durmast (Fabre), walnut (Kabakovs) and ash (Kentridge).
Author: Denise Wendel-Poray
Publisher: Skira Editore
ISBN: 9788857230061
Category : Art
Languages : en
Pages : 444
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Book Description
The evolution of the close bond between the visual arts and opera starting from the nineteenth century up to the early twenty-first century. The intertwining of visual and musical arts at the beginning of the 20th century led to modernism, abstraction and in music, atonality. This meeting of the arts was never so intense as on the operatic stage. In her book Painting the Stage, curator and art and music critic Denise Wendel-Poray first examines historic productions beginning with Schinkel's iconic stage design for Mozart's Magic Flute, before exploring those of the 20th century with Diaghilev and the Ballets Russes and the implication of avant-garde artists in opera up until World War II. Directly after the armistice of 1945, famous artists such as André Derain, Balthus, Dalí, André Masson, and Kokoschka reopened the theaters amidst ruins, thus ushering in a new era of optimism. The event of pop art, happenings, and experimental theatre with the collaboration of artists Robert Indiana, David Hockney, Robert Wilson brought on further developments in the realm of opera. Finally, interviews with world famous artists such as Anselm Kiefer, William Kentridge, Bill Viola, Robert Longo, Jonathan Meese, and Daniel Richter show how their contribution to the genre is making opera today more than ever a form of "total art" or "Gesamtkunstwerk" and a hotbed of contemporary creation.
Author:
Publisher:
ISBN:
Category : Board books
Languages : en
Pages : 0
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Book Description
EARLY LEARNING: FIRST WORD BOOKS. Enjoy reading first words to your baby, with beautiful illustrations of everyday objects. Your baby will love the stylish illustrations and the shiny coloured foil on every page. Black and white board books are perfect for helping your baby to identify first objects and their very first words. The eye catching foil design will ensure these books will continue to be well loved throughout their first few formative years. Age 0+
Author: Paolo Magagnoli
Publisher:
ISBN: 9780231172707
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
"This timely volume discusses the experimental documentary projects of some of the most significant artists in today's global art world: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulaene, Ilya & Emilia Kabakov, Jon Thomson & Alison Craighead, and Anri Sala. Their films, videos, and photographic series address the history of failed Utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and offers a crucial contribution to the debate on the conditions of Utopian thinking in late capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the Utopian imagination from its futuristic pole toward the pole of remembrance. This book therefore provides one of the first critical examinations of the recent turn towards documentary in the field of contemporary art." -- Back cover.
