Illustrated Catalogue of the Exhibition of English Medieval Alabaster Work PDF Download
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Author: Society of Antiquaries of London
Publisher:
ISBN:
Category : Alabaster
Languages : en
Pages : 156
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Book Description
Author: Society of Antiquaries of London
Publisher:
ISBN:
Category : Alabaster
Languages : en
Pages : 156
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Book Description
Author: Francis Cheetham
Publisher: Boydell & Brewer Ltd
ISBN: 9781843830092
Category : Art
Languages : en
Pages : 372
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Book Description
Francis Cheetham's classic survey of English medieval alabasters includes a richly illustrated catalogue of the Victoria and Albert Museum's unparalleled collection. English alabasters represent a unique contribution to medieval art. Less sophisticated, perhaps, than other contemporary forms of religious art, they were a neglected area of study until this volume was first published in 1984. Stories from the New Testament and The Golden Legend were the most favoured subjects, and the numerous examples that survive in churches and museums throughout Europe attest to their wide and enduring appeal. FrancisCheetham examines here all aspects of their production and demonstrates how the panels and altarpieces can aid our understanding of life and devotional practice in medieval times. At the heart of this fascinating study is arichly illustrated catalogue of the 260 examples in the collection of London's Victoria and Albert Museum: a collection "so comprehensive that it would be possible to write a survey of the subject almost without recourse to pieces elsewhere," as Sir Roy Strong notes in his Foreword. Their division into subject categories is an invaluable aid to identification and classification. The late Francis Cheetham was an acknowledged expert on medieval English alabasters, and this reissue of his classic work will be welcomed by historians, art historians, collectors and dealers alike, taking its place alongside his Alabaster Images of Medieval England which was published by the Boydell Press in 2003.
Author: Arthur Gardner
Publisher: Cambridge University Press
ISBN: 0521166195
Category : Architecture
Languages : en
Pages : 363
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Book Description
First published in 1951, this volume provides a historical study of English sculpture during the medieval period.
Author: John Blair
Publisher: A&C Black
ISBN: 9780907628873
Category : History
Languages : en
Pages : 496
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Book Description
English Medieval Industries is an authoritative modern survey of medieval crafts and their products. It is heavily illustrated by pictures of surviving objects and contemporary representations of medieval work. Each industry is approached by material (amongst others stone, tin, lead, copper, iron, brick, glass, leather, bone and wood), discussing its acquisition, working and sale as a finished product. The contributors are the leading experts in their fields. They describe the specialist work that went to make the housing, clothing, tools, vessels and ornaments of medieval people. A general bibliography provides a valuable reference tool.
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 772
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Book Description
![The English Catalogue of Books [annual] PDF](https://books.google.com/books/content/images/frontcover/3HDQAAAAMAAJ?fife=w80-h100)
Author: Sampson Low
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 376
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Book Description
Vols. for 1898-1968 include a directory of publishers.
Author: Somersetshire Archaeological and Natural History Society
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 600
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Book Description
Author: Stacy Boldrick
Publisher: Routledge
ISBN: 0429767242
Category : Art
Languages : en
Pages : 258
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Book Description
Iconoclasm and the Museum addresses the museum’s historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept’s place in public display. Presenting a selection of focused case studies, Boldrick examines long-standing desires to deface, dismantle, obscure or destroy works of art and historic artefacts, as well as motivations to protect and display broken objects. Considering the effects of iconoclastic practices on artworks and cultural artefacts and how those practices are addressed in institutions, the book examines changing attitudes to the intentional destruction of powerful artworks in the past and present. It ends with an analysis of creative destruction in contemporary art making and proposes that we are entering a new phase for museums, in which they acknowledge the critical roles destruction and loss play in the lives of objects and in contemporary political life. Iconoclasm and the Museum will be important reading for academics and students in fields such as museum and gallery studies, archaeology, art history, arts management, curatorial studies, cultural studies, history, heritage and religious studies. The book should also be of great interest to museum professionals, curators and collections management specialists, and artists.
![A Catalogue of ... [books] ... PDF](https://books.google.com/books/content/images/frontcover/ab3eDMJbKMEC?fife=w80-h100)
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 2634
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Book Description
Author: John Marshall
Publisher: Routledge
ISBN: 0429765010
Category : Drama
Languages : en
Pages : 383
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Book Description
Covering a period of nearly 40 years’ work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical. (CS1081).
