Il Fanatico per la Musica. A comic opera, in two acts [by Gaetano Rossi]: as represented at the King's Theatre in the Hay-Market, etc. Ital. & Eng PDF Download
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![Il Fanatico per la Musica. A comic opera, in two acts [by Gaetano Rossi]: as represented at the King's Theatre in the Hay-Market, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/1Zua87dwimYC?fife=w150-h200)
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Languages : en
Pages : 68
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![Il Fanatico per la Musica. A comic opera, in two acts [by Gaetano Rossi]: as represented at the King's Theatre in the Hay-Market, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/1Zua87dwimYC?fife=w80-h100)
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Languages : en
Pages : 68
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Author: British Museum. Dept. of Printed Books
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Category : English imprints
Languages : en
Pages : 1312
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![Il Fanatico per la Musica. A comic opera, in two acts [by G. Rossi], as represented at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/eN-SMgWMPicC?fife=w80-h100)
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Languages : en
Pages : 58
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Author: Rupert Hughes
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Category : Music
Languages : en
Pages : 1016
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Author: John Denison Champlin
Publisher:
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Category : Composers
Languages : en
Pages : 508
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Author: Henry S. Edwards
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Category :
Languages : en
Pages :
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Category :
Languages : un
Pages : 0
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Author: Lorenzo Da Ponte
Publisher:
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Category :
Languages : en
Pages : 76
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Author:
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Category : Opera
Languages : en
Pages : 912
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Author: Carl Philipp Emanuel Bach
Publisher: Clear Note Publications
ISBN: 1625592183
Category : Music
Languages : en
Pages : 15
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Under the tutelage of his famous father Johann Sebastian Bach, Carl Philipp Emanuel Bach studied harpsichord and clavichord during his early years and eventually adopted the piano as his primary instrument. A prolific composer, producing over 200 works, C.P.E. Bach wrote symphonies, sonatas and other instrumental works in the Rococo and early Classical style of the 18th century. This style of writing is marked by lyric phrases and light ornamentation that put aside the polyphony and thorough bass of the late baroque composers. The ideas for interpreting and ornamenting the sonatinas in this collection are taken from "Essay on the True Art of Playing Keyboard Instruments" by C.P.E. Bach. They transpose quite well for solo guitar and are a refreshing alternative to compositions by guitarists of the classical era like Sor and Giuliani.
