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Author: John Speirs
Publisher:
ISBN: 9781857249750
Category : Monsters
Languages : en
Pages : 12
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Book Description
Author: John Speirs
Publisher:
ISBN: 9781857249750
Category : Monsters
Languages : en
Pages : 12
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Book Description
Author: S. I. Fishgal
Publisher: Lulu.com
ISBN: 0557031001
Category : Fiction
Languages : en
Pages : 218
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Book Description
1946-53, the XX century's "Middle Ages". AmeriKKKans arraign their kosher people as the USSR's moles. SSoviets not only mirror that, but might ship all Jews to the starving, icy Siberian mini Zion named the Jewish Autonomous Region. Kiev's life teaches Roma, 13, that kissing rumps is better than tasting their fruits. The police summon his dad, jail the brass and friends. Some commit suicide. The boy is ripe for his personal show-trial too. In that bedlam, girls pour their hearts to him. Yet, he plans to swim to Turkey. S.I. Fishgal's (www.publishedauthors.net/sifishgal) PIDDLER ON THE HOOF (PublishAmerica) shows the hero's childhood. MEIN KRAMPF (Lulu) does his fiery, forbidden love with a Russian coach, 22, later. As a gentleman, Fishgal made his intriguing, truthful books independent. His horse sense, crisp and funny language, topsy-turvy idioms and plays of words are striking.
Author: S.I. Fishgal
Publisher: Lulu.com
ISBN: 0557031060
Category : Fiction
Languages : en
Pages : 244
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Book Description
Ukraine, 1952, ages ago, yet true. The girls still carry the heavy cross of the sexual innocence. A Russian girl, 22, rowing medalist and coach, fall in fiery, forbidden love with a cocky, witty boy, 14, listed as a Jew. Yet, he is above all that and plans to swim to Turkey if SSoviets try to ship the Jews to the starving, icy Siberian mini Zion named the Jewish Autonomous Region. The bedlam of arraigning the alleged Jewish moles of AmeriKKKans mirroring that in their country too crafts just a fading set in this truthful, intriguing book. S.I. Fishgal (www.publishedauthors.net/sifishgal) wanted to title MEIN KAMPF (My Struggle), but someone did that before. For ignoramuses in German, not you surely, krampf means cramp. His PIDDLER ON THE HOOF (PublishAmerica Inc.) and KOSHER HOOKS (Lulu) show the boy's earlier years. As a gentleman, Fishgal made his books independent, with the horse sense, crisp and funny language, topsy-turvy idioms and plays of words.
Author:
Publisher:
ISBN: 9780864386892
Category : Toy and movable books
Languages : en
Pages : 12
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Book Description
Author: Henry Smith Williams
Publisher:
ISBN:
Category : World history
Languages : en
Pages : 714
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Book Description
Author: Yuliya Ilchuk
Publisher: University of Toronto Press
ISBN: 1487508255
Category : History
Languages : en
Pages : 285
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Book Description
This innovative study of one of the most important writers of Russian Golden Age literature argues that Gogol adopted a deliberate hybrid identity to mimic and mock the pretensions of the dominant culture.
Author: Angelo Solomon Rappoport
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 182
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Book Description
Author: Kevin Bartig
Publisher: Oxford University Press
ISBN: 0199968063
Category : Music
Languages : en
Pages : 245
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Book Description
Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Author Kevin Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole - with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects - reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 932
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Book Description
Author: Richard Taruskin
Publisher: Univ of California Press
ISBN: 0520422694
Category : Music
Languages : en
Pages : 556
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Book Description
This new collection views Russian music through the Greek triad of “the Good, the True, and the Beautiful” to investigate how the idea of "nation" embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, post–Cold War, and now post–9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much of the volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; and to the tension between the compelling artistic quality of works such as Stravinsky’s Sacre du Printemps or Prokofieff’s Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating Taruskin’s authority and ability to bring living history out of the shadows.
