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Author: Solomon Gadles Mikowsky
Publisher:
ISBN:
Category : Cervantes, Ignacio
Languages : es
Pages : 348
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Book Description
Author: Solomon Gadles Mikowsky
Publisher:
ISBN:
Category : Cervantes, Ignacio
Languages : es
Pages : 348
Get Book Here
Book Description
Author: Salomón Gadles Mikowsky
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659825316
Category :
Languages : en
Pages : 280
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Book Description
This book attempts to fill a vacuum by directing its attention to the XIX-Century Cuban Danza, in which lay the beginnings of Cuban music as a distinct national expression. An understanding of the development of the Danza from a classic European figure dance to a stylized piano piece, with characteristic Cuban qualities, is basic to an understanding of Cuban music. The foremost Cuban composer of the Danza was Ignacio Cervantes. A study of his output is, therefore, basic to an understanding of Cuban music. This study seeks to penetrate the confusion and controversy surrounding the origins of the Cuban Danza and to clarify its historical and stylistic traits. The path of the Danza is traced from Europe to Cuba and its development there throughout the XIX-Century, examining Cervantes' contribution and that of the other important composers of this dance form during that period.
Author: Elias Barreiro
Publisher: Mel Bay Publications
ISBN: 1619119064
Category : Music
Languages : en
Pages : 184
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Book Description
An outstanding collection of 33 classic guitar solos transcribed from piano works by Manuel Saumell, Ignacio Cervantes, and many others. Cuban song and dance rhythms have had a global impact. These arrangements capture the rhythms, styles, and moods of the Cuban contradanza, danza, vals, canción and criolla of the 19th to early 20th centuries. The available online audio features Segovia student and Tulane University professor Elias Barreiro performing his arrangements of the multi-faceted music of Cuba. Written in notation and tablature. Includes access to online audio.
Author: Rafael E. Tarragó
Publisher: Taylor & Francis
ISBN: 131544447X
Category : History
Languages : en
Pages : 163
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Book Description
A detailed yet accessibly written exploration of the history of Cuba since the Spanish conquest of 1512 that illustrates the development of the Cuban nation, and summarizes the accomplishments of Cubans since the 16th century in the arts, literature, and science.
Author: Ned Sublette
Publisher: Chicago Review Press
ISBN: 1569764204
Category : History
Languages : en
Pages : 690
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Book Description
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.
Author: Elias Barreiro
Publisher:
ISBN: 9781513463995
Category :
Languages : en
Pages : 184
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Book Description
An outstanding collection of 33 classic guitar solos transcribed from piano works by Manuel Saumell, Ignacio Cervantes, and many others. Cuban song and dance rhythms have had a global impact. These arrangements capture the rhythms, styles, and moods of the Cuban contradanza, danza, vals, cancin and criolla of the 19th to early 20th centuries. The available online audio features Segovia student and Tulane University professor Elias Barreiro performing his arrangements of the multi-faceted music of Cuba. Written in notation and tablature. Includes access to online audio.
Author: Susan Thomas
Publisher: University of Illinois Press
ISBN: 0252033310
Category : Music and race
Languages : en
Pages : 266
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Book Description
On September 29, 1927, Cuban soprano Rita Montaner walked onto the stage of Havana's Teatro Regina, her features obscured under a mask of blackened glycerin and her body clad in the tight pants, boots, and riding jacket of a coachman. Standing alongside a gilded carriage and a live horse, the blackfaced, cross-dressed actress sang the premiere of Eliseo Grenet's tango-congo, "Ay Mama Ines." The crowd went wild. Montaner's performance cemented "Ay Mama Ines" as one of the classics in the Cuban repertoire, but more importantly, the premiere heralded the birth of the Cuban zarzuela, a new genre of music theater that over the next fifteen years transformed popular entertainment on the island. Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage marks the first comprehensive study of the Cuban zarzuela, a Spanish-language light opera with spoken dialogue that originated in Spain but flourished in Havana during the early twentieth century. Created by musicians and managers to fill a growing demand for family entertainment, the zarzuela evidenced the emerging economic and cultural power of Cuba's white female bourgeoisie to influence the entertainment industry. Susan Thomas explores zarzuela's function as a pedagogical tool, through which composers, librettists, and business managers hoped to control their troupes and audiences by presenting desirable and problematic images of both feminine and masculine identities. Zarzuela was, Thomas explains, "anti-feminist but pro-feminine, its plots focusing on female protagonists and its musical scores showcasing the female voice." Focusing on character types such as the mulata, the negrito, and the ingenue, Thomas uncovers the zarzuela's richly textured relationship to social constructs of race, class, and especially gender.
Author: Scott Wolf
Publisher: Lulu.com
ISBN: 1105862151
Category : Art
Languages : en
Pages : 16
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Book Description
Ignacio Cervantes is one of Cuba's most influential composers and pianists. While studying at the Paris Conservatoire, he won top prizes in composition and performance and was praised by such luminaires as Franz Lizst. His most well-known and respected works are his series of several dozen Cuban dances, in which he synthesized European classical music and African rhythms, like the habanera and tango, into a new and unmistakably Cuban style.This arrangement for guitar presents five of the most distinctive and elegant of these Cuban dances, which we have titled Escenas (Scenes). Each of these dances was given a descriptive title by Cervantes, which creates a colorful narrative when played as set. They suit the intimate and energetic nature of the guitar perfectly, and are arranged in a manner that allows the performer to effortlessly present a unique interpretation."Scott Wolf's editions are so skillfully done, his arrangements sound as if they were written originally for the guitar" -Scott Tennant
Author: María del Carmen Hernández
Publisher: Editorial Pueblo y Educación
ISBN: 9591341865
Category : Art
Languages : es
Pages : 169
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Book Description
El ejemplar, que a continuación le proponemos, ofrece un panorama de la danza cubana en el que se aprecia su aspecto social, su ubicación histórica y su esfuerzo por hacer valer el carácter indomable de nuestra gente. Los pueblos tratan de expresar lo que sienten, piensan y quieren a través del arte, esta interesante historia es una prueba fehaciente de ello.
Author: Ignacio Cervantes
Publisher:
ISBN:
Category :
Languages : es
Pages :
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Book Description
