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Author: Robert Golding
Publisher: Springer
ISBN: 1349180211
Category : Fiction
Languages : en
Pages : 261
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Book Description
Author: Robert Golding
Publisher: Springer
ISBN: 1349180211
Category : Fiction
Languages : en
Pages : 261
Get Book Here
Book Description
Author: James A. Davies
Publisher: Rowman & Littlefield
ISBN: 9780389205883
Category : Fiction
Languages : en
Pages : 214
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Book Description
This book interprets a number of Dickens' works through the detailed analysis of a single characterization in each. It is mainly concerned with the textual functions of characters, i.e., with how analyses of Dickens's methods of characterization help us understand what characters do within his texts. The author presents a selective variety of major and minor characters. Included are examples from the three main periods of Dickens's career, from his non-fiction as well as fiction, and from the combination of both that is Sketches by Boz. There is an emphasis on the later books and particularly on Our Mutual Friend. Contents: IntroductionóSome Sketches by Boz; Modifying SummariesóThe Fat Boy in The Pickwick Papers; Young Bailey in Martin Chuzzlewit; Gaffer Hexam in Our Mutual Friend; NarratorsóSome Epistolary Personae; The Troubled Traveler in Pictures From Italy; The Sentimental Paternalist in A Christmas Carol; Extending the Interface: The Third Narrator in Bleak House; The Middle-aged Businessman: The Narrator of Great Expectations; Sexism and Class Bias: The Narrator of Our Mutual Friend; Two Re-readersóKnowing What Happens in Our Mutual Friend; Droodiana and The Mystery of Edwin Drood; Characterisation and Ideas in Little Dorrit: Clennam and Calvinism; Characterisation and Structure: John Harmon in Our Mutual Friend; Story and Text.
Author: David Galenson
Publisher: Routledge
ISBN: 1134004036
Category : Art
Languages : en
Pages : 305
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Book Description
David Galenson's work on the history of art is a unique fusion of econometrics and cultural analysis that is unprecedented in the literature on creativity in any discipline, whether economics, psychology, literary studies or art history.
Author: Ronald Carter
Publisher: Routledge
ISBN: 1134812396
Category : Language Arts & Disciplines
Languages : en
Pages : 305
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Book Description
This collection shows students of English and applied linguistics ways in which language and literary study can be integrated. By drawing on a wide range of texts by mainly British and American writers, from a variety of different periods, the contributors show how discourse stylistics can provide models for the systematic description of, for example, dialogue in fiction; language of drama and balladic poetry; speech presentation; the interactive properties of metre; the communicative context of author/reader. Among the texts examined are novels, poetry and drama by major twentieth-century writers such as Joyce, Auden, Pinter and Hopkins, as well as examples from Shakespeare, Donne and Milton. Each chapter has a wide range of exercises for practical analysis, an extensive glossary and a comprehensive bibliography with suggestions for further reading. The book will be particularly useful to undergraduate students of English and applied linguistics and advanced students of modern languages or English as a foreign language.
Author: David W. Galenson
Publisher: Princeton University Press
ISBN: 1400837391
Category : Art
Languages : en
Pages : 251
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Book Description
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Author: Raymond Chapman
Publisher: Routledge
ISBN: 1317896211
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Forms of Speech in Victorian Fiction examines how Victorian writers used dialogue in the presentation of characters and the relationships between them, and its contribution to the work as a whole. Quoting over a hundred novels of the period, including all the major authors, many fascinating topics are discussed. The book also looks at the conventions which governed the writing and circulation of fiction, imposing certain restraints on the novelists. It also relates the dialogue used in Victorian fiction to evidence from other sources about the actual speech of the period. This book will be of great value to those studying the social history of the period, as well as literature, and will appeal to the general reader interested in Victorian fiction.
Author: Warren Diane Warren
Publisher: Edinburgh University Press
ISBN: 1474464394
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Examines literary orphan figures and kinship structures in the nineteenth-century novelExamines a wide range of canonical and non-canonical authors from the UK, US, Canada, SwitzerlandProvides an important and unique contribution to fields of family and kinship studiesIncludes an international, contemporary, critically-informed collection of interesting approachesOffers an important intervention in the most cutting-edge work on children's literature and family and kinship studiesRereading Orphanhood: Texts, Inheritance, Kin explores the ways in which the figure of the literary orphan can be used to illuminate our understanding of the culture and mores of the long nineteenth century, especially those relating to family and kinship. The chapters in the book explore how orphan characters (both child and adult) contribute to discourses of gender, home, inheritance, illegitimacy, notions of the human and the development of the novel across a wide range of canonical and non-canonical texts.
Author: Hugo Bowles
Publisher: Oxford University Press
ISBN: 0192564331
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Initially described by Dickens as a 'savage stenographic mystery', shorthand was to become an essential and influential part of his toolkit as a writer. In this ground-breaking interdisciplinary study, Hugo Bowles tells the story of Dickens's stenographic journey from his early encounters with the 'despotic' shorthand symbols of Gurney's Brachygraphy in 1828 to his lifelong commitment to shorthand for reporting, letter writing, copying, and note-taking. Drawing on empirical evidence from Dickens's shorthand notebooks, Dickens and the Stenographic Mind forensically explores Dickens's unique ability to write in two graphic codes, offering an original critique of the impact of shorthand on Dickens's mental processing of language. The author uses insights from morphology, phonetics, and the psychology of reading to show how Dickens's biscriptal habits created a unique stenographic mindset that was then translated into novel forms of creative writing. The volume argues that these new scriptal arrangements, which include phonetic speech, stenographic patterns of letters in individual words, phonaesthemes, and literary representations of shorthand-related acts of reading and writing, created reading puzzles that bound Dickens and his readers together in a new form of stenographic literacy. Clearly written and cogently argued, Dickens and the Stenographic Mind not only opens up new evidence from a little known area of Dickens's professional life to expert scrutiny, but is highly relevant to a number of important debates in Victorian studies including orality and literacy in the nineteenth century, the role of voice and voicing in Dickens's writing process, his relationship with his readers, and his various writing personae as law reporter, sketch-writer, journalist, and novelist.
Author: Jeremy Tambling
Publisher: Routledge
ISBN: 1317612884
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Focusing on the language, style, and poetry of Dickens’ novels, this study breaks new ground in reading Dickens’ novels as a unique form of poetry. Dickens’ writing disallows the statement of single unambiguous truths and shows unconscious processes burrowing within language, disrupting received ideas and modes of living. Arguing that Dickens, within nineteenth-century modernity, sees language as always double, Tambling draws on a wide range of Victorian texts and current critical theory to explore Dickens’ interest in literature and popular song, and what happens in jokes, in caricature, in word-play and punning, and in naming. Working from Dickens’ earliest writings to the latest, deftly combining theory with close analysis of texts, the book examines Dickens’ key novels, such as Pickwick Papers, Martin Chuzzlewit, Dombey and Son, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. It considers Dickens as constructing an urban poetry, alert to language coming from sources beyond the individual, and relating that to the dream-life of characters, who both can and cannot awake to fuller, different consciousness. Drawing on Walter Benjamin, Lacan, and Derrida, Tambling shows how Dickens writes a new and comic poetry of the city, and that the language constitutes an unconscious and secret autobiography. This volume takes Dickens scholarship in exciting new directions and will be of interest to all readers of nineteenth-century literary and cultural studies, and more widely, to all readers of literature.
Author: Daniel Tyler
Publisher: Cambridge University Press
ISBN: 1107028434
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Written by leading scholars, this collection of essays offers the first comprehensive and accessible book on Dickens's style.
