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Author: Niharranjan Ray
Publisher: New Delhi] : Munshiram Manoharlal Publishers
ISBN:
Category : Art, Indic
Languages : en
Pages : 236
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Book Description
Illustrations: 98 b/w illustrations Description: Idea and Image in Indian Art presents an exercise in the understanding of a few of the fundamental imaginative and aesthetic values of Indian art. The exercise makes full use of the archaeology and iconography of Indian art, but is not concerned with either. Its principal concern is Indian art, the author underlines. What in Indian art this exercise seeks to explore, is the nature and character of the relationship between IDEA and IMAGE, both in a process of change through time under the stress of situations which socio-religious and ideological as much as aesthetic and technical. From the rich repertory of ideas or themes on which imaginative and intellectual speculation in India as articulated in literary language, have always been very subtle, abstruse and abstract, the author has chosen three, with a view to find out as to how these IDEAS were concretized in terms of IMAGES through the medium of the plastic language of sculpture, and how the forms of IMAGES in their turn, affected the lives of the respective IDEAS. In the process the author has traversed the entire field of high Indian art. The author does not claim that his exercise is anything more than an experimental one. If it opens up a new line of inquiry in the field of Indian art and aesthetics it will have justified itself, he hopes nevertheless.
Author: Niharranjan Ray
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Book Description
Author: Niharranjan Ray
Publisher: New Delhi] : Munshiram Manoharlal Publishers
ISBN:
Category : Art, Indic
Languages : en
Pages : 236
Get Book Here
Book Description
Illustrations: 98 b/w illustrations Description: Idea and Image in Indian Art presents an exercise in the understanding of a few of the fundamental imaginative and aesthetic values of Indian art. The exercise makes full use of the archaeology and iconography of Indian art, but is not concerned with either. Its principal concern is Indian art, the author underlines. What in Indian art this exercise seeks to explore, is the nature and character of the relationship between IDEA and IMAGE, both in a process of change through time under the stress of situations which socio-religious and ideological as much as aesthetic and technical. From the rich repertory of ideas or themes on which imaginative and intellectual speculation in India as articulated in literary language, have always been very subtle, abstruse and abstract, the author has chosen three, with a view to find out as to how these IDEAS were concretized in terms of IMAGES through the medium of the plastic language of sculpture, and how the forms of IMAGES in their turn, affected the lives of the respective IDEAS. In the process the author has traversed the entire field of high Indian art. The author does not claim that his exercise is anything more than an experimental one. If it opens up a new line of inquiry in the field of Indian art and aesthetics it will have justified itself, he hopes nevertheless.
Author: N. Ray
Publisher:
ISBN: 9780685137413
Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Sculpture, Indic
Languages : en
Pages : 140
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Book Description
Author: Ananda K. Coomaraswamy
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
Author: Ajay Pratap
Publisher: Archaeopress Publishing Ltd
ISBN: 1803277033
Category : History
Languages : en
Pages : 182
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Book Description
This book argues that the development of symbols and signs informing scripts, mainly the idea of coding thoughts through symbols and images, has always been uniquely ‘historical.’ Rock art abuts and occupies long periods of time in which the translation of indigenous thoughts was perfected through numerous mnemonic practices.
Author: Krishna Chaitanya
Publisher: Abhinav Publications
ISBN: 8170173108
Category : Painting, Indic
Languages : en
Pages : 525
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Book Description
Author: Ernest Binfield Havell
Publisher: Palala Press
ISBN: 9781378669686
Category : Art
Languages : en
Pages : 278
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Naman P. Ahuja
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 236
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Book Description
Catalogue of an exhibition held at National Museum, New Delhi during 14th March to 7th June 2014.
Author: Dipti Khera
Publisher: Princeton University Press
ISBN: 0691201846
Category : ART
Languages : en
Pages : 232
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Book Description
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--
