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Author: M. Krishna Kumari
Publisher:
ISBN: 9789386223708
Category : Art, Indic
Languages : en
Pages : 182
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Book Description
Author: M. Krishna Kumari
Publisher:
ISBN: 9789386223708
Category : Art, Indic
Languages : en
Pages : 182
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Book Description
Author: Heinrich von Stietencron
Publisher:
ISBN: 9788178242859
Category : Ga?ga (Hindu deity)
Languages : en
Pages : 188
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Book Description
Author: Heinrich von Stietencron
Publisher:
ISBN:
Category : Ga?ga (Hindu deity)
Languages : de
Pages : 186
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Book Description
Author: Mihir M. Mukhopakhyaya
Publisher:
ISBN: 9780836416275
Category :
Languages : en
Pages :
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Book Description
Author: Bansi Lal Malla
Publisher: Abhinav Publications
ISBN: 9788170173052
Category : Art
Languages : en
Pages : 146
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Book Description
Vaisnavism Played A Very Significant Role In Socio-Religious And Artistic Expressions Of Kashmir In Ancient And Medieval Periods. Vaisnavism Carved Its Due Place In The Minds Of The People In The Valley With Equal Amount, If Not More Than That Of Buddhism And 'Saivism. In General, The Religion Of Vishnu In The Kashmir Valley Shared The Pan-Indian Notion, Yet In Certain Aspects, It Maintained Its Individualistic Approach. Such Differences Are Noted In The Texts As Well As In The Artistic Expressions Of The Valley. The Present Book Deals With The Various Facets Of Vaisnavism In Kashmir With Particular Reference To The Vaisnava Icons And Art. The Book Deals With Para, Vyuha And Vibhava Aspects Of Vishnu As Well As With Composite And Syncretic Aspects Of The God. Attention Has Also Been Paid To The Minor Vaisnavite Deities Including The Personification Of Vishnu'S Attributes. There Has Been A Dearth Of A Comprehensive Study On Vaisnava Art And Iconography Of Kashmir And This Book Is Likely To Fill The Gap
Author: Mihir Mohan Mukhopadhyay
Publisher: Abhinav Publications
ISBN: 9788170171898
Category : Ganges-Yamuna Doab (India)
Languages : en
Pages : 190
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Book Description
Stylistically Classical Indian Gupta Sculpture Admitted A Common Denominator Till The End Of The Sixth And The Beginning Of The Seventh Century A.D. This Was Felt Throughout The Sub-Continent In Different Degrees, According To The Strength Of The Regional Trends. The Gradual Thinning Down Or The Decline Of The Classical Gupta Concept Was Followed By An Emphasis On The Regional Factors Until They Dominated Over The Former. The Ganga-Yamuna Valley, The Hub Of Indian History And Culture Since The Early Times, Played An Important Part In The Medieval Phase. From The Point Of View Of Cultural History, Especially In The Field Of Art, Middle Of The Eighth Century May Be Considered As The Beginning Of The Medieval Phase Of Indian Sculpture. The Origin And Evolution Of The Medieval Indian Sculpture Of The Ganga-Yamuna Valley Has Been Studied From The Viewpoint Of Its Nearness To And Distance From The Classical Gupta Trend On The One Hand And Also To Identify The Local Or Regional Idiom Which Emerged During The Period On The Other. The Present Study Is The First Ever Full-Length Discussion On The Stylistic Analysis Of The Medieval Sculptures Of The Ganga-Yamuna Valley Region. With This Object In View Of A Wide And Extensive Survey Has Been Made From A Fairly Large Number Of Sculptures Available From The Region. The Study Has Brought Out The Importance Of The Region As A Center Of Significant Art Activity In The Medieval Phase When Some Interesting And Purposeful Art Forms Were Carved By The Creative Artists Of The Age. The Approach Of The Study Is An Objective Assessment Of The Sculptures In The Evolutionary Direction, Covering The Chronological Horizons Which Range In Dates From The Middle Of The Eight To The Twelfth Century A.D. The Analytical And Critical Study On The Subject Brings Out The Stylistic Features And Aesthetic Brilliance Of The Sculptures Of The Ganga-Yamuna Valley Of The Medieval Phase And Thereby Helps To Indicate Its Distinct Position In The Arena Of Medieval Indian Sculpture. Of The Large Number Of Sculptural Remains Available In This Region The Book Contains 96 Selective Illustrations. Besides, It Includes A Select Bibliography And An Outline Map Of The Region
Author: Sudhakar Pandey
Publisher:
ISBN:
Category : Arts, Indic
Languages : en
Pages : 180
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Book Description
Author: Britannica
Publisher: Popular Prakashan
ISBN: 9780852297629
Category :
Languages : en
Pages : 460
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Book Description
Author: Charles D. Collins
Publisher: State University of New York Press
ISBN: 0791499537
Category : Religion
Languages : en
Pages : 360
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Book Description
The beautiful rock-cut Siva temple on Elephanta Island in Bombay Harbor is one of the finest monuments of Indian religion and art. Until now, interpretation of its magnificent sculptured scenes has been neglected. In this book, Collins systematically surveys the pertinent Vedic, Epic, and early Puranic literature as well as the contributions of India's foremost poet and dramatist, Kalidasa, to reveal sources for and interpretations of the subjects of the relief sculptures. This survey shows strong associations with areas formerly controlled by the classical Gupta dynasty in northern India. This book provides the first detailing of this link, intimated by others before, which helps to explain the grandeur of style found in the colossal reliefs. By applying certain aspects of ritual texts of the Lakulisa-Pasupata, the sect that probably used Elephanta originally, exceptional clarity is revealed for the worship of the sculptures in a counterclockwise sequence, quite unusual in India, but appropriate to this particular sect. Lakulisa-Pasupata texts are invoked in Collins' theory of how the cave-temple at Elephanta was used. This area of investigation has been virtually untouched by other scholars for any early Hindu shrine in India.
Author: C. Sivaramamurti
Publisher: Abhinav Publications
ISBN: 9788170170389
Category :
Languages : en
Pages : 220
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Book Description
The present book on ‘Satarudriya: Vibhuti of Siva’s Iconography’ is not only the text from the Krishnayajurveda Taittiriya Samhita with its translation but is a discussion of the epithets and their significance in the context of the iconographic concepts associated with Siva and the importance of this Vedic text in understanding the immanence of the Almighty conceived as Rudra. These discussions are illustrated by a bunch of chosen examples of art that form the plates accompanying the text. After a brilliant academic career C. Sivaramamurti entered the Museum profession as Curator for Archaeology in the Madras Museum. He then joined the Archaeological Survey of India as Superintendent, Archaeological Section, Indian Museum, Calcutta, whence he came over to the National Museum as Keeper and rose as Assistant Director and finally became the Director. Closely associated with the International Council of Museums he was in its executive committee and was Chairman of the Indian National Committee of ICOM.
