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Author: Marcy Meyer
Publisher: Springer Nature
ISBN: 9819723752
Category :
Languages : en
Pages : 103
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Book Description
Author: Marcy Meyer
Publisher: Springer Nature
ISBN: 9819723752
Category :
Languages : en
Pages : 103
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Book Description
Author: Peggy Muñoz Simonds
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 568
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Book Description
Author: Margaret H. Freeman
Publisher: Oxford University Press
ISBN: 0190080426
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Poetry is the most complex and intricate of human language used across all languages and cultures. Its relation to the worlds of human experience has perplexed writers and readers for centuries, as has the question of evaluation and judgment: what makes a poem "work" and endure. The Poem as Icon focuses on the art of poetry to explore its nature and function: not interpretation but experience; not what poetry means but what it does. Using both historic and contemporary approaches of embodied cognition from various disciplines, Margaret Freeman argues that a poem's success lies in its ability to become an icon of the felt "being" of reality. Freeman explains how the features of semblance, metaphor, schema, and affect work to make a poem an icon, with detailed examples from various poets. By analyzing the ways poetry provides insights into the workings of human cognition, Freeman claims that taste, beauty, and pleasure in the arts are simply products of the aesthetic faculty, and not the aesthetic faculty itself. The aesthetic faculty, she argues, should be understood as the science of human perception, and therefore constitutive of the cognitive processes of attention, imagination, memory, discrimination, expertise, and judgment.
Author: Ambra Moroncini
Publisher: Taylor & Francis
ISBN: 1317096827
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
Contextualizing Michelangelo’s poetry and spirituality within the framework of the religious Zeitgeist of his era, this study investigates his poetic production to shed new light on the artist’s religious beliefs and unique language of art. Author Ambra Moroncini looks first and foremost at Michelangelo the poet and proposes a thought-provoking reading of Michelangelo’s most controversial artistic production between 1536 and c.1550: The Last Judgment, his devotional drawings made for Vittoria Colonna, and his last frescoes for the Pauline Chapel. Using theological and literary analyses which draw upon reformist and Protestant scriptural writings, as well as on Michelangelo’s own rime spirituali and Vittoria Colonna’s spiritual lyrics, Moroncini proposes a compelling argument for the impact that the Reformation had on one of the greatest minds of the Italian Renaissance. It brings to light how, in the second quarter of the sixteenth century in Italy, Michelangelo’s poetry and aesthetic conception were strongly inspired by the revived theologia crucis of evangelical spirituality, rather than by the theologia gloriae of Catholic teaching.
Author: Alejandro Cantarero de Salazar
Publisher: Cambridge Scholars Publishing
ISBN: 1527560465
Category : Literary Criticism
Languages : en
Pages : 411
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Book Description
This book deals with Greek lyric composed more than twenty-five centuries ago. These poems sing of everyday events and emotions in human life, from the most festive to the most serious, presenting a living portrait of the ancient Greeks. This multidisciplinary volume begins with a panorama of Greek lyric poetic genres, their main authors and their representative topics. The first part contains philological studies and literary analyses, first of some Greek poets—Anacreon, Sappho and Lycophron, among others—then of their influence on Horace’s Latin poetry, and on contemporary poetry. The second part, illustrated with colour images, studies Greek lyric from socio-political and iconographic perspectives, analysing its coincidences and reflections in images from Greek pottery, sculptures and reliefs. In addition, this section includes two works on musical theory and composition related to ancient Greek lyric. The volume closes with two studies of the image of Sappho in cinema.
Author: Brandon C. Yen
Publisher: Liverpool University Press
ISBN: 1800857225
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude. Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.
Author: John B. Friedman
Publisher: Routledge
ISBN: 1000525104
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
First published in 1998, the present volume aims to help the researcher locate visual motifs, whether in medieval art or in literature, and to understand how they function in yet other medieval literary or artistic works.
Author: John A. Walker
Publisher: Manchester University Press
ISBN: 9780719050206
Category : Architecture
Languages : en
Pages : 246
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Book Description
This book is about the expanding realm of visual culture: in architecture, art, design, advertising, photography, film, television, video, theatre performance, computer imagery and virtual reality. It is also about Visual Culture Studies, a relatively new academic discipline, or rather range of disciplines, that scholars employ to analyse visual artefacts. Unlike many other texts on the same subject, it foregrounds the ‘visual’ and is systematic and accessible. Visual culture provides an overview of the subject that pays heed to the achievements of both traditional and new theory whilst directing the reader to a large body of literature via references and an extensive bibliography. Walker and Chaplin discuss the concepts of ‘the visual’ and of ‘culture’ as well as the field and origins of Visual Culture Studies; coping with theory; models of production and consumption; institutions; pleasure; the canon and concepts of value; visual literacy and poetics; modes of analysis; culture and commerce; and new technologies. This book is designed for those studying the history and theory of fine arts, design and the mass media.
Author: Peter Rolfe Monks
Publisher: BRILL
ISBN: 9004622721
Category : History
Languages : en
Pages : 423
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Book Description
Contains thirty-three papers, twelve with illustrations, by leading scholars in Medieval Codicology and Iconography, in Humanist Translations and in Medieval French, Early English, and Medieval Irish Literatures. Each throws new light on particular problems in a specialism.
Author: Erwin Panofsky
Publisher: Routledge
ISBN: 0429976690
Category : Art
Languages : en
Pages : 356
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Book Description
In Studies in Iconology, the themes and concepts of Renaissance art are analysed and related to both classical and medieval tendencies.
