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Author: Jill Cook
Publisher: British Museum Publications Limited
ISBN: 9780714123332
Category : Art
Languages : en
Pages : 288
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Book Description
This unique and remarkable work explores the extraordinary creative explosion that happened during the last European Ice Age, between 40,000 and 10,000 years ago, when the very first figurative art was created.
Author: Jill Cook
Publisher: British Museum Publications Limited
ISBN: 9780714123332
Category : Art
Languages : en
Pages : 288
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Book Description
This unique and remarkable work explores the extraordinary creative explosion that happened during the last European Ice Age, between 40,000 and 10,000 years ago, when the very first figurative art was created.
Author: Barbara Olins Alpert
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Contents lists index; no index found, however first [14] pages of book are repeated at end of text, and Acknowledgments page (p. xv) is pasted to p. [3] of cover.
Author: Robert W. Sinibaldi
Publisher: Dorrance Publishing
ISBN: 1648043569
Category : Science
Languages : en
Pages : 312
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Book Description
Ice Age Florida: In Story and Art By: Robert W. Sinibaldi and illustrated by Hermann Trappman Florida's Ice Age was vastly different from what the North experienced. Ice Age Florida: In Story and Art investigates and illustrates the fascinating fossil record and history of the Gulf Coast compared to what most envision when the term Ice Age comes up. The author takes the reader along on his initial and developing interest in fossil diving and details his insatiable curiosity about the fauna of Florida's Ice Age, all vividly represented by the amazing artwork of Hermann Trappman.
Author: Paul G. Bahn
Publisher: Cambridge University Press
ISBN: 9780521454735
Category : Art
Languages : en
Pages : 348
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Book Description
Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.
Author: Randall White
Publisher: Harry N. Abrams
ISBN: 9780810942622
Category : Art
Languages : en
Pages : 464
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Book Description
Drawing on the most up-to-the-minute research on prehistoric art, an anthropologist presents a global survey, starting with the first explosion of imagery that occurred approximately 40,000 years ago but also including the creations of essentially "prehistoric" peoples living as recently as the early 20th century. 226 illustrations.
Author: Paul G. Bahn
Publisher: Univ of California Press
ISBN: 9780520213067
Category : Art
Languages : en
Pages : 248
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Book Description
Some of the oldest art in the world is the subject of this riveting and beautiful book. Paul Bahn and Jean Vertut explore carved objects and wall art discoveries from the Ice Age, covering the period from 300,000 B.P. to 10,000 B.P., and their collaboration marks a signal event for archaeologists and lay readers alike. Utilizing the most modern analytical techniques in archaeology, Bahn presents new accounts of Russian caves only recently opened to foreign specialists; the latest discoveries from China and Brazil; European cave finds at Cosquer, Chauvet, and Covaciella; and the recently discovered sites in Australia. He also studies sites in Africa, India, and the Far East. Included are the only photographic images of many caves that are now closed to protect their fragile environments. A separate chapter in the book examines art fakes and forgeries and relates how such deceptions have been exposed. The beliefs and preoccupations of Paleolithic peoples resonate throughout this book: the importance of the hunt and the magic and shamanism surrounding it, the recording of the seasons, the rituals of sex and fertility, the cosmology and associated myths. Yet enigmas and mysteries emerge as well, particularly as new analytical techniques raise new questions and cast doubt on our earlier suppositions. A comprehensive, up-to-date analysis of all that has been discovered about Ice Age art, Bahn and Vertut's book offers a visually rich link with the past.
Author: Christine Desdemaines-Hugon
Publisher: Yale University Press
ISBN: 0300159064
Category : Art
Languages : en
Pages : 389
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Book Description
“The next best thing to actually seeing the prehistoric cave art of southern Franc[e] . . . A rapturous guide through five major Ice Age sites” (Archaeology). The cave art of France’s Dordogne region is world-famous for the mythology and beauty of its remarkable drawings and paintings. These ancient images of lively bison, horses, and mammoths, as well as symbols of all kinds, are fascinating touchstones in the development of human culture, demonstrating how far humankind has come and reminding us of the ties that bind us across the ages. Over more than twenty-five years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In Stepping-Stones she combines her expertise in both art and archaeology to convey an intimate understanding of the “cave experience.” Her keen insights communicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself. Focusing on five fascinating sites, including the famed Font de Gaume and others that still remain open to the public, this book reveals striking similarities between art forms of the Paleolithic and works of modern artists and gives us a unique pathway toward understanding the culture of the Dordogne Paleolithic peoples and how it still touches our lives today. “Her vivid descriptions help readers visualize the Cro-Magnon man or woman painting the beautiful bison, horses, mammoths, and other symbols. [A] fine reading experience.” —Library Journal
Author: Robert G. Bednarik
Publisher: Cambridge Scholars Publishing
ISBN: 1527500713
Category : Art
Languages : en
Pages : 260
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Book Description
The many hundreds of books and thousands of academic papers on the topic of Pleistocene (Ice Age) art are limited in their approach because they deal only with the early art of southwestern Europe. This is the first book to offer a comprehensive synthesis of the known Pleistocene palaeoart of six continents, a phenomenon that is in fact more numerous and older in other continents. It contemplates the origins of art in a balanced manner, based on reality rather than fantasies about cultural primacy. Its key findings challenge most previous perceptions in this field and literally re-write the discipline. Despite the eclectic format and its high academic standards, the book addresses the non-specialist as well as the specialist reader. It presents a panorama of the rich history of palaeoart, stretching back more than twenty times as long in time as the cave art of France and Spain. This abundance of evidence is harnessed in presenting a new hypothesis of how early humans began to form and express constructs of reality and thus created the ideational world in which they existed. It explains how art-producing behaviour began and the origins of how humans relate to the world consciously.
Author: Paul G. Bahn
Publisher: Oxford University Press, USA
ISBN: 9780199686001
Category : Art, Prehistoric
Languages : en
Pages : 0
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Book Description
Secondary edition statement taken from dust jacket flap.
Author: Jean Clottes
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
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Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
