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Author: Boris Vian
Publisher: TamTam Books
ISBN: 9780966234602
Category : Fiction
Languages : en
Pages : 204
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Book Description
Fiction. "In the tradition of Karl May and Franz Kafka, Boris Vian imagines an American even more amazing that the land he has never visited. "I Spit on Your Graves" is the first novel to put the quotation marks around the "hardboiled" thriller -- a vivid and startling performance" (J. Hoberman). The book is Boris Vian's (1920-1959) sex-and-violence-filled homage to American noir. Originally published in France as J'rai Cracher Sur Vos Tombes -- after allegedly being censored in the U.S. and "translated" into French -- the novel was no best seller, establishing Vian as one of the most famous writers of the mid-twentieth century.
Author: Boris Vian
Publisher: TamTam Books
ISBN: 9780966234602
Category : Fiction
Languages : en
Pages : 204
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Book Description
Fiction. "In the tradition of Karl May and Franz Kafka, Boris Vian imagines an American even more amazing that the land he has never visited. "I Spit on Your Graves" is the first novel to put the quotation marks around the "hardboiled" thriller -- a vivid and startling performance" (J. Hoberman). The book is Boris Vian's (1920-1959) sex-and-violence-filled homage to American noir. Originally published in France as J'rai Cracher Sur Vos Tombes -- after allegedly being censored in the U.S. and "translated" into French -- the novel was no best seller, establishing Vian as one of the most famous writers of the mid-twentieth century.
Author: David Maguire
Publisher: Columbia University Press
ISBN: 0231851286
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
There is no denying that Meir Zarchi’s I Spit on Your Grave (1978) deserves its title as one of the most controversial films ever made. While many condemn it as misogynistic, others praise it for raising uncomfortable issues about sexual violence. While its reputation as a cult film has undoubtedly been cemented by its unique position in the 1970s/80s exploitation era and the "video nasties" scandal, it has also become mythologized by its own official and unofficial franchises. David Maguire examines why the film still continues to provoke fierce debate forty years on, not only investigating the historical, social, and political landscape into which the film was first released—and condemned—but also examining how it is has inadvertently become ground zero for the rape-revenge genre because of its countless imitators. The book explores how academic study has reevaluated the film’s importance as a cultural statement on gender, the conflicting readings that it throws up, the timeless appeal of its story as examined through folklore and mythology, and its updating to reflect contemporary issues in a post-9/11 world of vengeance and retaliation.
Author: Mylo Carbia
Publisher:
ISBN: 9780996565202
Category :
Languages : en
Pages : 418
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Book Description
THE WORLDWIDE #1 BESTSELLER EVERYONE IS TALKING ABOUT! "An Instant Horror Classic!" --News Atlanta "One Of The Best Books Of 2015." --AMB Magazine "She's The Next Stephen King." --Horror Society "Horror's Next New York Times Bestseller." --All Indie Magazine "It's Like Nothing Else Out There." --Gotham News Readers of New York Times Bestsellers Gone Girl, The Girl on the Train and Luckiest Girl Alive left wanting more will devour the debut novel from Hollywood screenwriter turned author MYLO CARBIA. Set in 1991 in Atlanta, Georgia, The Raping of Ava DeSantis tells the story of a working class college student who is brutally attacked by three wealthy fraternity brothers, then confronted with the decision of a lifetime: accept money to stay quiet or seek justice with the police. What she does in response is the basis of this captivating woman's revenge thriller that will have readers talking for years to come. With brilliantly written characters, bone-chilling, fast-paced scenes and a double twist ending, The Raping of Ava DeSantis is the perfect blend of suspense, thriller and horror -- guaranteed to entertain both female and male readers alike. TAGLINE: A poor college student brutally attacked by three wealthy fraternity brothers seeks revenge against their families years later. THEMES: Vigilante Justice, Female Protagonist, Serial Killers, Wealthy Versus Poor, College Life, Southern Life, Urban Settings, United States, American Horror, Horror, Revenge Thrillers, Mystery Thrillers, Psychological Thrillers, Revenge Stories, Classic Horror Books, Horror Fiction Classics AUTHOR: Mylo Carbia spent her childhood years writing to escape the horrors of growing up in a haunted house in Jackson, New Jersey. After years of ghostwriting films in Hollywood -- earning her the nickname "The Queen of Horror" -- she moved into the literary world to write a series of bestselling novels all featuring strong female protagonists. The Raping of Ava DeSantis is her debut novel. FIND OUT WHAT EVERYONE IS TALKING ABOUT... ORDER YOUR COPY TODAY!
Author: Carol J. Clover
Publisher: Princeton University Press
ISBN: 0691166293
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.
Author: Roger Ebert
Publisher: Andrews McMeel Publishing
ISBN: 0740792156
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.
Author: David Roche
Publisher: Univ. Press of Mississippi
ISBN: 1617039624
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
An expansive treatment of the meanings and qualities of original and remade American horror movies
Author: John Kenneth Muir
Publisher: Hal Leonard Corporation
ISBN: 1480366811
Category : Performing Arts
Languages : en
Pages : 394
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Book Description
(FAQ). Horror Films FAQ explores a century of ghoulish and grand horror cinema, gazing at the different characters, situations, settings, and themes featured in the horror film, from final girls, monstrous bogeymen, giant monsters and vampires to the recent torture porn and found footage formats. The book remembers the J-Horror remake trend of the 2000s, and examines the oft-repeated slasher format popularized by John Carpenter's Halloween (1978) and Friday the 13th (1980). After an introduction positioning the horror film as an important and moral voice in the national dialogue, the book explores the history of horror decade by decade, remembering the women's liberation horrors of the 1970s, the rubber reality films of the late 1980s, the serial killers of the 1990s, and the xenophobic terrors of the 9/11 age. Horror Films FAQ also asks what it means when animals attack in such films as The Birds (1963) or Jaws (1975), and considers the moral underpinnings of rape-and-revenge movies, such as I Spit on Your Grave (1978) and Irreversible (2002). The book features numerous photographs from the author's extensive personal archive, and also catalogs the genre's most prominent directors.
Author: Brian Albright
Publisher: McFarland
ISBN: 0786472278
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
During the second half of the 20th century, landmark works of the horror film genre were as much the product of enterprising regional filmmakers as of the major studios. From backwoods Utah to the Louisiana bayous to the outer boroughs of New York, independent, regional films like Night of the Living Dead, Last House on the Left, I Spit on Your Grave, The Texas Chain Saw Massacre, and The Evil Dead stood at the vanguard of horror cinema. This overview of regionally produced horror and science fiction films includes interviews with 13 directors and producers who operated far from mainstream Hollywood, along with a state-by-state listing of regionally produced genre films made between 1958 and 1990. Highlighting some of the most influential horror films of the past 50 years, this work celebrates not only regional filmmaking, but also a cultural regionalism that is in danger of vanishing.
Author: Alexandra Heller-Nicholas
Publisher: McFarland
ISBN: 1476686491
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demographic. This second edition, ten years after the first, continues the assessment of these films and the discourse they provoke. Included is a new chapter about women-directed rape-revenge films, a phenomenon that--revitalized since #MeToo exploded in late 2017--is a filmmaking tradition with a history that transcends a contemporary context. Featuring both famous and unknown movies, controversial and widely celebrated filmmakers, as well as rape-revenge cinema from around the world, this revised edition demonstrates that diverse and often contradictory treatments of sexual violence exist simultaneously.
Author: Mark McKenna
Publisher: Routledge
ISBN: 0429593848
Category : Social Science
Languages : en
Pages : 349
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Book Description
This book explores horror film franchising from a broad range of interdisciplinary perspectives and considers the horror film’s role in the history of franchising and serial fiction. Comprising 12 chapters written by established and emerging scholars in the field, Horror Franchise Cinema redresses critical neglect toward horror film franchising by discussing the forces and factors governing its development across historical and contemporary terrain while also examining text and reception practices. Offering an introduction to the history of horror franchising, the chapters also examine key texts including Universal Studio monster films, Blumhouse production films, The Texas Chainsaw Massacre, A Nightmare on Elm Street, Alien, I Spit on Your Grave, Let the Right One In, Italian zombie films, anthology films, and virtual reality. A significant contribution to studies of horror cinema and film/media franchising from the 1930s to the present day, this book will be of interest to students and scholars of film studies, media and cultural studies, franchise studies, political economy, audience/reception studies, horror studies, fan studies, genre studies, production cultures, and film histories.
