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Author: David Stratton
Publisher: Random House Australia
ISBN: 1741666198
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
An autobiography of his life by David Stratton. "My only encounter of Federico Fellini occurred in a toilet. This was in 1966, when he was one of the most celebrated and admired film directors of the world." When he was 26, David Stratton directed his first Sydney Film Festival, and then travelled to visit European Festivals.
Author: David Stratton
Publisher: Random House Australia
ISBN: 1741666198
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
An autobiography of his life by David Stratton. "My only encounter of Federico Fellini occurred in a toilet. This was in 1966, when he was one of the most celebrated and admired film directors of the world." When he was 26, David Stratton directed his first Sydney Film Festival, and then travelled to visit European Festivals.
Author: Huw Walmsley-Evans
Publisher: Routledge
ISBN: 1317286987
Category : Social Science
Languages : en
Pages : 382
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Book Description
At the beginning of the 21st century film criticism was described as in crisis. The decline of print journalism, a series of lay-offs of prominent critics, and the rise of "amateur" reviewing online spurred a conversation about the decline, even death, of film criticism. This discourse flourished in part because film criticism has been little examined in scholarship to date. This book takes a deeper look at film criticism by focusing on its institutional contours. This is achieved through a combination of archival research and interviews with prominent film critics and stakeholders, including Adrian Martin (LOLA), Stephanie Zacharek (Time), Peter Bart (Variety), and Andrew Sarris (The Village Voice). Film Criticism as a Cultural Institution first examines the contemporary crisis conversation surrounding film criticism, comparing this to historical precedents. It then provides what today’s crisis conversation does not: an account of film criticism’s institutional formations. Using primarily U.S. and Australian case studies based on interviews, observation and archival research—as well as accounts from other national schools—the book maps contemporary film criticism. Across various sites, such as publications or online spaces, and organisations, such as film critics circles, it elucidates film criticism’s institutional practices, tasks, comportments, and personae. Looking at the history of conversations about film criticism shows us that "crisis" has always been a leitmotif. While acknowledging the considerable changes and challenges that film criticism faces today, this book situates these within an historical context and proposes an institutional framework that allows us to move beyond crisis discourse. Looking at film criticism in this way allows us to see that the very question of what counts as film criticism is continually contested within an institutional ecology made up of distinctive critical comportments addressed to distinctive audiences.
Author: Simon Miraudo
Publisher: Low Heroes Press
ISBN: 0645706310
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
BLASPHEMY AND HORROR! SAUCY SWEDES! LUKE SKYWALKER'S CHARRED AUNT & UNCLE! Australia has censored it all. Did you know Aussie audiences were originally banned from watching bona fide classics The Night of the Hunter, Breathless and The Texas Chain Saw Massacre (to name just a few out of literal hundreds), or that Australians initially saw a watered-down version of Star Wars in cinemas? Book of the Banned is a rigorous, rollicking, riotous and righteously-furious jaunt through film history that reveals the shocking stories behind Australia's classification system and how your favourite movies have been snipped down under, featuring interviews with Margaret Pomeranz, David Stratton, a bunch of 'banned' filmmakers and even their censors. Like any good story, there are heroes, anti-heroes, unexpected criminals and downright dastardly villains, though they're not always whom you'd expect. But by discussing the movies, scenes and lines of dialogue deemed too extreme for Aussie eyes and ears, we can see how far we've come in Australia... and how far we have to go. ‘A uniquely Australian ride into the dark side of film censorship, pearl-clutching outrages and moral panics, Simon Miraudo's Book of the Banned is an essential book for film fans, cinema scholars and card-carrying perverts alike.’ —Alexandra Heller-Nicholas, author 1000 Women in Horror ‘This book is f***ing great. And if they put asterisks in this quote, the censors will have won again. Impeccably researched and superbly written, Book of the Banned is an endlessly riveting slice of film history that demands to be read.’ —Chris Taylor, The Chaser & Upright ‘Miraudo masterfully guides us through the tangled and surprisingly fascinating history of Australian censorship and takes us on a wild journey through the rule-breaking films that tested those boundaries. Anchored by a detailed account of film history and censorship policy plus interviews with leading researchers and cinephiles, Book of the Banned is both a lively love-letter to controversial and challenging films and a call for our censorship practices to be reviewed.’ —Flick Ford, Triple R’s Primal Screen “Important, because it pulls together the exhaustive record of snipped and smothered films, lying in the wake of decisions by Australian authorities.” —John Safran
Author: Meredith Burgmann
Publisher: NewSouth
ISBN: 1742241751
Category : Political Science
Languages : en
Pages : 437
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Book Description
In this moving, funny and sometimes chilling book, leading Australians open their ASIO files and read what the state's security apparatus said about them. Writers from across the political spectrum including Mark Aarons, Phillip Adams, Nadia Wheatley, Michael Kirby, Peter Cundall, Gary Foley and Anne Summers confront – and in some cases reclaim – their pasts. Reflecting on the interpretations, observations and proclamations that anonymous officials make about your personal life is not easy. Yet we see outrage mixed with humour, not least as ASIO officers got basic information wrong a lot of the time, though many writers have to contend with personal betrayal. Some reflect on the way their political views have – or haven’t – changed. Meredith Burgmann and all those who were spied on have produced an extraordinary book where those being watched look right back.
Author: David Stratton
Publisher: Allen & Unwin
ISBN: 1760870099
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
Are you tired of trawling through movies you don't recognise on Netflix? Sick of reading short film descriptions that sound boring? Don't know what to watch next? Let leading film critic David Stratton introduce you to 101 movies that you probably haven't heard of, and tell you why they are worth seeing. David Stratton's selection of overlooked gems includes movies from such well-known directors as David Lynch, Ang Lee and Sidney Lumet. They star popular actors such as Colin Firth, Meryl Streep, Sean Connery, Cate Blanchett, Clint Eastwood, Reese Witherspoon, Paul Newman, Emma Thompson and Jake Gyllenhaal. They include comedies, thrillers, westerns, musicals and romances, and were produced from the 1980s through to the past few years. A perfect gift for anyone who relishes a cosy night at home with a good movie.
Author: David Stratton
Publisher: Allen & Unwin
ISBN: 1761505033
Category : Performing Arts
Languages : en
Pages : 493
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Book Description
Australia's leading film critic reviews (almost) every Australian feature film from 1990 to 2020. Australia's best-loved film critic David Stratton reviews (almost) every feature film from the past three decades in the ultimate guide to modern Australian cinema. From The Adventures of Priscilla, Queen of the Desert to The Dry, from The Big Steal to The Drover's Wife, he tells us why they're worth watching, and reveals fascinating behind-the-scenes details. There is something for everyone: road movies and coming-of-age movies; comedies and love stories; rural noir and gritty urban movies; flourishing First Nations cinema; horror, zombies and science fiction; movies for families and for children; international co-productions, and much more. He's seen them all, and he knows every director, producer and actor. Australia at the Movies is the indispensable companion for every cinema lover: it's where you'll find your next favourite movie. 'I greatly enjoy his sheer delight in cinema, which communicates itself effortlessly in every review.' Bruce Beresford 'He has introduced us to films and filmmakers ... from the grandest to the tiniest low-budget debut with intelligence, humour and passion.' Gillian Armstrong 'Stratton's sense of cinema and storytelling is bar none, as far as I'm concerned.' Warwick Thornton 'Thank you for introducing us to great movies and great directors.' Bryan Brown
Author: Kirsten Stevens
Publisher: Springer
ISBN: 1137581301
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
This is the first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia.
Author: B. D. Sparhawk
Publisher: Trafford Publishing
ISBN: 1412018749
Category : Fiction
Languages : en
Pages : 133
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Book Description
All of the stories in The Gandy Dancer are touching and surprising, O'Henry twists to Jack London yarns. This delightful collection, full of beautiful imagery of land and skies and people, are stories of the USA told by an American girl, raised coast to coast, and north to south, who took off on her own at 17 to see what's up. There's persistent virtue to each adventure, triumph over adversity, as they reach heart and soul for a rare look at the lives of strangers and the paths they picked up for themselves. The classic independent spirit of the American adventurer is captured in each original tale, and the everlasting joy of charting new territory. Has anything, Sparhawk asks, got more punch to it than a road map? "Your book is very handsomely put together, and you write in a lively and engaging way." Larry P. Arnn, President Hillsdale College, Michigan, USA From the Monterey Herald, March 8, 2004, Page One, Section B, Five column story and photograph Author Draws from Rich Life "Sparhawk's life has been a coast to coast odyssey of day jobs, art and writing... she's worked as a radio producer and press secretary to onetime Vice Presidential Candidate Geraldine Ferraro, network news writer, newspaper reporter, painter and sculptor. 'I like doing things that are a challenge, ' she said."
Author: Godfrey Cheshire
Publisher: Seven Stories Press
ISBN: 1609809785
Category : Performing Arts
Languages : en
Pages : 857
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Book Description
A dialogue about cinema's legacy and best directors through essays by three of the best long-form critics out there, collected from the legendary NYPress for the first time. Comprising of the kind of long-form criticism that is all too rare these days, the weekly film columns in the NYPress included polemics, reviews, interviews, festival reports and features. A far cry from what is often derisively termed the "consumer report" mode of criticism, Cheshire, Seitz and White were passionately engaged with the film culture of both their own time, and what had come before. They constituted three distinctly different voices: equally accomplished, yet notably individual, perspectives on cinema. Their distinctive tastes and approaches were often positioned in direct dialogue with each other, a constant critical conversation that frequently saw each writer directly challenging his colleagues. Dialogue is important in criticism, and here you can find a healthy example of it existing under one proverbial roof. This three-way dialogue between Cheshire, Seitz and White assesses the 1990s in cinema, along with pieces on New York's vibrant repertory scene that allow us to read the authors' takes on directors such as Hitchcock, Lean, Kubrick, Welles, Fassbinder and Bresson; as well as topics such as the legacy of Star Wars, film noir, early film projection in New York City, the New York Film Critics Circle, Sundance, the terrorist attacks of 9/11 and the emerging cinema of Iran and Taiwan.
Author: Antonio Monda
Publisher: Vintage
ISBN: 0307280586
Category : Religion
Languages : en
Pages : 193
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Book Description
Informal, revealing, unexpected, this book is a captivating and thought-provoking meditation how faith, in all its facets, remains profoundly relevant for and in our culture. “When the Italian writer Antonio Monda sat down to talk religion with American cultural leaders... he went straight for the big questions.” —O, The Oprah Magazine Some of the most well-known and well-respected cultural figures of our time enter into intimate and illuminating conversation about their personal beliefs, about belief itself, about religion, and about God. Antonio Monda is a disarming, rigorous interviewer, asking the most difficult questions (he often begins an interview point blank: “Do you believe in God?”) that lead to the most wide-ranging conversations. An ardent believer himself, Monda talks both with atheists (asked what she feels when she meets a believer, Grace Paley replies: “I respect his thinking and his beliefs, but at the same time I think he’s deluded”) and other believers, their discussion ranging from personal images of God (Michael Cunningham sees God as a black woman, Derek Walcott as a wise old white man with a beard) to religion’s place in American culture, from the afterlife to the concepts of good and evil, from fundamentalism to the Bible. And almost without fail, the conversations turn to questions of art and literature. Toni Morrison discusses Virginia Woolf and William Faulkner, Richard Ford invokes Wallace Stevens, and David Lynch draws attention to the religious aspects of Bu–uel, Fellini...and Harold Ramis's Groundhog Day.
