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Author: Sandra Hindman
Publisher:
ISBN: 9782956702443
Category : Haggadot
Languages : en
Pages : 159
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Book Description
"This publication focuses on the Veneto Siddur-Sefer Minhagim, a Hebrew manuscript newly attributed to the artist-scribe Joel ben Simeon, made for a Jewish immigrant family from Germany probably living in Treviso. Joel ben Simeon (active c. 1440s - c. 1490) is one of the most famous figures in late medieval Hebrew manuscript production. Born in Germany, he spent most of his career in northern Italy as an itinerant craftsman. Previously unrecorded in the extensive literature on Joel ben Simeon, the present manuscript includes the earliest known copy of this version of the Sefer Minhagim, written in 1449/1450, and more than 500 pen and ink drawings added by Joel around 1470, thus significantly increasing the artist's corpus"--Cover.
Author: Sandra Hindman
Publisher:
ISBN: 9782956702443
Category : Haggadot
Languages : en
Pages : 159
Get Book Here
Book Description
"This publication focuses on the Veneto Siddur-Sefer Minhagim, a Hebrew manuscript newly attributed to the artist-scribe Joel ben Simeon, made for a Jewish immigrant family from Germany probably living in Treviso. Joel ben Simeon (active c. 1440s - c. 1490) is one of the most famous figures in late medieval Hebrew manuscript production. Born in Germany, he spent most of his career in northern Italy as an itinerant craftsman. Previously unrecorded in the extensive literature on Joel ben Simeon, the present manuscript includes the earliest known copy of this version of the Sefer Minhagim, written in 1449/1450, and more than 500 pen and ink drawings added by Joel around 1470, thus significantly increasing the artist's corpus"--Cover.
Author: Sandra Hindman
Publisher:
ISBN: 9782956702443
Category : Haggadot
Languages : en
Pages : 159
Get Book Here
Book Description
"This publication focuses on the Veneto Siddur-Sefer Minhagim, a Hebrew manuscript newly attributed to the artist-scribe Joel ben Simeon, made for a Jewish immigrant family from Germany probably living in Treviso. Joel ben Simeon (active c. 1440s - c. 1490) is one of the most famous figures in late medieval Hebrew manuscript production. Born in Germany, he spent most of his career in northern Italy as an itinerant craftsman. Previously unrecorded in the extensive literature on Joel ben Simeon, the present manuscript includes the earliest known copy of this version of the Sefer Minhagim, written in 1449/1450, and more than 500 pen and ink drawings added by Joel around 1470, thus significantly increasing the artist's corpus"--Cover.
Author: Joel ben Simeon
Publisher: Harvard University Press
ISBN: 0674051173
Category : Religion
Languages : en
Pages : 249
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Book Description
After the Bible, the Passover haggadah is the most widely read classic text in the Jewish tradition. More than four thousand editions have been published since the late fifteenth century, but few are as exquisite as the Washington Haggadah, which resides in the Library of Congress. Now, a stunning facsimile edition meticulously reproduced in full color brings this beautiful illuminated manuscript to a new generation. Joel ben Simeon, the creator of this unusually well-preserved codex, was among the most gifted and prolific scribe-artists in the history of the Jewish book. David Stern’s introduction reconstructs his professional biography and situates this masterwork within the historical development of the haggadah, tracing the different forms the text took in the Jewish centers of Europe at the dawn of modernity. Katrin Kogman-Appel shows how ben Simeon, more than just a copyist, was an active agent of cultural exchange. As he traveled between Jewish communities, he brought elements of Ashkenazi haggadah illustration to Italy and returned with stylistic devices acquired during his journeys. In addition to traditional Passover images, realistic illustrations of day-to-day life provide a rare window into the world of late fifteenth-century Europe. This edition faithfully preserves the original text, with the Hebrew facsimile appearing in the original right-to-left orientation. It will be read and treasured by anyone interested in Jewish history, medieval illuminated manuscripts, and the history of the haggadah.
Author: Marc Michael Epstein
Publisher: Princeton University Press
ISBN: 140086562X
Category : Art
Languages : en
Pages : 288
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Book Description
A superbly illustrated history of five centuries of Jewish manuscripts The love of books in the Jewish tradition extends back over many centuries, and the ways of interpreting those books are as myriad as the traditions themselves. Skies of Parchment, Seas of Ink offers the first full survey of Jewish illuminated manuscripts, ranging from their origins in the Middle Ages to the present day. Featuring some of the most beautiful examples of Jewish art of all time—including hand-illustrated versions of the Bible, the Haggadah, the prayer book, marriage documents, and other beloved Jewish texts—the book introduces readers to the history of these manuscripts and their interpretation. Edited by Marc Michael Epstein with contributions from leading experts, this sumptuous volume features a lively and informative text, showing how Jewish aesthetic tastes and iconography overlapped with and diverged from those of Christianity, Islam, and other traditions. Featured manuscripts were commissioned by Jews and produced by Jews and non-Jews over many centuries, and represent Eastern and Western perspectives and the views of both pietistic and liberal communities across the Diaspora, including Europe, Israel, the Middle East, and Africa. Magnificently illustrated with pages from hundreds of manuscripts, many previously unpublished or rarely seen, Skies of Parchment, Seas of Ink offers surprising new perspectives on Jewish life, presenting the books of the People of the Book as never before.
Author: Karel van der Toorn
Publisher: Harvard University Press
ISBN: 0674032543
Category : Religion
Languages : en
Pages : 414
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Book Description
We think of the Hebrew Bible as the Book--and yet it was produced by a largely nonliterate culture in which writing, editing, copying, interpretation, and public reading were the work of a professional elite. The scribes of ancient Israel are indeed the main figures behind the Hebrew Bible, and in this book Karel van der Toorn tells their story for the first time. His book considers the Bible in very specific historical terms, as the output of the scribal workshop of the Second Temple active in the period 500-200 BCE. Drawing comparisons with the scribal practices of ancient Egypt and Mesopotamia, van der Toorn clearly details the methods, the assumptions, and the material means of production that gave rise to biblical texts; then he brings his observations to bear on two important texts, Deuteronomy and Jeremiah. Traditionally seen as the copycats of antiquity, the scribes emerge here as the literate elite who held the key to the production as well as the transmission of texts. Van der Toorn's account of scribal culture opens a new perspective on the origins of the Hebrew Bible, revealing how the individual books of the Bible and the authors associated with them were products of the social and intellectual world of the scribes. By taking us inside that world, this book yields a new and arresting appreciation of the Hebrew Scriptures.
Author: Joseph Shatzmiller
Publisher: Princeton University Press
ISBN: 0691176183
Category : History
Languages : en
Pages : 203
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Book Description
Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.
Author: Samuel Michael Fooner
Publisher:
ISBN:
Category :
Languages : en
Pages : 134
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Book Description
Author: Daniel Chanan Matt
Publisher: Paulist Press
ISBN: 9780809123872
Category : Religion
Languages : en
Pages : 340
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Book Description
This is the first translation with commentary of selections from The Zohar, the major text of the Kabbalah, the Jewish mystical tradition. This work was written in 13th-century Spain by Moses de Leon, a Spanish scholar.
Author: William Chapman Sharpe
Publisher: Yale University Press
ISBN: 0300266847
Category : Art
Languages : en
Pages : 273
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Book Description
A lively and thought-provoking tour of the intertwined histories of art and walking "A broad-ranging book [that] has something for every rambler."--Benjamin Riley, New Criterion What does a walk look like? In the first book to trace the history of walking images from cave art to contemporary performance, William Chapman Sharpe reveals that a depicted walk is always more than a matter of simple steps. Whether sculpted in stone, painted on a wall, or captured on film, each detail of gait and dress, each stride and gesture has a story to tell, for every aspect of walking is shaped by social practices and environmental conditions. From classical statues to the origins of cinema, from medieval pilgrimages to public parks and the first footsteps on the moon, walking has engendered a vast visual legacy intertwined with the path of Western art. The path includes Romantic nature-walkers and urban flâneurs, as well as protest marchers and cell-phone zombies. It features works by artists such as Botticelli, Raphael, Claude Monet, Norman Rockwell, Agnès Varda, Maya Lin, and Pope.L. In 100 chronologically arranged images, this book shows how new ways of walking have spurred new means of representation, and how walking has permeated our visual culture ever since humans began to depict themselves in art.
Author: Sandra Hindman
Publisher: Paul Holberton publishing
ISBN: 9781912168200
Category : Illumination of books and manuscripts, Italian
Languages : en
Pages : 0
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Book Description
The outstanding Burke Collection of Italian miniatures, which is housed in Special Collections in the the Stanford University Libraries, has been built over more than twenty years and includes manuscript leaves, cuttings, and codices by many of the greatest Italian artists of the medieval and Renaissance periods. Works in the collection range in date from the 12th through the 16th centuries, and in them we see masterfully painted initials, borders, and miniatures that enhance our appreciation of the great skill that John Ruskin called ?writing made beautiful.?00Comprised of over 40 miniatures from 35 different artists representing 13 different regions of Italy, the collection is characterized by its astonishingly high quality. It includes works produced by the most renowned Italian illuminators, who are often also documented as painters. Artists from Florence and Siena are certainly the best represented in the Burke collection. These include masterpieces by Don Simone Camaldolese and Lorenzo Monaco of Florence, and Giovanni di Paolo and Pellegrino di Mariano of Siena. The collection equally underlines the range of styles achieved by Italian illuminators active in Emilia-Romana, where great interpreters of Giotto were active, such as Neri da Rimini, Tommaso da Modena, and Nicolò di Giacomo, as well as masterpieces of the Venetian school, such as works by Cristoforo Cortese and the Master of the Murano Gradual. Lombardy is represented by one of the notable specialists of late Gothic painting, the Olivetan Master. Among the many highlights, there is the incomparable and world-class Crucifixion of the Master of Saint Francis of Assisi.
