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Author: R. Graeme Dunphy
Publisher: Rodopi
ISBN: 9042028238
Category : History
Languages : en
Pages : 193
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Book Description
Graeme Dunphy is lecturer in English at Regensburg University, Germany. His interests include Scotland, Germany, the Netherlands, Literature, Medieval Studies, Historical Linguistics, and Migration Studies. He has published widely on Medieval and Baroque Literature as well as on migrant literature. Rainer Emig is professor of English Literature and Culture at Leibniz University Hanover, Germany. His main interests are English Literature and Culture of the 19th and 20th century, contemporary culture, and Literary and Cultural Theories, including postcolonial approaches and Gender Studies.
Author: R. Graeme Dunphy
Publisher: Rodopi
ISBN: 9042028238
Category : History
Languages : en
Pages : 193
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Book Description
Graeme Dunphy is lecturer in English at Regensburg University, Germany. His interests include Scotland, Germany, the Netherlands, Literature, Medieval Studies, Historical Linguistics, and Migration Studies. He has published widely on Medieval and Baroque Literature as well as on migrant literature. Rainer Emig is professor of English Literature and Culture at Leibniz University Hanover, Germany. His main interests are English Literature and Culture of the 19th and 20th century, contemporary culture, and Literary and Cultural Theories, including postcolonial approaches and Gender Studies.
Author: Francisco Yus
Publisher: Springer Nature
ISBN: 3031319028
Category : Social Science
Languages : en
Pages : 357
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Book Description
This book provides a first thorough analysis of internet humour from a cognitive-pragmatic perspective, covering a wide range of discourses that are pervasive online and focusing especially on messaging interactions, social networking sites and memes. Its chapters describe the inferential strategies implemented to turn online coded discourses into meaningful interpretations, which in turn can be devised and manipulated for the sake of humour. Furthermore, and apart from the typical object of pragmatic research (humorous discourses), the book emphasises the importance of the interfaces’ design and of the qualities of the users engaged in humorous interactions (called contextual constraints), additionally highlighting the parallel significance of the various effects, shaped as feelings and emotions, that stem from humorous communication on the internet. In sum, the book delivers a rich and detailed account of humorous internet discourses through dissecting their affordances as a medium, tracking the users’ intentions, and predicting the audiences’ interpretive strategies, with the goal of helping the reader obtain a better understanding of internet humour and its role in today’s online interactions.
Author: Jonathan Taylor
Publisher: Springer
ISBN: 3030114139
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Laughter, Literature, Violence, 1840-1930 investigates the strange, complex, even paradoxical relationship between laughter, on the one hand, and violence, war, horror, death, on the other. It does so in relation to philosophy, politics, and key nineteenth- and twentieth-century literary texts, by Edgar Allan Poe, Edmund Gosse, Wyndham Lewis and Katherine Mansfield – texts which explore the far reaches of Schadenfreude, and so-called ‘superiority theories’ of laughter, pushing these theories to breaking point. In these literary texts, the violent superiority often ascribed to laughter is seen as radically unstable, co-existing with its opposite: an anarchic sense of equality. Laughter, humour and comedy are slippery, duplicitous, ambivalent, self-contradictory hybrids, fusing apparently discordant elements. Now and then, though, literary and philosophical texts also dream of a different kind of laughter, one which reaches beyond its alloys – a transcendent, ‘perfect’ laughter which exists only in and for itself.
Author: Philip L. Pearce
Publisher: Channel View Publications
ISBN: 1845415094
Category : Humor
Languages : en
Pages : 182
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Book Description
This book is dedicated to the advancement of knowledge about humour in all kinds of tourism settings. It discusses the many ways in which humour can occur during tourism exchanges including guided tours, tourism marketing and promotion and travel narratives. Other themes include the role of humour in enhancing the tourist experience, the benefits of tourism humour, considerations of when humour may appear inappropriate in tourism settings and the development of tourism humour theory. The work includes much original material collected by the authors. The book will be of interest to undergraduate and postgraduate students, researchers of tourism as well as humour scholars from other disciplines.
Author: Paul Clements
Publisher: Routledge
ISBN: 1000057704
Category : Art
Languages : en
Pages : 238
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Book Description
This cross-disciplinary book, situated on the periphery of culture, employs humour to better comprehend the arts, the outsider and exclusion, illuminating the ever-changing social landscape, the vagaries of taste and limits of political correctness. Each chapter deals with specific themes and approaches – from the construct of outsider and complexity of humour, to Outsider Art and spaces – using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and 'fake news'. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal. This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.
Author: Vivienne Westbrook
Publisher: Routledge
ISBN: 0429849885
Category : History
Languages : en
Pages : 230
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Book Description
This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.
Author: Barbara Korte
Publisher: transcript Verlag
ISBN: 383942593X
Category : Social Science
Languages : en
Pages : 223
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Book Description
One tends to associate history with serious modes of presentation rather than with humorous ones. Yet Clio also smiles and laughs out loud: Comic renderings of historical events and figures have made a significant contribution to »popular« history since around 1800. This volume offers case studies on history and humour in Britain and the US from 1800 to the present, discussing various historical topics, actors and events from the Middle Ages to the recent past.
Author: Margherita Dore
Publisher: John Benjamins Publishing Company
ISBN: 9027257396
Category : Language Arts & Disciplines
Languages : en
Pages : 292
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Book Description
This book explores an important aspect of human existence: humor in self-translation, a virtually unexplored area of research in Humour Studies and Translation Studies. Of the select group of international scholars contributing to this volume some examine literary texts from different perspectives (sociological, philosophical, or post-colonial) while others explore texts in more extraneous fields such as standup comedy or language learning. This book sheds light on how humour in self-translation induces thoughts on social issues, challenges stereotypes, contributes to recast individuals in novel forms of identity and facilitates reflections on our own sense of humour. This accessible and engaging volume is of interest to advanced students of Humour Studies and Translation Studies.
Author: Mary Irwin
Publisher: Springer Nature
ISBN: 3031236297
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
This book looks at television comedy, drawn from across the UK and Ireland, and ranging chronologically from the 1980s to the 2020s. It explores depictions of distinctive geographical, historical and cultural communities presented from the insiders’ perspective, simultaneously interrogating the particularity of the lived experience of time, and place, embedded within the wide variety of depictions of contrasting lives, experiences and sensibilities, which the collected individual chapters offer. Comedies considered include Victoria Wood’s work on ‘the north’, Ireland’s Father Ted and Derry Girls, Michaela Coel’s east London set Chewing Gum, and Wales’ Gavin and Stacey. There are chapters on Scottish sketch and animation comedy, and on series set in the Midlands, the North East, the South West and London’s home counties. The book offers thoughtful reflection on funny and engaging representations of the diverse, fragmented complexity of UK and Irish identity explored through the intersections of class, ethnicity and gender.
Author: Alexandra Mietusch
Publisher: GRIN Verlag
ISBN: 3668078548
Category : Language Arts & Disciplines
Languages : en
Pages : 112
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Book Description
Master's Thesis from the year 2013 in the subject Communications - Intercultural Communication, grade: 1,3, European University Viadrina Frankfurt (Oder) (Faculty of Cultural Studies), course: Master Intercultural Communication Studies, language: English, abstract: Humour accompanies one daily: It is widely used in movies, and it is intentionally used in everyday life. One can recognize that humour makes one feel good, relieves tensions (created by inter- and intrapersonal conflicts) and its charming character connects, bonds and unites us with the people surrounding us. Further, scientific therapeutic discourses identified humour and its popular response laughter benefits mental health and social contacts and therefore should be used in therapeutic practices. Hence, it is suggested to rethink humour not only as a therapeutic instrument, but also as a useful tool in counselling settings like Intercultural Coaching and Training. For now, one only knows that in intercultural settings the practice of humour is delicate due to cultural differences. But is there a humour that works beyond cultures? Why is it possible that for example a Brazilian and a Chinese person could laugh (as a response to a humorous message) together about the same humorous interaction? From a transcultural research angle the question of how to use a transcultural humour in intercultural coaching and training settings becomes relevant. Thus, the present study will examine the application and practice of humour by intercultural training and coaching experts for the first time. Their experiences in terms of its functions, its implementation and potential criteria of transcultural humour will be explored. The present thesis refers to theoretical concepts in humour research based on findings in social, communication and therapeutic psychology and introduces a scientifically new - currently disregarded - concept and definition of transcultural humour, based on findings of problem-centred expert interviews from intercultuarl coaches and trainers from around the world. Moreover the present study provides primary information on how a transcultural humour can work (assessing criteria, topics, functions, styles) and why it is recommended to make use of humour in Intercultural Coaching and Training.
