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Author: Alister Wedderburn
Publisher: Manchester University Press
ISBN: 1526150689
Category : Humor
Languages : en
Pages : 202
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Book Description
Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called ‘locker-room banter’ that defined Donald Trump’s 2016 election campaign. What, then, can a turn to humour offer International Relations? Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour ‘parasitically’ in order to make political claims and demands. In so doing, it not only outlines humour’s political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations. Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.
Author: Alister Wedderburn
Publisher: Manchester University Press
ISBN: 1526150689
Category : Humor
Languages : en
Pages : 202
Get Book Here
Book Description
Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called ‘locker-room banter’ that defined Donald Trump’s 2016 election campaign. What, then, can a turn to humour offer International Relations? Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour ‘parasitically’ in order to make political claims and demands. In so doing, it not only outlines humour’s political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations. Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.
Author: Alister Wedderburn
Publisher:
ISBN: 9781526150691
Category :
Languages : en
Pages : 208
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Book Description
What can a turn to humour offer International Relations? This book suggests that a focus on comic practice can illuminate the relationship between global politics, culture and the everyday. It odders a theoretically rich examination of humour's contribution to the making and unmaking of subjectivity, identity and community at a range of empirical sites.
Author: Helen Davies
Publisher: Springer
ISBN: 3319905066
Category : Social Science
Languages : en
Pages : 268
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Book Description
This edited collection explores the representations of identity in comedy and interrogates the ways in which “humorous” constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture. Should there be limits to free speech when humour is aimed at marginalised social groups? What are the limits of free speech when comedy pokes fun at those who hold social power? Can taboo joking be used towards politically progressive ends? Can stereotypes be mocked through their re-invocation? Comedy and the Politics of Representation: Mocking the Weak breaks new theoretical ground by demonstrating how the way people are represented mediates the triadic relationship set up in comedy between teller, audience and butt of the joke. By bringing together a selection of essays from international scholars, this study unpacks and examines the dynamic role that humour plays in making and remaking identity and power relations in culture and society.
Author: Majken Jul Sørensen
Publisher: Springer
ISBN: 1137573465
Category : Political Science
Languages : en
Pages : 245
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Book Description
This book analyses how humour in political activism contributes to facilitating outreach, mobilisation and the sustaining of cultures of resistance. Drawing on examples of attention-grabbing stunts from around the world, Humour in Political Activism demonstrates how they succeed in turning relations of power upside down. The ambiguity and unpredictability of humour, Sørensen argues, makes it difficult to respond to this form of political activism when it is performed in public. Humorous political stunts can therefore challenge state power, help influence changes in law and make significant contributions to the conversations about how societies should be organised. The book also investigates the potential risks and limitations of using humour in nonviolent action and what makes humour unique compared with other forms of non-humorous political activism.
Author: Daniel Hammett
Publisher: Policy Press
ISBN: 1529219736
Category : Political Science
Languages : en
Pages : 187
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Book Description
Analyses of humour often focus primarily on the Global North, with little consideration for examples and practices from elsewhere. This book provides a vital contribution to humour theory by developing a Global South perspective. Taking a wide-ranging view across the whole of the continent, the book examines the relationship between humour and politics in Africa. It considers the context of the production and reception of humour in African contexts and argues that humour is more than just symbolic. Moving beyond the idea of humour as a mode of resistance, the book investigates the ‘political work’ that humour does and explores the complex entanglements in which the politics, practices and performances of humour are located.
Author: S. Lockyer
Publisher: Springer
ISBN: 0230236774
Category : Social Science
Languages : en
Pages : 221
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Book Description
Humour is pervasive in contemporary culture, and is generally celebrated as a public good. Yet there are times when it is felt to produce intolerance, misunderstanding or even hatred. This book brings together, for the first time, contributions that consider the ethics as well as the aesthetics of humour. The book focuses on the abuses and limits of humour, some of which excite considerable social tension and controversy. Beyond a Joke is an exciting intervention, full of challenging questions and issues.
Author: Simon Critchley
Publisher: Routledge
ISBN: 1135199035
Category : Art
Languages : en
Pages : 145
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Book Description
This is a fascinating and beautifully written book on what philosophy can tell us about humour and about what it is to be human. It will fascinate and intrigue anyone with a sense of humour.
Author: Brassett, James
Publisher: Bristol University Press
ISBN: 1529208459
Category : Political Science
Languages : en
Pages : 172
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Book Description
What can comedy tell us about the politics of a nation? In this book, James Brassett builds on his prize-winning research to demonstrate how British comedy can provide intimate and vital understandings of the everyday politics of globalization in Britain. The book explores British comedy and Britain’s global politics from post-war imperial decline through to its awkward embrace of globalization, examining a wide variety of comedic mediums, such as the popular television show The Office and the online satire The Daily Mash. Touching on issues such as empire, the class system and capitalism, the author demonstrates how comedy offers valuable insights on how global market life is experienced, mediated, contested and accommodated.
Author: Jacob W. Glazier
Publisher: Bloomsbury Publishing
ISBN: 1350085839
Category : Philosophy
Languages : en
Pages : 301
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Book Description
Bringing thinking from the arts and digital humanities into dialogue with one another, this book investigates what it means to be alive in a world that is structured by technology, the media, and an ever expanding sense of a global community. In this unique time in our history, when we are bombarded by signs and symbols and constantly connected into gadgets, apps, and networks, it has become increasingly difficult to navigate what has been dubbed a 'post-truth' world. Critiques taken from post-colonial studies and neoanimism help challenge the paranoia that has become endemic and, indeed, symptomatic to global realities we are now witnessing. This pertains not only to the ecological degradation of the planet but also to the lingering remnants of eurocentrism and racism that have taken the forms of nationalism and fascism. As a guide, an updated version of what Michel Foucault called an arts of existence may help us sail in these treacherous and confusing waters. Diving into post-structuralist French theory, through American feminism, and emerging out of media studies, this book argues for an ethical and aesthetic form of self-fashioning that runs counter to processes subjection and mediatization. This craft of life, as Plato called it, is a space of disjunction and liberation, between subjectivity and other, where something new and different has the potential to emerge and mould to our likeness.
Author: Daniel Derrin
Publisher: Springer Nature
ISBN: 3030566463
Category : History
Languages : en
Pages : 538
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Book Description
This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.
