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Author: Amy Wegener
Publisher: Playscripts, Incorporated
ISBN: 9781623840020
Category : Drama
Languages : en
Pages : 0
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Book Description
A collection of all eleven scripts from Actor's Theatre of Louisville's 2013 Humana Festival of New American Plays.
Author: Amy Wegener
Publisher: Playscripts, Incorporated
ISBN: 9781623840020
Category : Drama
Languages : en
Pages : 0
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Book Description
A collection of all eleven scripts from Actor's Theatre of Louisville's 2013 Humana Festival of New American Plays.
Author: Will Eno
Publisher: Theatre Communications Group
ISBN: 155936789X
Category : Drama
Languages : en
Pages : 59
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Book Description
“The marvel of Mr. Eno’s new version is how closely it tracks the original while also being, at every moment and unmistakably, a Will Eno play. After climbing the craggy peaks of Ibsen’s daunting play, Mr. Eno has brought down from its dizzying heights a surprising crowd-pleasing (if still strange) work.” — Charles Isherwood, New York Times “Gnit is classic Will Eno. By that I mean I was thrilled by it.” — Kris Vire, TimeOut Chicago “If ever a play made me want to be a better person, this is it.” — Bob Fischbach, Omaha World-Herald Peter Gnit, a funny enough, but so-so specimen of humanity, makes a lifetime of bad decisions on the search for his True Self. This is a rollicking yet cautionary tale about (among other things) how the opposite of love is laziness. Gnit is a faithful, unfaithful and willfully American misreading of Henrik Ibsen’s Peer Gynt (a nineteenth-century Norwegian play), written by Will Eno, who has never been to Norway. Will Eno’s most recent plays include The Open House (Signature Theatre, New York, 2014; Obie Award, Lucille Lortel Award for Best Play) and The Realistic Joneses (Yale Repertory Theatre, New Haven, 2012; Broadway, 2014). His play Middletown received the Horton Foote Prize and Thom Pain (based on nothing) was a finalist for the 2005 Pulitzer Prize. Mr. Eno lives Brooklyn.
Author: Basil Kreimendahl
Publisher: Dramatists Play Service, Inc.
ISBN: 0822238071
Category : Performing Arts
Languages : en
Pages : 78
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Book Description
During the Cuban Missile Crisis, two average American families build a slapdash bomb shelter on their shared property line. With nuclear warfare looming, they wonder: Is it the end? The end of baseball…and table manners…and macramé? But as they fret about the fall of civilization, they start to worry that something more personal is at stake. A slyly hilarious, compassionate look at anxiety in America, WE’RE GONNA BE OKAY is about finding the courage to face who we are—and who we want to be.
Author: Jeff Augustin
Publisher: Dramatists Play Service, Inc.
ISBN: 0822233576
Category : Drama
Languages : en
Pages : 74
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Book Description
THE STORY: On a balmy night in Miami, soon-to-be mother Sula floats ashore on a car tire. Having survived the perilous journey to escape her native Haiti, Sula is determined to forge a better life in America for her unborn son. She finds safety in an apartment building dedicated to sheltering refugees, joining a diverse community of immigrants, each with their own unique dreams and dilemmas. But even though the life she has hoped for seems within reach, Sula knows she can’t outrun her demons forever. LITTLE CHILDREN DREAM OF GOD is a darkly lovely drama about learning to start a new life by facing the one you left behind.
Author: Amy Wegener
Publisher: Rowman & Littlefield
ISBN: 153813635X
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
The Humana Festival of New American Plays has been a leading home for extraordinary playwrights and their imaginations for more than four decades, making Actors Theatre of Louisville one of the nation’s preeminent powerhouses for new play development. For six weeks every spring, Louisville exerts a gravitational pull on producers and theatre lovers from around the country, who travel from far and wide for the adventure of seeing a diverse slate of fully-produced new plays. Many Humana Festival plays have gone on to garner awards and subsequent productions, making a sustained impact on the international dramatic repertoire. Humana Festival 2018: The Complete Plays brings together all six scripts from the 42nd annual cycle of world premieres, featuring a remarkable array of work by some of the most exciting voices in the American theatre. This anthology makes the Humana Festival plays available to an even wider audience, allowing readers to experience the collision of perspectives, styles and stories that makes the festival such an invigorating celebration of the art form. This compilation features the full-length plays Do You Feel Anger? by Mara Nelson-Greenberg, Evocation to Visible Appearance by Mark Schultz, we, the invisibles by Susan Soon He Stanton, Marginal Loss by Deborah Stein, and God Said This by Leah Nanako Winkler, as well as You Across from Me, a collaboratively-written play by four writers—Jaclyn Backhaus, Dipika Guha, Brian Otaño, and Jason Gray Platt.
Author: Amy Wegener
Publisher: Rowman & Littlefield
ISBN: 1538136376
Category : Performing Arts
Languages : en
Pages : 351
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Book Description
The Humana Festival of New American Plays has been a leading home for extraordinary playwrights and their imaginations for more than four decades, making Actors Theatre of Louisville one of the nation’s preeminent powerhouses for new play development. For six weeks every spring, Louisville exerts a gravitational pull on producers and theatre lovers from around the country, who travel from far and wide for the adventure of seeing a diverse slate of fully-produced new plays. Many Humana Festival plays have gone on to garner awards and subsequent productions, making a sustained impact on the international dramatic repertoire. Humana Festival 2019: The Complete Plays brings together all five scripts from the 43rd annual cycle of world premieres, featuring a remarkable array of work by some of the most exciting voices in the American theatre. This anthology makes the Humana Festival plays available to an even wider audience, allowing readers to experience the collision of perspectives, styles and stories that makes the festival such an invigorating celebration of the art form. This compilation features the full-length plays Everybody Black by Dave Harris; The Thin Place by Lucas Hnath; The Corpse Washer, adapted for the stage by Ismail Khalidi and Naomi Wallace, from the novel of the same name by Sinan Antoon; How to Defend Yourself by Liliana Padilla; and We’ve Come to Believe, a collaboratively-written play by three writers—Kara Lee Corthron, Emily Feldman, and Matthew Paul Olmos.
Author: Lucas Hnath
Publisher: Dramatists Play Service, Inc.
ISBN: 0822229226
Category : Performing Arts
Languages : en
Pages : 115
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Book Description
To understand light and optics better, young Isaac Newton inserted a long needle "between my eye and the bone, as near to the backside of my eye as I could." Why take such a risk? Lucas Hnath reimagines the contentious, plague-ravaged world Newton inhabited in ISAAC'S EYE, exploring the dreams and longings that drove the rural farm boy to become one of the greatest thinkers in modern science.
Author: Naomi Wallace
Publisher: Broadway Play Publishing
ISBN: 9780881451382
Category : Drama
Languages : en
Pages : 0
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Book Description
Set in plague-ravaged 17th century London where social roles and the boundaries that describe them have been into chaos. The definition of morality is up for grabs. History is being tantalised. And whilst the wealthy William Snelgrave dreams of sweating, swearing tars, and of how sailors satisfy their "baser instincts" so far away from female company, his own wife, untouched for 40 years, is discovering that her dreadfully burned body may not be numb after all. The human heart craves comfort, contact, tenderness; survival may take many forms
Author: Branden Jacobs-Jenkins
Publisher: Dramatists Play Service, Inc.
ISBN: 0822231913
Category : Performing Arts
Languages : en
Pages : 82
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Book Description
Every estranged member of the Lafayette clan has descended upon the crumbling Arkansas homestead to settle the accounts of the newly-dead patriarch. As his three adult children sort through a lifetime of hoarded mementos and junk, they collide over clutter, debt, and a contentious family history. But after a disturbing discovery surfaces among their father's possessions, the reunion takes a turn for the explosive, unleashing a series of crackling surprises and confrontations.
Author: Sherry Kramer
Publisher: Broadway Play Publishing In
ISBN: 9780881453133
Category : American drama
Languages : en
Pages : 57
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Book Description
Two women find that they have everything in common until the death of a brother drives them apart. Part stand-up comedy, part stand-up tragedy for two. The redhaired mythology that glorifies and empowers two women leads them into a big love, but can't lead them safely out again. A play about the heaviness of the things we carry. ..". Sherry Kramer's inventively structured, colorfully written and frequently lyrical play ... The narrative fluidly shifts back and forth between the present and the span of a few days two years earlier, when Jean and Marilyn met and Jean received the fateful phone call from home informing her of David's death ... this thoughtful meditation on loss ..." -Douglas J Keating, The Philadelphia Enquirer ..". Kramer is working with some provocative material: Jean and Marilyn, a pair of red-haired temptresses (or so they like to think), meet in an enchanted boudoir setting of bent willow and diaphanous draperies, find that they share a million and one likes and dislikes, old boyfriends, nasty habits and family patterns, and fall in love because of that almost magical twinship ... Kramer does, however, have a way with verbal imagery. Woven through the script are wonderful references to fairy tales - Snow White, Sleeping Beauty, Rapunzel ... The playwright is also adept at monologues chock-full of telling details ..." -Pamela Sommers, The Washington Post ..". All the scenes are interspersed with lines from previous scenes and foreshadowings of things to come, so there is a coiled, spiralled tension instead of the suspense of an ordinary linear plot. Except for their monologues about death - and the one opening the second as is a stunner - the actresses are always in duet ... DAVID'S REDHAIRED DEATH is a stirring, annoying and difficult piece of work. But an absorbing one ..." -Elizabeth C Donahoe, The Washington Blade ..". Kramer's play is like a puzzle: after slowly and painstakingly connecting a series of dots, one uncovers an integrated image out of what appeared to be chaos ..." -Mary Shen Barnidge, Reader (Chicago)
