Hucbald, Guido, and John on Music PDF Download
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Author: Warren Babb
Publisher: New Haven : Yale University Press
ISBN: 9780300020403
Category : Aesthetics, Medieval
Languages : en
Pages : 211
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Book Description
Author: Warren Babb
Publisher: New Haven : Yale University Press
ISBN: 9780300020403
Category : Aesthetics, Medieval
Languages : en
Pages : 211
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Book Description
Author: Stefano Mengozzi
Publisher: Cambridge University Press
ISBN: 0521884152
Category : Music
Languages : en
Pages : 305
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Book Description
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Author: Charles M. Atkinson
Publisher: Oxford University Press
ISBN: 0195148886
Category : Language Arts & Disciplines
Languages : en
Pages : 321
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Book Description
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
Author: Reinhard Strohm
Publisher:
ISBN: 9780198162056
Category : Music
Languages : en
Pages : 522
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Book Description
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Author: Harold Gleason
Publisher: Alfred Music Publishing
ISBN: 9780882843797
Category : Music
Languages : en
Pages : 226
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Book Description
This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
Author: Mary Carruthers
Publisher: University of Pennsylvania Press
ISBN: 0812293428
Category : History
Languages : en
Pages : 318
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Book Description
In antiquity and the Middle Ages, memory was a craft, and certain actions and tools were thought to be necessary for its creation and recollection. Until now, however, many of the most important visual and textual sources on the topic have remained untranslated or otherwise difficult to consult. Mary Carruthers and Jan M. Ziolkowski bring together the texts and visual images from the twelfth through the fifteenth centuries that are central to an understanding of memory and memory technique. These sources are now made available for a wider audience of students of medieval and early modern history and culture and readers with an interest in memory, mnemonics, and the synergy of text and image. The art of memory was most importantly associated in the Middle Ages with composition, and those who practiced the craft used it to make new prayers, sermons, pictures, and music. The mixing of visual and verbal media was commonplace throughout medieval cultures: pictures contained visual puns, words were often verbal paintings, and both were used equally as tools for making thoughts. The ability to create pictures in one's own mind was essential to medieval cognitive technique and imagination, and the intensely pictorial and affective qualities of medieval art and literature were generative, creative devices in themselves.
Author: Peter Pesic
Publisher: MIT Press
ISBN: 0262543893
Category : Music
Languages : en
Pages : 339
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Book Description
An exploration of polyphony and the perspective it offers on our own polyphonic brains. Polyphony—the interweaving of simultaneous sounds—is a crucial aspect of music that has deep implications for how we understand the mind. In Polyphonic Minds, Peter Pesic examines the history and significance of “polyphonicity”—of “many-voicedness”—in human experience. Pesic presents the emergence of Western polyphony, its flowering, its horizons, and the perspective it offers on our own polyphonic brains. When we listen to polyphonic music, how is it that we can hear several different things at once? How does a single mind experience those things as a unity (a motet, a fugue) rather than an incoherent jumble? Pesic argues that polyphony raises fundamental issues for philosophy, theology, literature, psychology, and neuroscience—all searching for the apparent unity of consciousness in the midst of multiple simultaneous experiences. After tracing the development of polyphony in Western music from ninth-century church music through the experimental compositions of Glenn Gould and John Cage, Pesic considers the analogous activity within the brain, the polyphonic “music of the hemispheres” that shapes brain states from sleep to awakening. He discusses how neuroscientists draw on concepts from polyphony to describe the “neural orchestra” of the brain. Pesic’s story begins with ancient conceptions of God’s mind and ends with the polyphonic personhood of the human brain and body. An enhanced e-book edition allows the sound examples to be played by a touch.
Author: Christopher Kleinhenz
Publisher: Taylor & Francis
ISBN: 1351664468
Category : Italy
Languages : en
Pages : 626
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Book Description
Author: Peter Pesic
Publisher: MIT Press
ISBN: 0262543907
Category : Music
Languages : en
Pages : 357
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Book Description
A wide-ranging exploration of how music has influenced science through the ages, from fifteenth-century cosmology to twentieth-century string theory. In the natural science of ancient Greece, music formed the meeting place between numbers and perception; for the next two millennia, Pesic tells us in Music and the Making of Modern Science, “liberal education” connected music with arithmetic, geometry, and astronomy within a fourfold study, the quadrivium. Peter Pesic argues provocatively that music has had a formative effect on the development of modern science—that music has been not just a charming accompaniment to thought but a conceptual force in its own right. Pesic explores a series of episodes in which music influenced science, moments in which prior developments in music arguably affected subsequent aspects of natural science. He describes encounters between harmony and fifteenth-century cosmological controversies, between musical initiatives and irrational numbers, between vibrating bodies and the emergent electromagnetism. He offers lively accounts of how Newton applied the musical scale to define the colors in the spectrum; how Euler and others applied musical ideas to develop the wave theory of light; and how a harmonium prepared Max Planck to find a quantum theory that reengaged the mathematics of vibration. Taken together, these cases document the peculiar power of music—its autonomous force as a stream of experience, capable of stimulating insights different from those mediated by the verbal and the visual. An innovative e-book edition available for iOS devices will allow sound examples to be played by a touch and shows the score in a moving line.
Author: Alexandra Barratt
Publisher: Cambridge Scholars Publishing
ISBN: 1443811513
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Over two hundred items are catalogued in Medieval and Renaissance Manuscripts in New Zealand Collections (1989). Most are in institutional collections and were donated by late nineteenth- and early twentieth-century book collectors, notably Sir George Grey (1812–98), Governor and later Premier of New Zealand. Having been transported across the globe, the manuscripts have remained, for the most part, beyond the purview of northern hemisphere scholars. The contributors to this interdisciplinary collection of essays include international experts such as Christopher de Hamel, Richard Gameson, Margaret Manion and Michael Orr, curators of New Zealand manuscript collections, New Zealand academics, and a PhD student. Migrations has two main aims: to lodge the Early European manuscripts in New Zealand within the international discourse of postcolonial heritage; and to place them within the mainstream of manuscript studies by drawing attention to their intrinsic significance and their relationship with manuscripts held in overseas collections. Part One focuses on the motives and historical circumstances underlying the formation of the principal collections and the subsequent changes in the ways that this heritage has been regarded. Three of the essays centre upon the bibliophiles who donated their manuscripts to public libraries. Others consider specific manuscripts as indices of changing attitudes to European, particulary British, cultural heritage. National identity, pedagogy, and curatorial practices are among the issues canvassed. Part Two consists of new scholarly studies of particular manuscripts, which examine them in relation to the cultural and documentary context in which they were produced or transmitted. Manuscripts studied include: a twelfth-century copy of music treatises by Boethius and Guido of Arezzo, probably from Christ Church, Canterbury; a Perugian breviary owned by an Augustinian friar, Antonio da Macerata; a book of hours adapted for Scottish use (the Rossdhu Hours); and a fragment of an early fifteenth-century book of hours produced by a London workshop and added to the Hours of Margery Fitzherbert. “Migrations is an imaginative and ambitious contribution to twenty-first-century manuscript studies. Most notably, the editors have invited manuscript scholars to address the issues raised by the manuscripts' location: New Zealand itself and its colonial history become tools for thinking with - about dispersal, about cultural memory, about access, about the meanings ascribed to artefacts. The editors have assembled a distinguished group of scholars in order to produce a collection of essays that is a coherent whole and at the same time individually driven by the intellectual curiosity that is the true sign of distinction. The book is a triumph.” Professor Felicity Riddy, Deputy Vice-Chancellor and Professor of English, University of York “This excellent book makes a major contribution to the study of medieval manuscript collections in New Zealand, and will open up a little known area of extremely important material to an international audience. The quality of the scholarship throughout the book is very high, and the essays on the individual manuscripts present the material in the context of recent new approaches in the study of medieval and Early Modern manuscripts.” Nigel Morgan, Hon. Professor of Art History, University of Cambridge, Head of Research, Parker Library MSS Project, Corpus Christi College
