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Author: Mei Zhi
Publisher: Verso Books
ISBN: 1844679675
Category : Biography & Autobiography
Languages : en
Pages : 337
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Book Description
Hu Feng, the ‘counterrevolutionary’ leader of a banned literary school, spent twenty-five years in the Chinese Communist Party’s prison system. But back in the Party’s early days, he was one of its best known literary theoreticians and critics—at least until factional infighting, and his short fuse, made him persona non grata among the establishment. His wife, Mei Zhi, shared his incarceration for many years. F is her account of that time, beginning ten years after her and Hu Feng’s initial arrest. She herself was eventually released, after which she navigated the party’s Byzantine prison bureaucracy searching for his whereabouts. Having finally found him, she voluntarily returned to gaol to care for him in his rage and suffering, watching his descent into madness as the excesses of the Cultural Revolution took their toll. Both an intimate portrait of Mei Zhi’s life with Hu Feng and a stark account of the prison system and life under Mao, F is at once beautiful and harrowing. With support from English PEN This book has been selected to receive financial assistance from English PEN’s Writers in Translation programme supported by Bloomberg. English PEN exists to promote literature and its understanding, uphold writers’ freedoms around the world, campaign against the persecution and imprisonment of writers for stating their views, and promote the friendly co-operation of writers and free exchange of ideas. For more information visit www.englishpen.org.
Author: Mei Zhi
Publisher: Verso Books
ISBN: 1844679675
Category : Biography & Autobiography
Languages : en
Pages : 337
Get Book Here
Book Description
Hu Feng, the ‘counterrevolutionary’ leader of a banned literary school, spent twenty-five years in the Chinese Communist Party’s prison system. But back in the Party’s early days, he was one of its best known literary theoreticians and critics—at least until factional infighting, and his short fuse, made him persona non grata among the establishment. His wife, Mei Zhi, shared his incarceration for many years. F is her account of that time, beginning ten years after her and Hu Feng’s initial arrest. She herself was eventually released, after which she navigated the party’s Byzantine prison bureaucracy searching for his whereabouts. Having finally found him, she voluntarily returned to gaol to care for him in his rage and suffering, watching his descent into madness as the excesses of the Cultural Revolution took their toll. Both an intimate portrait of Mei Zhi’s life with Hu Feng and a stark account of the prison system and life under Mao, F is at once beautiful and harrowing. With support from English PEN This book has been selected to receive financial assistance from English PEN’s Writers in Translation programme supported by Bloomberg. English PEN exists to promote literature and its understanding, uphold writers’ freedoms around the world, campaign against the persecution and imprisonment of writers for stating their views, and promote the friendly co-operation of writers and free exchange of ideas. For more information visit www.englishpen.org.
Author: Kirk A. Denton
Publisher: Stanford University Press
ISBN: 9780804731287
Category : Literary Collections
Languages : en
Pages : 356
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Book Description
Centered around the figures of Hu Feng, a leftist literary theorist who promoted "subjectivism," and his disciple Lu Ling, known for his psychological fiction, this study explores theoretical and fictional responses to the problematic of self at the heart of the experience of modernity in 20th-century China.
Author: Xiaoping Wang
Publisher: Rowman & Littlefield
ISBN: 1498566200
Category : History
Languages : en
Pages : 237
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Book Description
The questions of subjectivity and the literary style of realism, as manifested in Hu Feng's theoretical writings and Lu Ling's fictional writings, occupy a unique position in modern China. By looking more closely into the theoretical and fictional texts and the social-historical subtext, and through a re-examination of the issue of subjectivity and individualism, this book argues that individualism should not be treated as an ahistorical value-system, but understood within changing historical contexts; subjectivity should not be treated as an issue of personal choice, but as class-based and derived from collective community. To differentiate different subjectivities and the diversified foci of individualism in differing historical periods, Xiaoping Wang finds we need to explore the intellectuals' cultural-political strategy by situating them in the particular historical conjuncture and in the particular cultural fields. With this hermeneutical practice, the politics of recognition and the politics of style are mutually illuminated.
Author: Kang Liu
Publisher: Duke University Press
ISBN: 0822380536
Category : Philosophy
Languages : en
Pages : 247
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Book Description
Although Chinese Marxism—primarily represented by Maoism—is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Marxist traditions, Liu reveals the extent to which Chinese Marxists incorporate ideas about aesthetics and culture in their theories and practices. In doing so, he constructs a wholly new understanding of Chinese Marxism. Far from being secondary considerations in Chinese Marxism, aesthetics and culture are in fact principal concerns. In this respect, such Marxists are similar to their Western counterparts, although Europeans have had little understanding of the Chinese experience. Liu traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin, and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a postrevolutionary society and have affected a wide field of issues involving the problems of modernity. Forcefully argued and theoretically sophisticated, this book will appeal to students and scholars of contemporary Marxism, cultural studies, aesthetics, and modern Chinese culture, politics, and ideology.
Author: Michel Hockx
Publisher: Lexington Books
ISBN: 9780739119341
Category : History
Languages : en
Pages : 608
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Book Description
Literary Societies of Republican China provides a new and comprehensive perspective on the fascinating literary world of the most turbulent period in recent Chinese history: the Republican era of 1911-1949. Wedged between the fall of the Empire and the founding of the Communist state, the Republican period witnessed enormous social, political, and cultural changes. Kirk A. Denton and Michel Hockx have collected thirteen essays by eleven scholars from North America, Europe, and Asia that present detailed discussions of particular literary groups active in the Republican-era literary scene. Some of these groups are familiar representatives of what used to be considered the "mainstream," while others represent literary styles that have hitherto been considered "marginal" or that have been ignored altogether. Each of the essays in this volume looks in detail at literary societies both as producers of literary views and texts and as organizations with sometimes very complex social structures. The result is a unique blend of literary, cultural, and social history, unrivalled in any English-language scholarship on China to date. Book jacket.
Author: Denton & Hockx
Publisher: Lexington Books
ISBN: 0739130129
Category : Literary Criticism
Languages : en
Pages : 601
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Book Description
Literary Societies in Republican China provides a new and comprehensive perspective on the fascinating literary world of the most turbulent period in recent Chinese history: the Republican era of 1911-1949. Wedged between the fall of the Empire and the founding of the Communist state, the Republican period witnessed enormous social, political, and cultural changes. Traditionally the period is seen as one of transition: from the country being partially colonized and occupied to being an independent nation-state, from Confucianism to socialism, from writing in classical Chinese to writing in the everyday vernacular. Modern scholarship, however, has become suspicious of such attempts to analyze history, including cultural history, as a journey from A to B via C. Instead, attention has turned to the "thick description" of complex historical phenomena without worrying about whether or not they fit into some neat linear scheme. Inevitably, such scholarship benefits from collaboration and teamwork, from the juxtaposition of different insights and different materials in order to gain in overall breadth. Literary Societies in Republican China represents such teamwork and such breadth. The thirteen essays by eleven scholars from North America, Europe, and Asia present detailed discussions of particular literary groups active on the Republican-era literary scene. Some of these groups are familiar representatives of what used to be considered the "mainstream," while others represent literary styles that have hitherto been considered "marginal" or that have been ignored altogether. Each of the essays in this volume looks in detail at literary societies both as producers of literary views and texts and as organizations with sometimes very complex social structures. The result is a unique blend of literary, cultural, and social history, unrivalled in any English-language scholarship on China to date.
Author: Ding Yaping
Publisher: Routledge
ISBN: 1000434877
Category : Art
Languages : en
Pages : 214
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Book Description
Since 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People’s Republic of China. This volume explores the development of Chinese film from 1949 to 1976. This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.
Author: Rudolf G. Wagner
Publisher: BRILL
ISBN: 1684170125
Category : History
Languages : en
Pages : 570
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Book Description
Within a tightly controlled environment, literature has become the major screen onto which the political class of the People’s Republic of China projects some of its battles. This work explores the potential of literary analysis for illuminating the PRC’s social, intellectual, and political history, illustrating swings in the Party line with stories, articles, and cartoons from the popular press. This book presents materials hitherto scarcely topped and should offer new insights to those interested in Chinese literature, Russian and East European literature, and modern social and political history.
Author: Zhong Wen
Publisher: Bouden House
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 467
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Book Description
For decades, Mao Zedong has been covered by the propaganda of the Communist Party, dressed up and painted with layers upon layers of makeup, and reinforced with each passing year. What people hear and see is a manufactured idol created by the Party’s propaganda, which has taken root deep in people’s minds in the closed social environment, and poisoned their souls. Many people still cannot break free from it. Mao Zedong brought disaster to the country and the people during his lifetime, causing countless deaths and creating enormous sins that brought the country to the brink of collapse, making him the greatest criminal in China’s history. It should be Xi Jinping, his successor, who should repent on his behalf, but Xi Jinping continues to sing his praises. Helplessly, it falls upon the author to write. To expose the crimes of Mao, it is feared that there are still countless untold stories. The number of victims is in the hundreds of millions, and each of the 800 million people has their own account. It awaits thorough revelations from both inside and outside China, especially from within the Communist Party after the end of Mao era. People’s souls need to break free from Mao Zedong’s magic veil, and this requires continuous and multi-faceted efforts. The author can only contribute a small part.
Author: Yunzhong Shu
Publisher: State University of New York Press
ISBN: 0791493237
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Buglers on the Home Front studies an important, yet under-examined group of dissident writers active in Chinese leftist literary circles around the time of the war against Japan (1937–45). Writers studied include Hu Feng (the spiritual leader of the school), Cao Bai, Qiu Dongping, A Long, Jia Zhifang, Lu Ling, and Ji Pang. As the first book-length study in English of the Qiyue school, it utilizes a broad range of primary and secondary sources and combines a variety of approaches and concerns—intellectual history, political history, literary history, and literary criticism—to introduce an overlooked dissenting voice in modern Chinese literature. The book's investigation of the roles of subjectivity and domestic cultural criticism reveal the tensions within an environment generally known for its homogenization by nationalist sentiments on the one hand and by Marxist discourse on the other. While situating the Qiyue school historically and relationally, Buglers on the Home Front not only revises the general impression of China's wartime literature but also uses the school as an example to call attention to the crucial influence of cultural politics on modern literature.
