Author: Mary Marguerite Butler
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 270

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Author: Mary Marguerite Butler
Publisher:
ISBN:
Category :
Languages : en
Pages : 526

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Author: Barbara K. Gold
Publisher: State University of New York Press
ISBN: 1438404271
Category : Biography & Autobiography
Languages : en
Pages : 348

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Book Description
This collection reclaims a vast body of long-neglected Latin texts from the Middle Ages and the Renaissance and examines how they represent the feminine and the female body. The authors explore the ideological values explicitly encoded by the feminine in these texts, other, less articulated values implied by the feminine, and the role of the classical tradition in communicating those values. The examination of women both as subjects and as rhetorical constructions in Medieval and Renaissance Latin literature sheds light on the larger dialogue about feminism occurring throughout the humanities. In addition, the inclusion of a new body of texts and the rescue of others from their present isolation will expand the reach of classical and humanist scholarship. Traditional studies of Latin literature end around the beginning of the fifth century C.E. despite the fact that Latin continued to be the dominant literary and intellectual language until at least the latter half of the sixteenth century. Thus most classicists ignore over one thousand years of the Latin literary tradition. Few non-classicists read Latin comfortably and fewer still have a detailed understanding of the history of classical Latin literature. Nevertheless, a knowledge of this history was assumed by most Neo-Latin writers as well as their contemporaries who wrote in the vernacular. This collection supplies tools to examine more completely the construction and application of gender in both Latin and vernacular texts of the Middle Ages and the Renaissance.

Author: Elaine Aston
Publisher: Routledge
ISBN: 1134882246
Category : Performing Arts
Languages : en
Pages : 260

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At last an accessible and intelligent introduction to the energising and challenging relationship between feminism and theatre. In this clear and enlightening book, Aston discusses wide-ranging theoretical topics and provides case studies including: * Feminism and theatre history * `M/Othering the self': French feminist theory and theatre * Black women: shaping feminist theatre * Performing gender: a materialist practice * Colonial landscapes Feminist thought is changing the way theatre is taught and practised. An Introduction to Feminism and Theatre is compulsory reading for anyone who requires a precise, insightful and up-to-date guide to this dynamic field of study.

Author: Robert Chipok
Publisher: Bolchazy-Carducci Publishers
ISBN: 1610411129
Category :
Languages : en
Pages : 444

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Called by Renaissance humanist Conrad Celtes "the German Sappho," Hrotswitha (ca. 935–1000) was a prolific author who wrote eight legends in verse, two historical epics, and six plays in rhythmic prose. This bilingual edition contains the complete Latin text with facing English translation of her six plays, Gallicanus, Dulcitius, Callimachus, Abraham, Paphnutius, and Sapientia. The Latin text, from the 2001 Teubner edition of Hrotswitha's works, appears with a facing English translation. The translations are adaptations for the stage, and include stage directions, which have been added in order to facilitate reading and performance. Students, historians, and lovers of drama will find much to enjoy. In 1501 Celtes published Hrotswitha's works, which he found in a forgotten manuscript, along with eight woodcut illustrations by Dürer and other contemporary artists, three of which are reprinted in this bilingual edition. The influence of ancient and classical Latin authors is evident in the style of Hrotswitha's Latin. Her plays present a Christian alternative to Terence's six plays. Based on the lives of saints and martyrs and featuring monks, nuns, hermits, and other religious figures, all of Hrotswitha's plays show, as she says in her Preface to the Plays, "weak women who triumph and cause strong men to retreat in confusion."

Author: Ronald W. Vince
Publisher: Bloomsbury Publishing USA
ISBN: 1440808058
Category : Performing Arts
Languages : en
Pages : 458

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Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.

Author: Mary Reichardt
Publisher: Bloomsbury Publishing USA
ISBN: 0313016623
Category : Literary Criticism
Languages : en
Pages : 457

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Women have been writing in the Catholic tradition since early medieval times, yet no single volume has brought together critical evaluations of their works until now. The first reference of its kind, Catholic Women Writers provides entries on 64 Catholic women writers from around the world and across the centuries. Each of the entries is written by an expert contributor and includes a biography of the author; a critical discussion of her works, especially her Catholic and women's themes; an overview of her critical reception; and a bibliography of primary and secondary sources. Authors writing in all genres, including fiction, autobiography, poetry, children's literature, and essays, are represented. The entries give special attention to the authors' use of Catholic themes, structures, traditions, culture, and spirituality. The writers surveyed range from Doctors of the Church to mystics and visionaries, to those who employ Catholic themes primarily in historical and cultural contexts, to those who critique the tradition. An introductory essay places the writers within the historical and literary contexts of women's writing in the Catholic tradition, and the volume closes with a selected, general bibliography.

Author: Patricia Ranft
Publisher: Rowman & Littlefield
ISBN: 0739174320
Category : History
Languages : en
Pages : 269

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Book Description
In recent years numerous scholars in disciplines not traditionally associated with theology have promoted an interesting thesis. They maintain that one particular Christian doctrine, the Incarnation, had an inordinate influence on the shape of Western culture. The doctrine, they say, was so radical that it mandated an epistemological break with pagan society's perception of the universe and forced Christians to form a new culture. As medieval society worked out the consequences of the doctrine, it gave birth to those attitudes, institutions, and actions that define modern Western culture. The claims are well argued, but it is a historically untested thesis. How the Doctrine of Incarnation Shaped Western Culture is a response to the situation. It investigates whether the presence of the doctrine had the definitive effect on Western culture that so many scholars claim it did. It searches early Christian and medieval sources for evidence and concludes that the doctrine had a dominant effect on the developing culture. No other idea was as omnipresent or pervasive in Western society during its formative stage as the Incarnation doctrine. The doctrine was influential in the establishment of every major facet of Western culture. Its paradox, irrationality, and juxtaposition of opposites created a tension that cried out for resolution, and society responded accordingly. The ideas within the doctrine acted as catalysts for cultural change. As a result, the West developed its most characteristic traits and forged a path that was uniquely its own.

Author: Katharina M Wilson
Publisher: BRILL
ISBN: 9004625801
Category : Biography & Autobiography
Languages : en
Pages : 187

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Selection of the works of Hrotsvit, the first-known woman dramatist, containing legends, dramas, and epics. Hrotsvit of Gandersheim (c.935 - c.975), almost certainly of noble Saxon parentage, was a canoness of the Saxon imperial abbey of Gandersheim, living and working there during its time of greatest material prosperity and cultural and intellectual pre-eminence. Her importance cannot be overestimated: she is the first poet of Saxony; the first known dramatist of Christianity (indeed the first known woman dramatist of any time); and a woman displaying erudition and wit in an essentially patriarchal age, a female author in a literary field dominated by men who insisted on re-evaluating and redrawing the literary depiction of women. Discovered in the late fifteenth century, her extraordinary oeuvre, written in medieval Latin, comprises a wide variety of genres: eight legends, six dramas, and two epics, organised into three books. The present volume contains a selection of Hrotsvit's works in Englishtranslation, together with an interpretative essay, critical introduction, and scholarly apparatus. Professor KATHARINA WILSONteaches at the University of Georgia.

Author: Kathryn Gravdal
Publisher: University of Pennsylvania Press
ISBN: 0812200330
Category : Literary Criticism
Languages : en
Pages : 204

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In this study of sexual violence and rape in French medieval literature and law, Kathryn Gravdal examines an array of famous works never before analyzed in connection with sexual violence. Gravdal demonstrates the variety of techniques through which medieval discourse made rape acceptable: sometimes through humor and aestheticization, sometimes through the use of social and political themes, but especially through the romanticism of rape scenes.