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Author: Richard Cullen Rath
Publisher: Cornell University Press
ISBN: 9780801441264
Category : Hearing
Languages : en
Pages : 248
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Book Description
In early America, every sound had a living, willful force at its source.
Author: Richard Cullen Rath
Publisher: Cornell University Press
ISBN: 9780801441264
Category : Hearing
Languages : en
Pages : 248
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Book Description
In early America, every sound had a living, willful force at its source.
Author: Richard Cullen Rath
Publisher: Cornell University Press
ISBN: 9780801472725
Category : Hearing
Languages : en
Pages : 244
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Book Description
In early America, every sound had a living, wilful force at its source - sometimes these forces were not human or even visible. The author recreates in detail a world remote from our own, one in which sounds were charged with meaning and power.
Author: Timothy D. Taylor
Publisher: Duke University Press
ISBN: 0822349469
Category : Business & Economics
Languages : en
Pages : 428
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Book Description
This reader collects primary documents on the phonograph, cinema, and radio before WWII to show how Americans slowly came to grips with the idea of recorded and mediated sound. Through readings from advertisements, newspaper and magazine articles, popular fiction, correspondence, and sheet music, one gains an understanding of how early-20th-century Americans changed from music makers into consumers.
Author: Andre Millard
Publisher: Cambridge University Press
ISBN: 9780521835152
Category : History
Languages : en
Pages : 480
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Book Description
This study provides a history of sound recording from the acoustic phonograph to digital sound technology. Copyright © Libri GmbH. All rights reserved.
Author:
Publisher:
ISBN: 9781450816083
Category :
Languages : en
Pages : 0
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Book Description
Author: Emily Thompson
Publisher: MIT Press
ISBN: 9780262701068
Category : Architecture
Languages : en
Pages : 518
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Book Description
A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
Author: Adam White
Publisher: National Geographic Books
ISBN: 0500294852
Category : Music
Languages : en
Pages : 0
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Book Description
Now in paperback, the definitive visual history of Motown, the Detroit-based record company that became a music powerhouse. The music of Motown defined an era. From the Jackson 5 and Diana Ross to Stevie Wonder and Smokey Robinson, Berry Gordy and his right-hand man, Barney Ales, built the most successful independent record label in the world. Not only did Motown represent the most iconic recording artists of its time and produce countless global hits—it created a cultural institution that redefined pop and gave us the vision of a new America: vibrant, innovative, and racially equal. This new paperback edition of the first official visual history of the label includes a dazzling array of images, and unprecedented access to the archives of the makers and stars of Motown. Extensive specially commissioned photography of treasures extracted from the Motown archives, as well as the personal collections of Barney Ales and Motown stars, lends new insight into the lives of the legends. Motown also draws on interviews with key players from the label’s colorful history, including Motown founder Berry Gordy; Barney Ales; Smokey Robinson; Mary Wilson, founding member of the Supremes; and many more.
Author: Richard Radune
Publisher:
ISBN: 9780976434115
Category : Connecticut
Languages : en
Pages : 0
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Book Description
Sound Rising challenges our perception of Long Island Sound in many surprising ways. The Sound was at the forefront of American trade with the West Indies and its location placed it in a position to influence the course of history during the critical years between 1750 and 1820. Its multitude of small ports, coves, and navigable rivers provided a distinct advantage by thwarting British efforts to enforce trade restrictions and collect taxes. Merchants' desire for free trade and the avoidance of customs duties set the stage for war. Long Island Sound played a crucial role in America's Revolutionary War victory when its naval vessels, privateers, and whaleboat raiders swarmed out of these same ports to interdict British supplies and force major changes in the enemy's strategic war plans. This groundbreaking, true story relates the Sound's involvement in the capture of Fort Louisbourg, rampant smuggling, the Revolutionary War, the Undeclared War with France and the War of 1812.
Author: Alejandra Bronfman
Publisher: University of Pittsburgh Pre
ISBN: 0822977958
Category : History
Languages : en
Pages : 188
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Book Description
Outside of music, the importance of sound and listening have been greatly overlooked in Latin American history. Visual media has dominated cultural studies, affording an incomplete record of the modern era. This edited volume presents an original analysis of the role of sound in Latin American and Caribbean societies, from the late nineteenth century to the present. The contributors examine the importance of sound in the purveyance of power, gender roles, race, community, religion, and populism. They also demonstrate how sound is essential to the formation of citizenship and nationalism. Sonic media, and radio in particular, have become primary tools for contesting political issues. In that vein, the contributors view the control of radio transmission and those who manipulate its content for political gain. Conversely, they show how, in neoliberal climates, radio programs have exposed corruption and provided a voice for activism. The chapters address sonic production in a variety of media: radio, Internet, digital recordings, phonographs, speeches, carnival performances, fireworks festivals, and the reinterpretation of sound in literature. They examine the embodied experience of listening and its importance to memory coding and identity formation. This collection looks to sonic media as an essential vehicle for transmitting ideologies, imagined communities, and culture. As the contributors discern, sound is ubiquitous, and its study is therefore crucial to understanding the flow of information and influence in Latin America and globally.
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
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Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
