Author: Kari Boyd McBride
Publisher: Taylor & Francis
ISBN: 1351948148
Category : Architecture
Languages : en
Pages : 200
Book Description
McBride provides new perspectives on the roles of the country house discourse she identifies, linking it with a number of larger historical shifts during the time period. Her interdisciplinary focus allows her to bring together a wide range of material - including architecture, poetry, oil painting, economic and social history, and proscriptive literature - in order to examine their complex interrelationship, revealing connections unexplored in more narrowly focused studies.
Country House Discourse in Early Modern England
Author: Kari Boyd McBride
Publisher: Taylor & Francis
ISBN: 1351948148
Category : Architecture
Languages : en
Pages : 200
Book Description
McBride provides new perspectives on the roles of the country house discourse she identifies, linking it with a number of larger historical shifts during the time period. Her interdisciplinary focus allows her to bring together a wide range of material - including architecture, poetry, oil painting, economic and social history, and proscriptive literature - in order to examine their complex interrelationship, revealing connections unexplored in more narrowly focused studies.
Publisher: Taylor & Francis
ISBN: 1351948148
Category : Architecture
Languages : en
Pages : 200
Book Description
McBride provides new perspectives on the roles of the country house discourse she identifies, linking it with a number of larger historical shifts during the time period. Her interdisciplinary focus allows her to bring together a wide range of material - including architecture, poetry, oil painting, economic and social history, and proscriptive literature - in order to examine their complex interrelationship, revealing connections unexplored in more narrowly focused studies.
Blood and Home in Early Modern Drama
Author: Ariane M. Balizet
Publisher: Routledge
ISBN: 1317961943
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
Publisher: Routledge
ISBN: 1317961943
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
Emotions in the Household, 1200–1900
Author: S. Broomhall
Publisher: Springer
ISBN: 0230286097
Category : History
Languages : en
Pages : 299
Book Description
This collection asks new questions about the household, examining the kinds of positive and negative emotional scope available to household members drawn together by shared economic, social and biological needs rather than by blood ties.
Publisher: Springer
ISBN: 0230286097
Category : History
Languages : en
Pages : 299
Book Description
This collection asks new questions about the household, examining the kinds of positive and negative emotional scope available to household members drawn together by shared economic, social and biological needs rather than by blood ties.
The Building of Elizabethan and Jacobean England
Author: Maurice Howard
Publisher: Yale University Press
ISBN:
Category : Architecture
Languages : en
Pages : 248
Book Description
Building accounts, government regulation and theoretical writing on the one hand and pictorial representation on the other directed new ways of documenting the changed appearance of the buildings in which people lived, worshipped and worked. This book shows how changes of style in architecture emerged from the practical needs of building a new society through the image-making of public and private patrons in the revolutionary century between Reformation and Civil War."--BOOK JACKET.
Publisher: Yale University Press
ISBN:
Category : Architecture
Languages : en
Pages : 248
Book Description
Building accounts, government regulation and theoretical writing on the one hand and pictorial representation on the other directed new ways of documenting the changed appearance of the buildings in which people lived, worshipped and worked. This book shows how changes of style in architecture emerged from the practical needs of building a new society through the image-making of public and private patrons in the revolutionary century between Reformation and Civil War."--BOOK JACKET.
Women, Space and Utopia 1600–1800
Author: Nicole Pohl
Publisher: Routledge
ISBN: 1351871420
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
The first full length study of women's utopian spatial imagination in the seventeenth and eigtheenth centuries, this book explores the sophisticated correlation between identity and social space. The investigation is mainly driven by conceptual questions and thus seeks to link theoretical debates about space, gender and utopianism to historiographic debates about the (gendered) social production of space. As Pohl's primary aim is to demonstrate how women writers explore the complex (gender) politics of space, specific attention is given to spaces that feature widely in contemporary utopian imagination: Arcadia, the palace, the convent, the harem and the country house. The early modern writers Lady Mary Wroth and Margaret Cavendish seek to recreate Paradise in their versions of Eden and Jerusalem; the one yearns for Arcadia, the other for Solomon's Temple. Margaret Cavendish and Mary Astell redefine the convent as an emancipatory space, dismissing its symbolic meaning as a confining and surveilled architecture. The utopia of the country house in the work of Delarivier Manley, Sarah Scott and Mary Hamilton will reveal how women writers resignify the traditional metonym of the country estate. The study will finish with an investigation of Oriental tales and travel writing by Ellis Cornelia Knight, Lady Mary Montagu, Elizabeth Craven and Lady Hester Stanhope who unveil the seraglio as a location for a Western, specifically masculine discourse on Orientalism, despotism and female sexuality and offers their own utopian judgment.
Publisher: Routledge
ISBN: 1351871420
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
The first full length study of women's utopian spatial imagination in the seventeenth and eigtheenth centuries, this book explores the sophisticated correlation between identity and social space. The investigation is mainly driven by conceptual questions and thus seeks to link theoretical debates about space, gender and utopianism to historiographic debates about the (gendered) social production of space. As Pohl's primary aim is to demonstrate how women writers explore the complex (gender) politics of space, specific attention is given to spaces that feature widely in contemporary utopian imagination: Arcadia, the palace, the convent, the harem and the country house. The early modern writers Lady Mary Wroth and Margaret Cavendish seek to recreate Paradise in their versions of Eden and Jerusalem; the one yearns for Arcadia, the other for Solomon's Temple. Margaret Cavendish and Mary Astell redefine the convent as an emancipatory space, dismissing its symbolic meaning as a confining and surveilled architecture. The utopia of the country house in the work of Delarivier Manley, Sarah Scott and Mary Hamilton will reveal how women writers resignify the traditional metonym of the country estate. The study will finish with an investigation of Oriental tales and travel writing by Ellis Cornelia Knight, Lady Mary Montagu, Elizabeth Craven and Lady Hester Stanhope who unveil the seraglio as a location for a Western, specifically masculine discourse on Orientalism, despotism and female sexuality and offers their own utopian judgment.
The Elizabethan Country House Entertainment
Author: Elizabeth Zeman Kolkovich
Publisher: Cambridge University Press
ISBN: 1316712540
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
This is the first full-length critical study of country house entertainment, a genre central to late Elizabethan politics. It shows how the short plays staged for the Queen at country estates like Kenilworth Castle and Elvetham shaped literary trends and intervened in political debates, including whether women made good politicians and what roles the church and local culture should play in definitions of England. In performance and print, country house entertainments facilitated political negotiations, rethought gender roles, and crafted regional and national identities. In its investigation of how the hosts used performances to negotiate local and national politics, the book also sheds light on how and why such entertainments enabled female performance and authorship at a time when English women did not write or perform commercial plays. Written in a lively and accessible style, this is fascinating reading for scholars and students of early modern literature, theatre, and women's history.
Publisher: Cambridge University Press
ISBN: 1316712540
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
This is the first full-length critical study of country house entertainment, a genre central to late Elizabethan politics. It shows how the short plays staged for the Queen at country estates like Kenilworth Castle and Elvetham shaped literary trends and intervened in political debates, including whether women made good politicians and what roles the church and local culture should play in definitions of England. In performance and print, country house entertainments facilitated political negotiations, rethought gender roles, and crafted regional and national identities. In its investigation of how the hosts used performances to negotiate local and national politics, the book also sheds light on how and why such entertainments enabled female performance and authorship at a time when English women did not write or perform commercial plays. Written in a lively and accessible style, this is fascinating reading for scholars and students of early modern literature, theatre, and women's history.
Domestic Politics and Family Absence
Author: Noel J. Kinnamon
Publisher: Routledge
ISBN: 1351943065
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
Though all but three of Robert Sidney's 332 extant letters to his wife Barbara Gamage Sidney have been in the Sidney family archive, they have never previously been fully transcribed or edited. This edition of the surviving letters, which Sidney wrote to his wife when they were separated for long periods by his official duties at various continental locations, provides a wealth of information about the Sidneys' family life. They touch on matters such as family illnesses, the children's education, court gossip, finances, and the construction of additions to Penshurst Place, the seat of the Sidney family. The letters also offer an extraordinary record of an early-modern English household in which the wife was entrusted with the overall responsibility for the well-being of her family, and for managing a large estate in the absence of her husband. Sidney's letters show that, although his union with the wealthy Welsh heiress Barbara Gamage may have been engineered primarily for political and financial ends, clearly the couple enjoyed a happy and loving marriage. Their correspondence is full of endearments, and Robert frequently tells his wife how much he misses her and their beloved children, including his 'Malkin,' later Lady Mary Wroth. The volume includes an introduction and notes by the editors. It also includes contextual materials such as relevant sections on family matters from letters to Robert from his trusted agent, Rowland Whyte; and from Robert Sidney's own business correspondence. The introduction specifically addresses the issue of Barbara's literacy, within the broader context of late-Elizabethan women's literacy.
Publisher: Routledge
ISBN: 1351943065
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
Though all but three of Robert Sidney's 332 extant letters to his wife Barbara Gamage Sidney have been in the Sidney family archive, they have never previously been fully transcribed or edited. This edition of the surviving letters, which Sidney wrote to his wife when they were separated for long periods by his official duties at various continental locations, provides a wealth of information about the Sidneys' family life. They touch on matters such as family illnesses, the children's education, court gossip, finances, and the construction of additions to Penshurst Place, the seat of the Sidney family. The letters also offer an extraordinary record of an early-modern English household in which the wife was entrusted with the overall responsibility for the well-being of her family, and for managing a large estate in the absence of her husband. Sidney's letters show that, although his union with the wealthy Welsh heiress Barbara Gamage may have been engineered primarily for political and financial ends, clearly the couple enjoyed a happy and loving marriage. Their correspondence is full of endearments, and Robert frequently tells his wife how much he misses her and their beloved children, including his 'Malkin,' later Lady Mary Wroth. The volume includes an introduction and notes by the editors. It also includes contextual materials such as relevant sections on family matters from letters to Robert from his trusted agent, Rowland Whyte; and from Robert Sidney's own business correspondence. The introduction specifically addresses the issue of Barbara's literacy, within the broader context of late-Elizabethan women's literacy.
Service and Dependency in Shakespeare's Plays
Author: Judith Weil
Publisher: Cambridge University Press
ISBN: 1139444573
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
This is an unusual study of the nature of service and other types of dependency and patronage in Shakespeare's drama. By considering the close associations of service with childhood or youth, marriage and friendship, Judith Weil sheds light on social practice and dramatic action. Approached as dynamic explorations of a familiar custom, the plays are shown to demonstrate a surprising consciousness of obligations, and a fascination with how dependants actively change each other. They help us understand why early modern people may have found service both frightening and enabling. Attentive to a range of historical sources, and social and cultural issues, Weil also emphasises the linguistic ambiguities created by service relationships, and their rich potential for interpretation on the stage. The book includes close readings of dramatic sequences in twelve plays, including Hamlet, Macbeth, The Taming of the Shrew and King Lear.
Publisher: Cambridge University Press
ISBN: 1139444573
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
This is an unusual study of the nature of service and other types of dependency and patronage in Shakespeare's drama. By considering the close associations of service with childhood or youth, marriage and friendship, Judith Weil sheds light on social practice and dramatic action. Approached as dynamic explorations of a familiar custom, the plays are shown to demonstrate a surprising consciousness of obligations, and a fascination with how dependants actively change each other. They help us understand why early modern people may have found service both frightening and enabling. Attentive to a range of historical sources, and social and cultural issues, Weil also emphasises the linguistic ambiguities created by service relationships, and their rich potential for interpretation on the stage. The book includes close readings of dramatic sequences in twelve plays, including Hamlet, Macbeth, The Taming of the Shrew and King Lear.
The Queen's Men and Their Plays
Author: Scott McMillin
Publisher: Cambridge University Press
ISBN: 9780521594271
Category : Drama
Languages : en
Pages : 288
Book Description
This is the first book devoted to the Queen's Men, one of the major acting companies of the age of Shakespeare. In describing the troupe's position in the general political situation and the London theatre scene of the 1580s, the authors break new ground by showing how Elizabethan theatre history can be refocused by concentrating on the company which produced the plays rather than on the authors who wrote them. The book combines a thorough examination of documentary evidence with textual and critical analysis, to provide a full account of the characteristics which gave the company its identity: its acting style, staging methods, touring patterns and repertoire. The conclusions will interest Elizabethan historians as well as students and scholars of early modern theatre.
Publisher: Cambridge University Press
ISBN: 9780521594271
Category : Drama
Languages : en
Pages : 288
Book Description
This is the first book devoted to the Queen's Men, one of the major acting companies of the age of Shakespeare. In describing the troupe's position in the general political situation and the London theatre scene of the 1580s, the authors break new ground by showing how Elizabethan theatre history can be refocused by concentrating on the company which produced the plays rather than on the authors who wrote them. The book combines a thorough examination of documentary evidence with textual and critical analysis, to provide a full account of the characteristics which gave the company its identity: its acting style, staging methods, touring patterns and repertoire. The conclusions will interest Elizabethan historians as well as students and scholars of early modern theatre.
At Home in Shakespeare's Tragedies
Author: Geraldo U. de Sousa
Publisher: Routledge
ISBN: 1317177673
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
Bringing together methods, assumptions and approaches from a variety of disciplines, Geraldo U. de Sousa's innovative study explores the representation, perception, and function of the house, home, household, and family life in Shakespeare's great tragedies. Concentrating on King Lear, Hamlet, Othello, and Macbeth, de Sousa's examination of the home provides a fresh look at material that has been the topic of fierce debate. Through a combination of textual readings and a study of early modern housing conditions, accompanied by analyses that draw on anthropology, architecture, art history, the study of material culture, social history, theater history, phenomenology, and gender studies, this book demonstrates how Shakespeare explores the materiality of the early modern house and evokes domestic space to convey interiority, reflect on the habits of the mind, interrogate everyday life, and register elements of the tragic journey. Specific topics include the function of the disappearance of the castle in King Lear, the juxtaposition of home-centered life in Venice and nomadic, 'unhoused' wandering in Othello, and the use of special lighting effects to reflect this relationship, Hamlet's psyche in response to physical space, and the redistribution of domestic space in Macbeth. Images of the house, home, and household become visually and emotionally vibrant, and thus reflect, define, and support a powerful tragic narrative.
Publisher: Routledge
ISBN: 1317177673
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
Bringing together methods, assumptions and approaches from a variety of disciplines, Geraldo U. de Sousa's innovative study explores the representation, perception, and function of the house, home, household, and family life in Shakespeare's great tragedies. Concentrating on King Lear, Hamlet, Othello, and Macbeth, de Sousa's examination of the home provides a fresh look at material that has been the topic of fierce debate. Through a combination of textual readings and a study of early modern housing conditions, accompanied by analyses that draw on anthropology, architecture, art history, the study of material culture, social history, theater history, phenomenology, and gender studies, this book demonstrates how Shakespeare explores the materiality of the early modern house and evokes domestic space to convey interiority, reflect on the habits of the mind, interrogate everyday life, and register elements of the tragic journey. Specific topics include the function of the disappearance of the castle in King Lear, the juxtaposition of home-centered life in Venice and nomadic, 'unhoused' wandering in Othello, and the use of special lighting effects to reflect this relationship, Hamlet's psyche in response to physical space, and the redistribution of domestic space in Macbeth. Images of the house, home, and household become visually and emotionally vibrant, and thus reflect, define, and support a powerful tragic narrative.