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Author: Horace Walpole
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Horace Walpole
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Horace Walpole
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 596
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Book Description
Author: Horace Walpole
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Horace Walpole
Publisher:
ISBN:
Category :
Languages : en
Pages : 462
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Book Description
Author: Janice Hadlow
Publisher: Macmillan + ORM
ISBN: 0805096574
Category : Biography & Autobiography
Languages : en
Pages : 706
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Book Description
This groundbreaking royal biography offers “a fascinating, story-filled account” of King George III’s radical—and doomed—pursuit of familial happiness (The Guardian, UK). King George III of Great Britain was determined to be different from his Hanoverian predecessors. Neither of the previous Georges was faithful to his wife, and both hated their own sons. Overall, their children were angry, jealous, and disaffected schemers, whose palace shenanigans made for royal embarrassment and salacious scandals. Pained by his childhood amid this cruel and feuding family, George came to the throne aspiring to be a new kind of king—a force for moral good. And to be that new kind of king, he had to be a new kind of man. Against his irresistibly awful family background—of brutal royal intrigue, infidelity, and betrayal—George fervently pursued a radical domestic dream: he would have a faithful marriage and raise loving, educated, and resilient children. In this acclaimed biography, Janice Hadlow shares a vivid and revelatory account of King George, Queen Charlotte, and their fifteen children as they struggled to undo generations of bitter dysfunction and pursue a passion for family. A Times and Sunday Times Best Books of the Year
Author: Joan Coutu
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228014972
Category : History
Languages : en
Pages : 343
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Book Description
Politics has always been at the heart of the English country house, in its design and construction, as well as in the activities and experiences of those who lived in and visited these places. As Britain moved from an agrarian to an imperial economy over the course of the eighteenth century, the home mirrored the social change experienced in the public sphere. This collection focuses on the relationship between the country house and the mutable nature of British politics in the eighteenth century. Essays explore the country house as a stage for politicking, a vehicle for political advancement, a symbol of party allegiance or political values, and a setting for appropriate lifestyles. Initially the exclusive purview of the landed aristocracy, politics increasingly came to be played out in the open, augmented by the emergence of career politicians – usually untitled members of the patriciate – and men of new money, much of it created on Caribbean plantations or in the employ of the East India Company. Politics and the English Country House, 1688–1800 reveals how, during this period of profound change, the country house remained a constant. The country house was the definitive tangible manifestation of social standing and, for the political class, owning one became almost an imperative. In its consideration of the country house as lived and spatial experience, as an aesthetic and symbolic object, and as an economic engine, this book offers a new perspective on the complexity of political meaning embedded in the eighteenth-century country house – and on ourselves as active recipients and interpreters of its various narratives, more than two centuries later.
Author: James Watt
Publisher: Cambridge University Press
ISBN: 1139426001
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold.
Author: Julia Banister
Publisher: Cambridge University Press
ISBN: 1108173705
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
This book investigates the figure of the military man in the long eighteenth century in order to explore how ideas about militarism served as vehicles for conceptualizations of masculinity. Bringing together representations of military men and accounts of court martial proceedings, this book examines eighteenth-century arguments about masculinity and those that appealed to the 'naturally' sexed body and construed masculinity as social construction and performance. Julia Banister's discussion draws on a range of printed materials, including canonical literary and philosophical texts by David Hume, Adam Smith, Horace Walpole and Jane Austen, and texts relating to the naval trials of, amongst others, Admiral John Byng. By mapping eighteenth-century ideas about militarism, including professionalism and heroism, alongside broader cultural concerns with politeness, sensibility, the Gothic past and celebrity, Julia Banister reveals how ideas about masculinity and militarism were shaped by and within eighteenth-century culture.
Author: Angela Wright
Publisher: Cambridge University Press
ISBN: 1316999645
Category : Literary Criticism
Languages : en
Pages : 936
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Book Description
This first volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in Western civilisation, from the Goths' sacking of Rome in 410 AD through to its manifestations in British and European culture of the long eighteenth century. Written by international cast of leading scholars, the chapters explore the interdisciplinary nature of the Gothic in the fields of history, literature, architecture and fine art. As much a cultural history of Gothic as an account of the ways in which the Gothic has participated within a number of formative historical events across time, the volume offers fresh perspectives on familiar themes while also drawing new critical attention to a range of hitherto overlooked concerns. From writers such as Horace Walpole and Ann Radcliffe to eighteenth-century politics and theatre, the volume provides a thorough and engaging overview of early Gothic culture in Britain and beyond.
Author: Kate Retford
Publisher: Bloomsbury Publishing USA
ISBN: 1501337319
Category : Art
Languages : en
Pages : 365
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Book Description
For every great country house of the Georgian period, there was usually also a town house. Chatsworth, for example, the home of the Devonshires, has officially been recognised as one of the country's favourite national treasures - but most of its visitors know little of Devonshire House, which the family once owned in the capital. In part, this is because town houses were often leased, rather than being passed down through generations as country estates were. But, most crucially, many London town houses, including Devonshire House, no longer exist, having been demolished in the early twentieth century. This book seeks to place centre-stage the hugely important yet hitherto overlooked town houses of the eighteenth and early nineteenth centuries, exploring the prime position they once occupied in the lives of families and the nation as a whole. It explores the owners, how they furnished and used these properties, and how their houses were judged by the various types of visitor who gained access.
