Author: Kenneth O'Reilly
Publisher:
ISBN: 9780877223016
Category : Political Science
Languages : en
Pages : 411
Book Description
Hoover and the Un-Americans
Author: Kenneth O'Reilly
Publisher:
ISBN: 9780877223016
Category : Political Science
Languages : en
Pages : 411
Book Description
Publisher:
ISBN: 9780877223016
Category : Political Science
Languages : en
Pages : 411
Book Description
Investigation of Un-American Propaganda Activities in the United States
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 60
Book Description
China's Influence and American Interests
Author: Larry Diamond
Publisher: Hoover Press
ISBN: 0817922865
Category : Political Science
Languages : en
Pages : 223
Book Description
While Americans are generally aware of China's ambitions as a global economic and military superpower, few understand just how deeply and assertively that country has already sought to influence American society. As the authors of this volume write, it is time for a wake-up call. In documenting the extent of Beijing's expanding influence operations inside the United States, they aim to raise awareness of China's efforts to penetrate and sway a range of American institutions: state and local governments, academic institutions, think tanks, media, and businesses. And they highlight other aspects of the propagandistic “discourse war” waged by the Chinese government and Communist Party leaders that are less expected and more alarming, such as their view of Chinese Americans as members of a worldwide Chinese diaspora that owes undefined allegiance to the so-called Motherland.Featuring ideas and policy proposals from leading China specialists, China's Influence and American Interests argues that a successful future relationship requires a rebalancing toward greater transparency, reciprocity, and fairness. Throughout, the authors also strongly state the importance of avoiding casting aspersions on Chinese and on Chinese Americans, who constitute a vital portion of American society. But if the United States is to fare well in this increasingly adversarial relationship with China, Americans must have a far better sense of that country's ambitions and methods than they do now.
Publisher: Hoover Press
ISBN: 0817922865
Category : Political Science
Languages : en
Pages : 223
Book Description
While Americans are generally aware of China's ambitions as a global economic and military superpower, few understand just how deeply and assertively that country has already sought to influence American society. As the authors of this volume write, it is time for a wake-up call. In documenting the extent of Beijing's expanding influence operations inside the United States, they aim to raise awareness of China's efforts to penetrate and sway a range of American institutions: state and local governments, academic institutions, think tanks, media, and businesses. And they highlight other aspects of the propagandistic “discourse war” waged by the Chinese government and Communist Party leaders that are less expected and more alarming, such as their view of Chinese Americans as members of a worldwide Chinese diaspora that owes undefined allegiance to the so-called Motherland.Featuring ideas and policy proposals from leading China specialists, China's Influence and American Interests argues that a successful future relationship requires a rebalancing toward greater transparency, reciprocity, and fairness. Throughout, the authors also strongly state the importance of avoiding casting aspersions on Chinese and on Chinese Americans, who constitute a vital portion of American society. But if the United States is to fare well in this increasingly adversarial relationship with China, Americans must have a far better sense of that country's ambitions and methods than they do now.
Investigation of un-American propaganda activities in the United States. Testimony of Walter S. Steele regarding Communist activities in the United States. Testimony of Victor A. Kravchenko. Hearings regarding
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 1070
Book Description
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 1070
Book Description
What's So Great About America
Author: Dinesh D'Souza
Publisher: Simon and Schuster
ISBN: 1621570789
Category : Political Science
Languages : en
Pages : 200
Book Description
With What's So Great About America, Dinesh D'Souza is not asking a question, but making a statement. The former White House policy analyst and bestselling author argues that in the aftermath of September 11, 2001, American ideals and patriotism should not be things we shy away from. Instead he offers the grounds for a solid, well-considered pride in the Western pillars of "science, democracy and capitalism," while deconstructing arguments from both the political Left and political Right. As an "outsider" from India who has had amazing success in the United States, D'Souza defends not an idealized America, but America as it really is, and measures America not against an utopian ideal, but against the rest of the world in a provocative, challenging, and personal book.
Publisher: Simon and Schuster
ISBN: 1621570789
Category : Political Science
Languages : en
Pages : 200
Book Description
With What's So Great About America, Dinesh D'Souza is not asking a question, but making a statement. The former White House policy analyst and bestselling author argues that in the aftermath of September 11, 2001, American ideals and patriotism should not be things we shy away from. Instead he offers the grounds for a solid, well-considered pride in the Western pillars of "science, democracy and capitalism," while deconstructing arguments from both the political Left and political Right. As an "outsider" from India who has had amazing success in the United States, D'Souza defends not an idealized America, but America as it really is, and measures America not against an utopian ideal, but against the rest of the world in a provocative, challenging, and personal book.
J. Edgar Hoover Goes to the Movies
Author: John Sbardellati
Publisher: Cornell University Press
ISBN: 0801464684
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Between 1942 and 1958, J. Edgar Hoover’s Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood’s alleged subversion of "the American Way" through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover’s G-men on screenplays and screenings of such films as Frank Capra’s It’s a Wonderful Life (1946), noting that "this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters." The FBI’s anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954). In J. Edgar Hoover Goes to the Movies, John Sbardellati provides a new consideration of Hollywood’s history and the post–World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, through such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of "un-American" ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle, or, at its worst, conducive to communism at home. Those who took part in Hollywood’s Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War.
Publisher: Cornell University Press
ISBN: 0801464684
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Between 1942 and 1958, J. Edgar Hoover’s Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood’s alleged subversion of "the American Way" through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover’s G-men on screenplays and screenings of such films as Frank Capra’s It’s a Wonderful Life (1946), noting that "this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters." The FBI’s anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954). In J. Edgar Hoover Goes to the Movies, John Sbardellati provides a new consideration of Hollywood’s history and the post–World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, through such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of "un-American" ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle, or, at its worst, conducive to communism at home. Those who took part in Hollywood’s Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War.
Investigation of Un-American Propaganda Activities in the United States
Author: United States. Congress. House. Special Committee on Un-American Activities (1938-1944)
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 812
Book Description
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 812
Book Description
Chaplin and American Culture
Author: Charles J. Maland
Publisher: Princeton University Press
ISBN: 0691223882
Category : Performing Arts
Languages : en
Pages : 468
Book Description
Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.
Publisher: Princeton University Press
ISBN: 0691223882
Category : Performing Arts
Languages : en
Pages : 468
Book Description
Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.
Hoover's FBI and the Fourth Estate
Author: Matthew Cecil
Publisher: University Press of Kansas
ISBN: 0700619461
Category : History
Languages : en
Pages : 368
Book Description
The Federal Bureau of Investigation was an agency devoted to American ideals, professionalism, and scientific methods, directed by a sage and selfless leader--and anyone who said otherwise was a no-good subversive, bent on discrediting the American way of life. That was the official story, and how J. Edgar Hoover made it stick--running roughshod over those same American ideals--is the story this book tells in full for the first time. From Hoover's first tentative media contacts in the 1930s to the Bureau's eponymous television series in the 1960s and 1970s, FBI officials labored mightily to control the Bureau's image--efforts that put them not-so-squarely at the forefront of the emerging field of public relations. In the face of any journalistic challenges to the FBI's legitimacy and operations, Hoover was able to create a benign, even heroic counter narrative, thanks in part to his friends in newsrooms. Matthew Cecil's own prodigious investigation through hundreds of thousands of pages from FBI files reveals the lengths to which Hoover and his lackeys went to use the press to hoodwink the American people. Even more sobering is how much help he got from so many in the press. Conservative journalists like broadcaster Fulton Lewis, Jr. and columnist George Sokolsky positioned themselves as "objective" defenders of Hoover's FBI and were rewarded with access, friendship, and other favors. Some of Hoover's friends even became adjunct-FBI agents, designated as Special Service Contacts who discreetly gathered information for the Bureau. "Enemies," on the other hand, were closely monitored and subjected to operations that disrupted their work or even undermined and ended their careers. Noted journalists like I. F. Stone, George Seldes, James A. Wechsler, and many others found themselves the subjects of FBI investigations and, occasionally, named on the Bureau's "custodial detention index," targeted for arrest in the case of a national emergency. With experience as a political reporter, a press secretary, and a scholar and professor of journalism and public relations, Matthew Cecil is uniquely qualified to conduct us through the maze of political intrigue and influence peddling that mark--and often mask--the history of the FBI. His work serves as a cautionary tale about how manipulative government agents and compliant journalists can undermine the very institutions and ideals they are tasked with protecting.
Publisher: University Press of Kansas
ISBN: 0700619461
Category : History
Languages : en
Pages : 368
Book Description
The Federal Bureau of Investigation was an agency devoted to American ideals, professionalism, and scientific methods, directed by a sage and selfless leader--and anyone who said otherwise was a no-good subversive, bent on discrediting the American way of life. That was the official story, and how J. Edgar Hoover made it stick--running roughshod over those same American ideals--is the story this book tells in full for the first time. From Hoover's first tentative media contacts in the 1930s to the Bureau's eponymous television series in the 1960s and 1970s, FBI officials labored mightily to control the Bureau's image--efforts that put them not-so-squarely at the forefront of the emerging field of public relations. In the face of any journalistic challenges to the FBI's legitimacy and operations, Hoover was able to create a benign, even heroic counter narrative, thanks in part to his friends in newsrooms. Matthew Cecil's own prodigious investigation through hundreds of thousands of pages from FBI files reveals the lengths to which Hoover and his lackeys went to use the press to hoodwink the American people. Even more sobering is how much help he got from so many in the press. Conservative journalists like broadcaster Fulton Lewis, Jr. and columnist George Sokolsky positioned themselves as "objective" defenders of Hoover's FBI and were rewarded with access, friendship, and other favors. Some of Hoover's friends even became adjunct-FBI agents, designated as Special Service Contacts who discreetly gathered information for the Bureau. "Enemies," on the other hand, were closely monitored and subjected to operations that disrupted their work or even undermined and ended their careers. Noted journalists like I. F. Stone, George Seldes, James A. Wechsler, and many others found themselves the subjects of FBI investigations and, occasionally, named on the Bureau's "custodial detention index," targeted for arrest in the case of a national emergency. With experience as a political reporter, a press secretary, and a scholar and professor of journalism and public relations, Matthew Cecil is uniquely qualified to conduct us through the maze of political intrigue and influence peddling that mark--and often mask--the history of the FBI. His work serves as a cautionary tale about how manipulative government agents and compliant journalists can undermine the very institutions and ideals they are tasked with protecting.
Hollywood and Anticommunism
Author: John J. Gladchuk
Publisher: Routledge
ISBN: 1135914982
Category : History
Languages : en
Pages : 238
Book Description
This work concentrates on tracing the evolution of the so-called "red menace" phenomenon as a means of demonstrating the correlation between growing American paranoia and the success of the anticommunist campaign (1935-1955). The House Committee on Un-American Activities 1947 investigation of Hollywood, the nation's most visible industry, served a critical role in conjuring up anti-red hysteria and fanning the flames of virulent anticommunism. Using conveniently unjust tactics, the Committee "painted" targeted Hollywood personalities red and established the infamous blacklist - certified proof in the minds of many that "subversives" were indeed conspiring from within. A failed attempt on behalf of the "Hollywood Ten" to demonstrate the Committee’s undemocratic nature allowed HUAC to forge ahead with its investigation and establish the anticommunist foundation upon which Joseph McCarthy would construct his campaign. Hollywood and Anticommunism stands as an important contribution to McCarthy-era literature and should appeal to all interested in the early Cold War and the impact that unwarranted hysteria has had and continues to have on the growth and development of the nation.
Publisher: Routledge
ISBN: 1135914982
Category : History
Languages : en
Pages : 238
Book Description
This work concentrates on tracing the evolution of the so-called "red menace" phenomenon as a means of demonstrating the correlation between growing American paranoia and the success of the anticommunist campaign (1935-1955). The House Committee on Un-American Activities 1947 investigation of Hollywood, the nation's most visible industry, served a critical role in conjuring up anti-red hysteria and fanning the flames of virulent anticommunism. Using conveniently unjust tactics, the Committee "painted" targeted Hollywood personalities red and established the infamous blacklist - certified proof in the minds of many that "subversives" were indeed conspiring from within. A failed attempt on behalf of the "Hollywood Ten" to demonstrate the Committee’s undemocratic nature allowed HUAC to forge ahead with its investigation and establish the anticommunist foundation upon which Joseph McCarthy would construct his campaign. Hollywood and Anticommunism stands as an important contribution to McCarthy-era literature and should appeal to all interested in the early Cold War and the impact that unwarranted hysteria has had and continues to have on the growth and development of the nation.