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Author: Ruby Cheung
Publisher: Springer Nature
ISBN: 3031257677
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
This book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term ‘independent film’ does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kong’s new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the city’s film industry.
Author: Ruby Cheung
Publisher: Springer Nature
ISBN: 3031257677
Category : Performing Arts
Languages : en
Pages : 258
Get Book Here
Book Description
This book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term ‘independent film’ does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kong’s new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the city’s film industry.
Author: Ruby Cheung
Publisher:
ISBN: 9783031257681
Category :
Languages : en
Pages : 0
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Book Description
'A member of a rapidly growing Hong Kong diaspora, Ruby Cheung offers us a moving and deeply engaged account of Hong Kong's independent cinema. Focusing on films produced in the second decade of the 21st century, Cheung probes the meanings of the very concept of independence, teasing out the complexities of Hong Kong and its cinema in key years following the city's return to China. Capturing the richness of Hong Kong's cinema and the courage and tenacity of its filmmakers, Hong Kong's New Indie Cinema deserves a wide audience.' -Mette Hjort, Professor of Film and Screen Studies, Head of the Lincoln School of Film, Media and Journalism, University of Lincoln, UK 'This volume provides readers with detailed information and analysis on Hong Kong's independent film movement in the 2010s, a turbulent period in Hong Kong's recent history when its filmmakers met with many problems as well as opportunities. Cheung's careful study draws together facts, context and theories to provide credible support for optimism about Hong Kong's independent film movement going forward.' -Stephen Teo Kian Teck, Professor, Nanyang Technological University, Singapore This book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term 'independent film' does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kong's new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the city's film industry. Ruby Cheung is Associate Professor in Film Studies at the University of Southampton, UK, where she leads international film industry studies at undergraduate, postgraduate (taught) and PhD levels. Ruby is an internationally recognized specialist in the study of contemporary Hong Kong cinema, Chinese-language film industries, as well as film festivals. She is the author of New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-century East Asia (2016), and the main editor/co-editor of six other books.
Author: Gary Bettinson
Publisher: Bloomsbury Publishing
ISBN: 135036214X
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
An in-depth exploration of the stardom and authorship of Stephen Chow Sing-chi, one of Hong Kong cinema's most enduringly popular stars and among its most commercially successful directors. In the West, Stephen Chow is renowned as the ground-breaking director and star of global blockbusters such as Kung Fu Hustle (2004) and Shaolin Soccer (2001). Among Hong Kong audiences, Chow is celebrated as the leading purveyor of local comedy, popularising the so-called mo-lei-tau (“gibberish”) brand of Cantonese vernacular humour, and cultivating a style of madcap comedy that often masks a trenchant social commentary. This volume approaches Chow from a diverse range of critical perspectives. Each of the essays, written by a host of renowned international scholars, offers compelling new interpretations of familiar hits such as From Beijing with Love (1994) and Journey to the West (2013). The detailed case studies of seminal local and global movies provide overdue critical attention to Chow's filmmaking, highlighting the aesthetic power, economic significance, and cultural impact of his films in both domestic and global markets.
Author: Esther M. K. Cheung
Publisher: Hong Kong University Press
ISBN: 9888028561
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
Global connections and screen innovations converge in Hong Kong cinema. Energized by transnational images and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood. The circulation of Hong Kong films through art house and film festival circuits, as well as independent DVDs and galleries and internet sites, reveals many differences within global cultural distributions, as well as distinctive tensions between experimental media artists and traditional screen architects. Coving the contributions of Hong Kong New Wave directors such as Wong Karwai, Stanley Kwan, Ann Hui, Patrick Tam, and Tsui Hark, the volume links their spirit of innovation to work by independent, experimental, and documentary filmmakers, including Fruit Chan, Tammy Cheung, Evans Chan, Yau Ching and digital artist Isaac Leung. Within an interdisciplinary frame that highlights issues of political marginalization, censorship, sexual orientation, gender hierarchies, "flexible citizenship" and local/global identities, this book speaks to scholars and students within as well as beyond the field of Hong Kong cinema. Esther M.K. Cheung is chair of the Department of Comparative Literature and director of the Center for the Study of Globalization and Cultures (CSGC) at the University of Hong Kong. Gina Marchetti teaches in the Department of Comparative Literature at the University of Hong Kong. Tan See-Kam presently works and researches at the University of Macau.
Author: Song Hwee Lim
Publisher: Bloomsbury Publishing
ISBN: 1911239554
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.
Author: J. J. Murphy
Publisher: Columbia University Press
ISBN: 0231549598
Category : Performing Arts
Languages : en
Pages : 507
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Book Description
Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance. In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer’s own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practices.
Author: Esther M.K. Cheung
Publisher: Hong Kong University Press
ISBN: 9622099777
Category : Social Science
Languages : en
Pages : 195
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Book Description
This tragic coming-of-age story follows three disillusioned local youths struggling to navigate Hong Kong public housing projects and late adolescence amid violent crime, gang pressure, and broken homes. Shot on a very low budget, the film marked the beginning of Chan's career as an independent film director.
Author: Lalitha Gopalan
Publisher: Springer Nature
ISBN: 3030540960
Category : Performing Arts
Languages : en
Pages : 469
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Book Description
This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles.
Author: Gina Marchetti
Publisher: Temple University Press
ISBN: 9781592132782
Category : History
Languages : en
Pages : 330
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Book Description
From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997 explores the important interconnections involving questions of race, ethnicity, gender, and sexuality on world screens by examining a range of films, videos, and digital works associated with global Chinese culture. The ways in which the world has imagined China and the images the Chinese have used to depict themselves have changed dramatically since 1989. The media spotlight placed on Beijing during the spring of 1989 created repercussions that continue to affect how China is seen globally, how it sees itself, and how the Chinese outside the People's Republic see themselves. The films and other texts included in this book represent a range of work by media artists working within China, Hong Kong, Taiwan, Singapore, and on transnational co-productions involving those places. The book also features media from other positions within the Chinese diaspora (including Chinese America) and work produced on China by non-Chinese. Highlighting questions of the circulation of images, people, and commodities, the book explores the important interconnections involving questions of race, ethnicity, gender, and sexuality on global screens. Beginning and ending with Tian'anmen and world image culture, a portrait emerges of momentous change and persistent challenges facing media artists and filmmakers working within "Greater China."
Author: Matthew D. Johnson
Publisher: Bloomsbury Publishing USA
ISBN: 1623568471
Category : Performing Arts
Languages : en
Pages : 369
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Book Description
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-mémoires, and works of pirated pastiche. Together, they bear witness to the emergence of a new Chinese cinema characterized by digital and, trans-media representational strategies, the blurring of private/public distinctions, and dynamic reinterpretations of the very notion of 'cinema' itself.
