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Author: Constantin Meunier
Publisher:
ISBN:
Category : Artists' writings
Languages : en
Pages : 210
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Author: Constantin Meunier
Publisher:
ISBN:
Category : Artists' writings
Languages : en
Pages : 210
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Book Description
Author: Hilde van Gelder
Publisher: Leuven University Press
ISBN: 9789058674883
Category : Art
Languages : en
Pages : 144
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Book Description
Constantin Meunier's monument to labour at the 1909 Meunier Exhibition in Leuven / Sura Levine. - Constantin Meunier and Leuven (1887-1897): a love-hate relationship / Marjan Sterckx. - Dilemma between engagement and creativity / Virgine Devillez. - 'Social realism' then and now: Constantin Meunier and Allan Sekula / Hilde van Gelder. - Globalisation and social rights/ Eva Brems. - Meunier and the new social question / Marc De Vos.
Author: City Art Museum of St. Louis
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Author: Donald A. Rosenthal
Publisher: Rowman & Littlefield
ISBN: 1538180006
Category : Art
Languages : en
Pages : 213
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Book Description
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves. Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail. The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests. The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle. Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth. Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century. There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works. Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others. The book features 60 art reproductions, half of them in color.
Author: Christian Brinton
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: Jana Wijnsouw
Publisher: Routledge
ISBN: 1351778145
Category : Art
Languages : en
Pages : 322
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Book Description
This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.
Author: Camille Lemonnier
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 0
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Author: Michael Dorsch
Publisher: Routledge
ISBN: 1351566415
Category : Art
Languages : en
Pages : 221
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Book Description
French Sculpture Following the Franco-Prussian War, 1870-80 investigates the role played by the trope of the 'strong woman, fallen man' in re-establishing morale among the French people following the Franco-Prussian War. The study explores how certain French sculptors - including Falgui?, Merci?Barrias, and Rodin - presented this recent history of defeat in commemorative monuments that increasingly dominated public space across France during the final decades of the nineteenth century. Though it focuses on French nationalism and the commemoration of war (or, as is the case with the French following the Franco-Prussian War, the commemoration of defeat), this volume also examines shifts in gender roles in the latter half of the nineteenth century, and the impact of military defeat on relations between the sexes. The book probes the aesthetic discourse of the period concerning the merits of traditional allegorical sculpture versus new-fangled realist sculpture in depicting modern life. Drawing on extensive archival research, Michael Dorsch gives a voice to the sculptures he discusses, restoring these often ignored works to their proper place in history.
Author: Constantin Meunier
Publisher:
ISBN:
Category :
Languages : en
Pages :
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