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Author:
Publisher: Yale University Press
ISBN: 9780300125986
Category : Literary Collections
Languages : en
Pages : 384
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Book Description
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
Author:
Publisher: Yale University Press
ISBN: 9780300125986
Category : Literary Collections
Languages : en
Pages : 384
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Book Description
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
Author:
Publisher: Hackett Publishing
ISBN: 1624666779
Category : Poetry
Languages : en
Pages : 310
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Book Description
Filled with portrayals of deception, love, murder, and revenge—yet defying traditional medieval epic conventions for representing character—the Nibelungenlied is the greatest and most unique epic in Middle High German. The Klage, its consistent companion text in the manuscript tradition, continues the story, detailing the devastating aftermath of the Burgundians' bloody slaughter. William Whobrey's new volume offers both—together for the first time in English—in a prose version informed by recent scholarship that brilliantly conveys to modern readers not only the sense but also the tenor of the originals.
Author: Bernard Fenik
Publisher: Harvard University Press
ISBN: 9780674406087
Category : History
Languages : en
Pages : 238
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Book Description
Author: Francis G. Gentry
Publisher: Psychology Press
ISBN: 0815317859
Category : Nibelungen
Languages : en
Pages : 400
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Maike Oergel
Publisher: Walter de Gruyter
ISBN: 3110812541
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Author: Homer
Publisher: Cambridge University Press
ISBN: 0521878845
Category : History
Languages : en
Pages : 289
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Book Description
The first commentary in English entirely devoted to the Iliad Book 6, illuminating some of the best-loved episodes in the whole poem.
Author: Keith Stanley
Publisher: Princeton University Press
ISBN: 1400863376
Category : History
Languages : en
Pages : 483
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Book Description
In this masterly interpretation of narrative sequence in the Iliad, Keith Stanley not only sharpens the current debate over the date and creation of the poem, but also challenges the view of this work as primarily a celebration of heroic force. He begins by studying the intricate ring-composition in the verses describing Achilles' shield, then extends this analysis to reveal the Iliad as an elaborate and self-conscious formal whole. In so doing he defends the hypothesis that the poem as we know it is a massive reorganization and expansion of earlier "Homeric" material, written in response to the need for a stable text for repeated performance at the sixth-century Athenian festival for the city's patron goddess. Stanley explores the arrangement of the poem's books, all unified by theme and structure, showing how this allowed for artistically satisfying and practically feasible recitation over a period of three or four days. Taking structural emphasis as a guide to poetic discourse, the author argues that the Iliad is not a poem of "might"--as opposed to the Odyssean celebration of "guile"--but that in advocating social and personal reconciliation the poem offers a profound indictment of a warring heroic society. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Andrew Lang
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
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Book Description
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Author: Jenny Strauss Clay
Publisher: Cambridge University Press
ISBN: 1139494651
Category : History
Languages : en
Pages : 147
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Book Description
Moving away from the verbal and thematic repetitions that have dominated Homeric studies and exploiting the insights of cognitive psychology, this highly innovative and accessible study focuses on the visual poetics of the Iliad as the narrative is envisioned by the poet and rendered visible. It does so through a close analysis of the often-neglected 'Battle Books'. They here emerge as a coherently visualized narrative sequence rather than as a random series of combats, and this approach reveals, for instance, the significance of Sarpedon's attack on the Achaean Wall and Patroclus' path to destruction. In addition, Professor Strauss Clay suggests new ways of approaching ancient narratives: not only with one's ear, but also with one's eyes. She further argues that the loci system of mnemonics, usually attributed to Simonides, is already fully exploited by the Iliad poet to keep track of his cast of characters and to organize his narrative.
Author:
Publisher: Penguin UK
ISBN: 0141920475
Category : Poetry
Languages : en
Pages : 711
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Book Description
Written by an unknown author in the twelfth century, this powerful tale of murder and revenge reaches back to the earliest epochs of German antiquity, transforming centuries-old legend into a masterpiece of chivalric drama. Siegfried, a great prince of the Netherlands, wins the hand of the beautiful princess Kriemhild of Burgundy, by aiding her brother Gunther in his struggle to seduce a powerful Icelandic Queen. But the two women quarrel, and Siegfried is ultimately destroyed by those he trusts the most. Comparable in scope to the Iliad, this skilfully crafted work combines the fragments of half-forgotten myths to create one of the greatest epic poems - the principal version of the heroic legends used by Richard Wagner, in The Ring.
