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Author: Gregory D. Black
Publisher: Ediciones AKAL
ISBN: 8446034093
Category : Performing Arts
Languages : es
Pages : 385
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Book Description
"Hollywood censurado" analiza cómo cientos de películas, desde las comedias de Mae West hasta los dramas serios, fueron mutilados, bien en su significado, bien por la supresión de algunas imágenes. En sus páginas reconstruye el proceso histórico en el que se fue elaborando un código oficial para dirigir la producción de películas. Will Hays, contratado por los magnates de Hollywood y apoyándose en la Iglesia católica, organizó una verdadera máquina censora que reclamaba el control sobre la sexualidad, la moral y las conductas sociales, y ejercía su poder sobre los guiones, los personajes y los diálogos, entre otros elementos de la creación cinematográfica. En su descripción de una de las eras más fascinantes de Hollywood, el libro se basa en el exhaustivo estudio de los documentos originales de los estudios así como de los archivos de las películas censuradas y los de la Legión de la Decencia.
Author: Gregory D. Black
Publisher: Ediciones AKAL
ISBN: 8446034093
Category : Performing Arts
Languages : es
Pages : 385
Get Book Here
Book Description
"Hollywood censurado" analiza cómo cientos de películas, desde las comedias de Mae West hasta los dramas serios, fueron mutilados, bien en su significado, bien por la supresión de algunas imágenes. En sus páginas reconstruye el proceso histórico en el que se fue elaborando un código oficial para dirigir la producción de películas. Will Hays, contratado por los magnates de Hollywood y apoyándose en la Iglesia católica, organizó una verdadera máquina censora que reclamaba el control sobre la sexualidad, la moral y las conductas sociales, y ejercía su poder sobre los guiones, los personajes y los diálogos, entre otros elementos de la creación cinematográfica. En su descripción de una de las eras más fascinantes de Hollywood, el libro se basa en el exhaustivo estudio de los documentos originales de los estudios así como de los archivos de las películas censuradas y los de la Legión de la Decencia.
Author: Gregory D. Black
Publisher: Cambridge University Press
ISBN: 9780521565929
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.
Author: María de las Carreras
Publisher: Indiana University Press
ISBN: 2960029674
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here. This is a joint publication of FIAF and UCLA Film & Television Archive.
Author: Peter E. Bondanella
Publisher: A&C Black
ISBN: 9780826415448
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
"This book is a celebration of nearly a century of images of Italians in American motion pictures and their contribution to popular culture." "Hollywood Italians covers the careers of dozens of stars including Rudolph Valentino, Frank Sinatra, Dean Martin, Al Pacino, Robert De Niro, John Travolta, Sylvester Stallone, Marisa Tomei, James Gandolfini, and many others. In addition, the book reviews the work of such Italian American directors as Francis Ford Coppola and Martin Scorsese." "In all, Hollywood Italians discusses scores of films with a concentration on the most important, including their literary and European-cinematic roots. The book is capped by a comprehensive examination of The Godfather and its two sequels, as well as the international television phenomenon The Sopranos."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Beatriz Revelles-Benavente
Publisher: Taylor & Francis
ISBN: 1040041868
Category : Social Science
Languages : en
Pages : 177
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Book Description
Feminist Literary and Filmic Cultures for Social Action: Gender Response-able Labs examines teaching and research practices under feminist new materialisms, affect theories and response-ability through literary and visual products, and offers possible bridges between academia and activism to create feminist interventions in contemporary neoliberal structures. Featuring chapters from contributors across a wide range of disciplines, this book follows a methodological framework that blends traditionally opposite categories, such as theory and practice, and explores contemporary literature and films as case studies within innovative “feminist response-able labs”. In Feminist Literary and Filmic Cultures for Social Action readers will encounter a collaborative trans-disciplinary toolbox which can be of use to multiple disciplines and an invaluable resource to advanced undergraduate students, postgraduate researchers and scholars in literary studies, film studies, feminist theories, new materialisms, and affective pedagogies
Author: Douglas Edward Laprade
Publisher: Universitat de València
ISBN: 9788437063218
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
Aquest llibre és un estudi de la censura i recepció que les obres d’Ernest Hemingway van tenir a Espanya. En el primer capítol es demostra que quan el nord-americà va escriure «Per a qui toquen les campanes» defensava la política cultural de l’Aliança d'Intel·lectuals Antifeixistes per a la Defensa de la Cultura. A més, s’hi ofereix una anàlisi al·legòrica de la novel·la amb l’objectiu de demostrar com el text s’assembla a les al·legories d’Alberti. El segon capítol resumeix la crítica espanyola sobre les obres de Hemingway. Es fa atenció especial a les ressenyes anticipades que es publicaren a Espanya abans que els seus llibres apareguessen en el país. Cinc dels set capítols d’aquest llibre són resultat de la recerca que s’ha dut a terme en l’Arxiu General de l’Administració d’Alcalá de Henares. El tercer capítol és un resum dels expedients compilats pels censors espanyols sobre les obres de l’escriptor publicades a Espanya durant el règim de Franco. El quart comenta l’expedient que els censors franquistes van reunir sobre el llibre «Hemingway, entre la vida y la muerte», de l’autor espanyol José Luis Castillo-Puche. Aquest capítol demostra com els censors controlaren la crítica sobre Hemingway, a més de censurar els llibres de l’escriptor. El cinquè capítol reprodueix i comenta la correspondència sobre el film «Per a qui toquen les campanes» enviada entre l’ambaixador d’Espanya a Washington i els cònsols espanyols als Estats Units. El sisè capítol publica i comenta la correspondència sobre el film «Les neus del Kilimanjaro» enviada entre els diplomàtics espanyols destinats als Estats Units. El setè estudia l’expedient compilat sobre Gustavo Durán, amic de Hemingway durant la Guerra Civil i personatge de la novel·la «Per a qui toquen les campanes». Aquest expedient aporta una nova interpretació de les al·lusions al poble d’Usera en la novel·la de Hemingway.
Author: M. MacLaird
Publisher: Springer
ISBN: 1137319348
Category : Performing Arts
Languages : en
Pages : 374
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Book Description
Evaluating a broad selection of Mexican films produced from the early 1990s to the present, this study examines how production methods, audience demographics, and aesthetic approaches have changed throughout the past two decades and how these changes relate to the country's transitions to a democratic political system and a free-market economy.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 604
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Book Description
Author: José Manuel Estévez Saá
Publisher: ArCiBel Editores
ISBN: 8493331899
Category : Comparative literature
Languages : es
Pages : 261
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Book Description
Author: Jara Fernández Meneses
Publisher: Taylor & Francis
ISBN: 1040031315
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
This book provides a comprehensive cultural and historical account of the key film policies put into place by the Spanish state between 1980 and 2010 through a gendered lens, framing these policies within the wider context of European film legislation. Departing from the belief that there is no such thing as an objective and value-neutral approach to policy analysis because our society is organised around gender, this volume builds upon Pierre Bourdieu’s theory of field to propose that film policies do not emerge in a vacuum because they respond to different demands from those agents involved in the field of the Spanish cinema. By so doing, it critically assesses how these policies have come into being, by whom, in response to what interests, how they have shaped the Spanish film industry, and how far and in what ways they have tackled gender inequality in the Spanish film industry. This book will be of great interest to scholars and students of Spanish cinema, gender studies, film industry studies, film policy, and feminist film studies.
