Dutch and Flemish Etchings, Engravings, and Woodcuts, Ca. 1450-1700: Masters and monogrammists of the 15th century PDF Download
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Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engraving, Dutch
Languages : en
Pages : 296
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Book Description
Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engraving, Dutch
Languages : en
Pages : 296
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Book Description
Author:
Publisher: BRILL
ISBN: 9004613463
Category : History
Languages : en
Pages : 529
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Book Description
With contributions on geography, travel, rare books, booktrade, collectors and libraries by C. Koeman, G. Schilder, R. Breugelmans, K. van der Horst, F.A. Janssen, C. Reedijk, J. Storm van Leeuwen, E. Braches, E. Cockx-Indestege, I.H. van Eeghen, H. de la Fontaine Verwey, L. Hellinga-Querido, P.F.J. Obbema, B. van Selm, a.o
Author: Noa Turel
Publisher: Yale University Press
ISBN: 0300247575
Category : Art
Languages : en
Pages : 201
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Book Description
A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck’s pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not “from life” but “into life.” Animation, not representation, drove Van Eyck and his contemporaries. Turel’s interpretation reverses the commonly held belief that these artists were inspired by the era’s burgeoning empiricism, proposing instead that their “living pictures” helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works’ key role in shaping, rather than simply mirroring, the early modern world.
Author: Hélène Mund
Publisher: Centre National de recherche sur les Primitifs flamands
ISBN:
Category : Painting
Languages : en
Pages : 480
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Book Description
Author: Albert John Walford
Publisher:
ISBN:
Category : Reference books
Languages : en
Pages : 730
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Book Description
Author: Warburg Institute. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 412
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Book Description
Author:
Publisher:
ISBN:
Category : Painting, Flemish
Languages : en
Pages : 480
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Book Description
Author: Musées royaux des beaux-arts de Belgique
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 324
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 422
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Book Description
Issues for Feb. 1957-July 1959 include a Checklist of the Vatican manuscript codices available for consultation at the Knights of Columbus Vatican Film Library at St. Louis University, pts. 1-8.
Author: Kathryn M. Rudy
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Christianity is a religion of clothing. To become a priest or a nun is to take the cloth. The Christian liturgy is intimately bound with veiling objects and revealing them. Cloths hide the altar, making it all the more spectacular when it is revealed. Fragments of imported silk cradle the relic, thereby giving identity to the dessicated bone. Much of that silk came from the east, meaning that a material of Islamic origin was a primary signifier of sanctity in Christianity. Weaving, Veiling, and Dressing brings together twelve essays about text and textile, about silk and wool, about the formation of identity through fibre. The essays bring to light hitherto unseen material, and for the first time, establish the function of textiles as a culturally rich way to approach the Middle Ages. Textiles were omnipresent in the medieval church, but have not survived well. To uncover their uses, presence, and meanings in the Middle Ages is to reconsider the period spun, draped, clothed, shrouded, and dressed. Textiles in particular were essential to the performance of devotion and of the liturgy. Brightly dyed cloth was a highly visible maker of meaning. While some aspects of culture have been studied, namely the important tapestry industry, as well as some of the repercussions and activities of cloth guilds, other areas of textile studies in the period are yet to be studied. This book brings an interdisciplinary approach to new material, drawing on art history, anthropology, medieval text history, theology, and gender and performance studies. It makes a compelling miscellany exploring the nature of Christianity in the largely uninvestigated field of text and textile interplay.
