Author: Bruce Jenkins
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 0
Book Description
Hollis Frampton: Recollections - Recreations
Author: Bruce Jenkins
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 0
Book Description
Hollis Frampton, Recollections/recreations
Author: Bruce Jenkins
Publisher:
ISBN: 9780262100304
Category : Photography, Artistic
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780262100304
Category : Photography, Artistic
Languages : en
Pages : 0
Book Description
Hollis Frampton
Author: Michael Zryd
Publisher: MIT Press
ISBN: 0262369257
Category : Art
Languages : en
Pages : 296
Book Description
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work. It complements On the Camera Arts and Consecutive Matter, published in the MIT Press’s Writing Art series, which collected Frampton’s own writings. October was as central to Frampton as he was to it. He was both a frequent contributor—appearing in the first issue in 1976—and a frequent subject of contributions by others. Some of these important and incisive writings on Frampton’s work are reprinted here. The essays collected in this volume consider Frampton’s photographic practice, which continued even after he turned to film; survey his film work from the 1960s to the late 1970s; and explore Frampton’s grounding in poetics and language. Two essays by the late Annette Michelson, one of the twentieth century’s most influential writers on experimental film, place Frampton in relation to film and art history. Contributors George Derk, Ken Eisenstein, Hollis Frampton, Peter Gidal, Barry Goldensohn, Brian Henderson, Bruce Jenkins, Annette Michelson, Christopher Phillips, Melissa Ragona, Allen S. Weiss, Federico Windhausen, Lisa Zaher, Michael Zryd
Publisher: MIT Press
ISBN: 0262369257
Category : Art
Languages : en
Pages : 296
Book Description
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work. It complements On the Camera Arts and Consecutive Matter, published in the MIT Press’s Writing Art series, which collected Frampton’s own writings. October was as central to Frampton as he was to it. He was both a frequent contributor—appearing in the first issue in 1976—and a frequent subject of contributions by others. Some of these important and incisive writings on Frampton’s work are reprinted here. The essays collected in this volume consider Frampton’s photographic practice, which continued even after he turned to film; survey his film work from the 1960s to the late 1970s; and explore Frampton’s grounding in poetics and language. Two essays by the late Annette Michelson, one of the twentieth century’s most influential writers on experimental film, place Frampton in relation to film and art history. Contributors George Derk, Ken Eisenstein, Hollis Frampton, Peter Gidal, Barry Goldensohn, Brian Henderson, Bruce Jenkins, Annette Michelson, Christopher Phillips, Melissa Ragona, Allen S. Weiss, Federico Windhausen, Lisa Zaher, Michael Zryd
Hollis Frampton, Recollections/recreations
Author: Bruce Jenkins
Publisher: MIT Press (MA)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
Book Description
Hollis Frampton: Recollections/Recreations presents the full range of Frampton's photographic work.
Publisher: MIT Press (MA)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
Book Description
Hollis Frampton: Recollections/Recreations presents the full range of Frampton's photographic work.
Hollis Frampton, Recollections, Recreations
Author: Bruce Jenkins
Publisher:
ISBN: 9780262100304
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780262100304
Category :
Languages : en
Pages : 0
Book Description
Avant-Garde Film
Author: Scott MacDonald
Publisher: CUP Archive
ISBN: 9780521388214
Category : Performing Arts
Languages : en
Pages : 230
Book Description
The past thirty years have seen the proliferation of forms of independent cinema that challenge the conventions of mass-market commercial movies from within the movie theatre. Avant-Garde Film examines fifteen of the most suggestive and useful films from this film tradition. The films discussed include No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and The Carriage Trade by Warren Sonbert. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of movie going as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyse the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film and communicate the author's pleasure in exploring 'impenetrable' works.
Publisher: CUP Archive
ISBN: 9780521388214
Category : Performing Arts
Languages : en
Pages : 230
Book Description
The past thirty years have seen the proliferation of forms of independent cinema that challenge the conventions of mass-market commercial movies from within the movie theatre. Avant-Garde Film examines fifteen of the most suggestive and useful films from this film tradition. The films discussed include No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and The Carriage Trade by Warren Sonbert. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of movie going as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyse the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film and communicate the author's pleasure in exploring 'impenetrable' works.
A Critical Cinema
Author: Scott MacDonald
Publisher: Univ of California Press
ISBN: 0520058011
Category : Experimental films
Languages : en
Pages : 421
Book Description
It is widely understood that writing can discuss writing, but we rarely consider that film can be used as a means of analyzing conventions of the commercial film industry, or of theorizing about cinema in general. Over the past few decades, however, independent cinema has produced a body of fascinating films that provide intensive critiques of nearly every element of the cinematic apparatus. The experience of these films simultaneously depends on and redefines our relationship to the movies. Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. These interviews demonstrate the sophistication of their thinking about film (and a wide range of other concerns) and serve as an accessible introduction to this important area of independent cinema. Each interview is preceded by a general introduction to the filmmaker's work; detailed filmographies and bibliographies are included. Critical Cinema will be a valuable resource for all those involved in the formal study of film, and will be essential reading for film lovers interested in keeping abreast of recent developments in North American cinema. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher
Publisher: Univ of California Press
ISBN: 0520058011
Category : Experimental films
Languages : en
Pages : 421
Book Description
It is widely understood that writing can discuss writing, but we rarely consider that film can be used as a means of analyzing conventions of the commercial film industry, or of theorizing about cinema in general. Over the past few decades, however, independent cinema has produced a body of fascinating films that provide intensive critiques of nearly every element of the cinematic apparatus. The experience of these films simultaneously depends on and redefines our relationship to the movies. Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. These interviews demonstrate the sophistication of their thinking about film (and a wide range of other concerns) and serve as an accessible introduction to this important area of independent cinema. Each interview is preceded by a general introduction to the filmmaker's work; detailed filmographies and bibliographies are included. Critical Cinema will be a valuable resource for all those involved in the formal study of film, and will be essential reading for film lovers interested in keeping abreast of recent developments in North American cinema. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher
Joyce Wieland
Author: Iris Nowell
Publisher: ECW Press
ISBN: 155022476X
Category : Art
Languages : en
Pages : 562
Book Description
Joyce Wieland triumphed over what she called “obscene poverty” to achieve international celebrity as a painter, collagist, quiltmaker, and filmmaker, celebrated as Canada’s most important woman artist next to Emily Carr. Her art portrays strikingly Canadian themes of environmental issues, historical passages, and aboriginal rights in buoyant, satirical images. To make her distinctive, highly personal art, Wieland uses toys, paper cut-outs, wood, glass, and pieces of her panties and dresses just as boldly and felicitously as she uses oils, watercolors, and pencils. Some of her most famous works are quilts, such as Reason Over Passion and Confedspread. She made underground films long before Andy Warhol did, producing a total of 16. Joyce Wieland achieved acclaim through unstinting courage, vivacity, and her off-the-wall humor. She was known for tucking away her secrets in her work. Author Iris Nowell has uncovered some of these secrets through primary sources, such as Joyce’s friends and family, and through her own perspective of having known Joyce for many years. This intimate, rollicking, poignant biography uncovers Joyce Wieland’s life as she lived it, intimately and fully—through the 1950s “Dark Ages of Art” in Toronto, for much of the 1960s in New York’s grungy artist’s loft community and the underground film scene, and back to Toronto for the most productive, stunning years of her life.
Publisher: ECW Press
ISBN: 155022476X
Category : Art
Languages : en
Pages : 562
Book Description
Joyce Wieland triumphed over what she called “obscene poverty” to achieve international celebrity as a painter, collagist, quiltmaker, and filmmaker, celebrated as Canada’s most important woman artist next to Emily Carr. Her art portrays strikingly Canadian themes of environmental issues, historical passages, and aboriginal rights in buoyant, satirical images. To make her distinctive, highly personal art, Wieland uses toys, paper cut-outs, wood, glass, and pieces of her panties and dresses just as boldly and felicitously as she uses oils, watercolors, and pencils. Some of her most famous works are quilts, such as Reason Over Passion and Confedspread. She made underground films long before Andy Warhol did, producing a total of 16. Joyce Wieland achieved acclaim through unstinting courage, vivacity, and her off-the-wall humor. She was known for tucking away her secrets in her work. Author Iris Nowell has uncovered some of these secrets through primary sources, such as Joyce’s friends and family, and through her own perspective of having known Joyce for many years. This intimate, rollicking, poignant biography uncovers Joyce Wieland’s life as she lived it, intimately and fully—through the 1950s “Dark Ages of Art” in Toronto, for much of the 1960s in New York’s grungy artist’s loft community and the underground film scene, and back to Toronto for the most productive, stunning years of her life.
Lost Illusions
Author: David A. Cook
Publisher: Univ of California Press
ISBN: 9780520232655
Category : Business & Economics
Languages : en
Pages : 722
Book Description
This volume examines the development of film and the film industry during the 1970s and the political and economic background that influenced it.
Publisher: Univ of California Press
ISBN: 9780520232655
Category : Business & Economics
Languages : en
Pages : 722
Book Description
This volume examines the development of film and the film industry during the 1970s and the political and economic background that influenced it.
Bits & Pieces Put Together to Present a Semblance of a Whole
Author: Walker Art Center
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 620
Book Description
Unlike any time before in our lives, we have access to vast amounts of free information. With the right tools, we can start to make sense of all this data to see patterns and trends that would otherwise be invisible to us. By transforming numbers into graphical shapes, we allow readers to understand the stories those numbers hide. In this practical introduction to understanding and using information graphics, you'll learn how to use data visualizations as tools to see beyond lists of numbers and variables and achieve new insights into the complex world around us. Regardless of the kind of data you're working with-business, science, politics, sports, or even your own personal finances-this book will show you how to use statistical charts, maps, and explanation diagrams to spot the stories in the data and learn new things from it. You'll also get to peek into the creative process of some of the world's most talented designers and visual journalists, including Condé Nast Traveler's John Grimwade, National Geographic Magazine's Fernando Baptista, The New York Times' Steve Duenes, The Washington Post's Hannah Fairfield, Hans Rosling of the Gapminder Foundation, Stanford's Geoff McGhee, and European superstars Moritz Stefaner, Jan Willem Tulp, Stefanie Posavec, and Gregor Aisch. The book also includes a DVD-ROM containing over 90 minutes of video lessons that expand on core concepts explained within the book and includes even more inspirational information graphics from the world's leading designers. The first book to offer a broad, hands-on introduction to information graphics and visualization, The Functional Art reveals: * Why data visualization should be thought of as "functional art" rather than fine art * How to use color, type, and other graphic tools to make your information graphics more effective, not just better looking * The science of how our brains perceive and remember information * Best practices for creating interactive information graphics * A comprehensive look at the creative process behind successful information graphics * An extensive gallery of inspirational work from the world's top designers and visual artists On the DVD-ROM: In this introductory video course on information graphics, Alberto Cairo goes into greater detail with even more visual examples of how to create effective information graphics that function as practical tools for aiding perception. You'll learn how to: incorporate basic design principles in your visualizations, create simple interfaces for interactive graphics, and choose the appropriate type of graphic forms for your data. Cairo also deconstructs successful information graphics from The New York Times and National Geographic magazine with sketches and images not shown in the book.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 620
Book Description
Unlike any time before in our lives, we have access to vast amounts of free information. With the right tools, we can start to make sense of all this data to see patterns and trends that would otherwise be invisible to us. By transforming numbers into graphical shapes, we allow readers to understand the stories those numbers hide. In this practical introduction to understanding and using information graphics, you'll learn how to use data visualizations as tools to see beyond lists of numbers and variables and achieve new insights into the complex world around us. Regardless of the kind of data you're working with-business, science, politics, sports, or even your own personal finances-this book will show you how to use statistical charts, maps, and explanation diagrams to spot the stories in the data and learn new things from it. You'll also get to peek into the creative process of some of the world's most talented designers and visual journalists, including Condé Nast Traveler's John Grimwade, National Geographic Magazine's Fernando Baptista, The New York Times' Steve Duenes, The Washington Post's Hannah Fairfield, Hans Rosling of the Gapminder Foundation, Stanford's Geoff McGhee, and European superstars Moritz Stefaner, Jan Willem Tulp, Stefanie Posavec, and Gregor Aisch. The book also includes a DVD-ROM containing over 90 minutes of video lessons that expand on core concepts explained within the book and includes even more inspirational information graphics from the world's leading designers. The first book to offer a broad, hands-on introduction to information graphics and visualization, The Functional Art reveals: * Why data visualization should be thought of as "functional art" rather than fine art * How to use color, type, and other graphic tools to make your information graphics more effective, not just better looking * The science of how our brains perceive and remember information * Best practices for creating interactive information graphics * A comprehensive look at the creative process behind successful information graphics * An extensive gallery of inspirational work from the world's top designers and visual artists On the DVD-ROM: In this introductory video course on information graphics, Alberto Cairo goes into greater detail with even more visual examples of how to create effective information graphics that function as practical tools for aiding perception. You'll learn how to: incorporate basic design principles in your visualizations, create simple interfaces for interactive graphics, and choose the appropriate type of graphic forms for your data. Cairo also deconstructs successful information graphics from The New York Times and National Geographic magazine with sketches and images not shown in the book.