Author: Michael Zryd
Publisher: Columbia University Press
ISBN: 0231554168
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete. This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the “infinite cinema,” which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.
Hollis Frampton
Author: Michael Zryd
Publisher: Columbia University Press
ISBN: 0231554168
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete. This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the “infinite cinema,” which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.
Publisher: Columbia University Press
ISBN: 0231554168
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete. This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the “infinite cinema,” which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.
On the Camera Arts and Consecutive Matters
Author: Hollis Frampton
Publisher: MIT Press
ISBN: 0262062763
Category : Arts
Languages : en
Pages : 353
Book Description
The collected writings of artist and filmmaker Hollis Frampton, including all the essays from the long-unavailable Circles of Confusion along with rare additional material.
Publisher: MIT Press
ISBN: 0262062763
Category : Arts
Languages : en
Pages : 353
Book Description
The collected writings of artist and filmmaker Hollis Frampton, including all the essays from the long-unavailable Circles of Confusion along with rare additional material.
"Poetic Justice"
Author: Hollis Frampton
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 480
Book Description
Circles of Confusion
Author: Hollis Frampton
Publisher: Visual Studies Workshop
ISBN: 9780898220209
Category : Cinematography.
Languages : en
Pages : 199
Book Description
Publisher: Visual Studies Workshop
ISBN: 9780898220209
Category : Cinematography.
Languages : en
Pages : 199
Book Description
Hollis Frampton, Recollections/recreations
Author: Bruce Jenkins
Publisher: MIT Press (MA)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
Book Description
Hollis Frampton: Recollections/Recreations presents the full range of Frampton's photographic work.
Publisher: MIT Press (MA)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
Book Description
Hollis Frampton: Recollections/Recreations presents the full range of Frampton's photographic work.
12 Dialogues, 1962-1963
Author: Carl Andre
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design
ISBN: 9780919616189
Category : Aesthetics
Languages : en
Pages : 134
Book Description
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design
ISBN: 9780919616189
Category : Aesthetics
Languages : en
Pages : 134
Book Description
The Forms of the Affects
Author: Eugenie Brinkema
Publisher: Duke University Press
ISBN: 0822376776
Category : Performing Arts
Languages : en
Pages : 382
Book Description
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.
Publisher: Duke University Press
ISBN: 0822376776
Category : Performing Arts
Languages : en
Pages : 382
Book Description
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.
Sound and Light
Author: William Duckworth
Publisher: Associated University Presse
ISBN: 9780838757383
Category : Art
Languages : en
Pages : 236
Book Description
This book is a collection of essays and original material that introduces the avant-garde artist-collaborators, La Monte Young and Marian Zazeela to those unfamiliar with their life and art, as well as providing the more acquainted readers with new and useful insights and analyses of the fundamental issues in their life and work. The book explores the recurring themes that have influenced Young's minimalist music and Zazeela's ongoing engagement with the use of light in art. These themes include the importance of nature and its natural shapes and sounds, the importance of mathematics and organized tuning systems based on natural harmonics, enhanced attention spans and increased sensitivity to differences within apparent sameness, extensions of time, and alterations of space. Essays by Terry Riley, John Schaefer, Henry Flynt, Christine Christer Hennix, Mitchell Clark, Kyle Gann, Ben Neill, and Robert Palmer are included. Young and Zazeela contribute to the book with original text materials that focus on continuous sound and light environments.
Publisher: Associated University Presse
ISBN: 9780838757383
Category : Art
Languages : en
Pages : 236
Book Description
This book is a collection of essays and original material that introduces the avant-garde artist-collaborators, La Monte Young and Marian Zazeela to those unfamiliar with their life and art, as well as providing the more acquainted readers with new and useful insights and analyses of the fundamental issues in their life and work. The book explores the recurring themes that have influenced Young's minimalist music and Zazeela's ongoing engagement with the use of light in art. These themes include the importance of nature and its natural shapes and sounds, the importance of mathematics and organized tuning systems based on natural harmonics, enhanced attention spans and increased sensitivity to differences within apparent sameness, extensions of time, and alterations of space. Essays by Terry Riley, John Schaefer, Henry Flynt, Christine Christer Hennix, Mitchell Clark, Kyle Gann, Ben Neill, and Robert Palmer are included. Young and Zazeela contribute to the book with original text materials that focus on continuous sound and light environments.
Savage Theory
Author: Rachel O. Moore
Publisher: Duke University Press
ISBN: 9780822323884
Category : Performing Arts
Languages : en
Pages : 204
Book Description
An ambitious and original work which uses early film theory, anthropological insights, and avant--garde film to explore the relation of cinema to ritual healing.
Publisher: Duke University Press
ISBN: 9780822323884
Category : Performing Arts
Languages : en
Pages : 204
Book Description
An ambitious and original work which uses early film theory, anthropological insights, and avant--garde film to explore the relation of cinema to ritual healing.
The Films of Joyce Wieland
Author: Cinematheque Ontario
Publisher: Indiana University Press
ISBN: 9780968296929
Category : Art
Languages : en
Pages : 284
Book Description
A visionary who consistently explored new styles and approaches in her art and films, Joyce Wieland grappled with nationalism, feminism, environmentalism and spirituality. The Films of Joyce Wieland brings together essays by Canadian and American theorists about the artists and her work. It includes a never-before-published interview between Wieland and experimental filmmaker Hollis Frampton and a comprehensive annotated bibliography of the film literature on Wieland. Published by Cinematheque Ontario. Distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.
Publisher: Indiana University Press
ISBN: 9780968296929
Category : Art
Languages : en
Pages : 284
Book Description
A visionary who consistently explored new styles and approaches in her art and films, Joyce Wieland grappled with nationalism, feminism, environmentalism and spirituality. The Films of Joyce Wieland brings together essays by Canadian and American theorists about the artists and her work. It includes a never-before-published interview between Wieland and experimental filmmaker Hollis Frampton and a comprehensive annotated bibliography of the film literature on Wieland. Published by Cinematheque Ontario. Distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.