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Author: Neil Davidson
Publisher: Haymarket Books
ISBN: 1608463338
Category : Political Science
Languages : en
Pages : 442
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Book Description
Davidson discusses how Marxism can retain a sense of historical tradition without becoming fossilized.
Author: Neil Davidson
Publisher: Haymarket Books
ISBN: 1608463338
Category : Political Science
Languages : en
Pages : 442
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Book Description
Davidson discusses how Marxism can retain a sense of historical tradition without becoming fossilized.
Author: Blue Balliett
Publisher: Scholastic Inc.
ISBN: 0545510198
Category : Juvenile Fiction
Languages : en
Pages : 237
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Book Description
From NYT bestselling author Blue Balliett, the story of a girl who falls into Chicago's shelter system, and from there must solve the mystery of her father's strange disappearance. Where is Early's father? He's not the kind of father who would disappear. But he's gone . . . and he's left a whole lot of trouble behind.As danger closes in, Early, her mom, and her brother have to flee their apartment. With nowhere else to go, they are forced to move into a city shelter. Once there, Early starts asking questions and looking for answers. Because her father hasn't disappeared without a trace. There are patterns and rhythms to what's happened, and Early might be the only one who can use them to track him down and make her way out of a very tough place.With her signature, singular love of language and sense of mystery, Blue Balliett weaves a story that takes readers from the cold, snowy Chicago streets to the darkest corner of the public library, on an unforgettable hunt for deep truths and a reunited family.
Author: Eli Friedlander
Publisher: Harvard University Press
ISBN: 0674063023
Category : Philosophy
Languages : en
Pages : 300
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Book Description
Walter Benjamin is often viewed as a cultural critic who produced a vast array of brilliant and idiosyncratic pieces of writing with little more to unify them than the feeling that they all bear the stamp of his "unclassifiable" genius. Eli Friedlander argues that Walter Benjamin's corpus of writings must be recognized as a unique configuration of philosophy with an overarching coherence and a deep-seated commitment to engage the philosophical tradition. Friedlander finds in Benjamin's early works initial formulations of the different dimensions of his philosophical thinking. He leads through them to Benjamin's views on the dialectical image, the nature of language, the relation of beauty and truth, embodiment, dream and historical awakening, myth and history, as well as the afterlife and realization of meaning. Those notions are articulated both in themselves and in relation to central figures of the philosophical tradition. They are further viewed as leading to and coming together in The Arcades Project. Friedlander takes that incomplete work to be the central theater where these earlier philosophical preoccupations were to be played out. Benjamin envisaged in it the possibility of the highest order of thought taking the form of writing whose contents are the concrete time-bound particularities of human experience. Addressing the question of the possibility of such a presentation of philosophical truth provides the guiding thread for constellating the disparate moments of Benjamin's writings.
Author: Henry W. Pickford
Publisher: Fordham Univ Press
ISBN: 0823245403
Category : Art
Languages : en
Pages : 297
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Book Description
The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book's principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of alternative theories of meaning and understanding from the Anglophone analytic tradition. The book takes as its starting point the claim that Holocaust artworks must fulfill at least two specific yet potentially reciprocally countervailing desiderata: they must meet aesthetic criteria (lest they be, say, merely historical documents) and they must meet historical criteria (they must accurately represent the Holocaust, lest they be merely artworks). I locate this problematic within the tradition of philosophical aesthetics, as a version of the conflict between aesthetic autonomy and aesthetic heteronomy, and claim that Theodor W. Adorno's "dialectic of aesthetic semblance" describes the normative demand that a successful artwork maintain a dynamic tension between these dual desiderata. While working within a framework inspired by Adorno, the book further claims that certain concepts and lines of reasoning from contemporary philosophy best explicate how individual artworks fulfill these dual desiderata, including the causal theory of names, the philosophy of tacit knowledge, analytic philosophy of quotation, Sartre's theory of the imaginary, work in the epistemology of testimony, and Walter Benjamin's theory of dialectical images. Individual chapters provide close readings of lyric poetry by Paul Celan (including a critique of Derridean deconstruction), Holocaust memorials in Berlin, texts by the Austrian quotational artist Heimrad Bäcker, Claude Lanzmann's film Shoah and Art Spiegelman's graphic novel Maus. The result is a set of interpretations of Holocaust artworks that, in their precision, specificity and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art.
Author: Yarden Ben-Zur
Publisher: Neofelis Verlag
ISBN: 3958083714
Category : Art
Languages : en
Pages : 264
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Book Description
Art and politics are related through repetition. Both realms are structured by practices of repetition and share a common room of sens(e)uality – aesthetics in the emphatic sense of the word. It is the aesthetics and practices of repetition that reveal the relation between both realms. This volume proposes to explore aesthetic and cultural phenomena that effect change in the non-aesthetical realm, not so much in spite, but precisely because of their being 'mere' repetitions. Repetition shapes art works through procedures and processes of reproduction, copying, depiction, or reenactment. As representation of the world, mimetic art's relationship to the political and social world can be conceived as repetition. When can mimetic works of art nonetheless become a trigger, participant in or vehicle for political and social transformation? How do mimetic practices as diverse as those of the Research Institute Forensic Architecture, the theater of Milo Rau, video installations with found footage from social media and the fictional NSK State address and change regimes of visibility? How can practices such as performative gender constitution and propaganda, which (ostensibly) affirm regimes of visibility, be understood as processes of change through repetition? How do commemorative cultures and practices of documentation interrelate? How is historical reality produced through mimesis with a view to an imaginary political future? By exploring works of art from a wide range of historical periods, places, media and contexts – from the political thought hidden in Hegel's Aesthetics through Hélène Cixous's practice of writing difference(s), from contemporary applied theater through the Gezi Park Uprising in 2013, and from installations of fictional national museums through to the artistic commemoration of assassinated political activists in Iran – all contributions in this volume attempt to show how a concept of change through repetition can help redefine the relationship between art and politics and to enlighten us on the transformative potential of repetition in 'political art'.
Author: Neil Davidson
Publisher: Haymarket Books
ISBN: 160846265X
Category : Philosophy
Languages : en
Pages : 841
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Book Description
“An impressive contribution both to the history of ideas and to political philosophy.” —Alasdair MacIntyre, author of After Virtue Once of central importance to left historians and activists alike, recently the concept of the “bourgeois revolution” has come in for sustained criticism from both Marxists and conservatives. In this magisterial work, Neil Davidson offers theoretical and historical insights about the nature of revolutions. Through extensive research and comprehensive analysis, Davidson demonstrates that what’s at stake is far from a stale issue for the history books—understanding that these struggles of the past offer far-reaching lessons for today’s radicals. “A monumental work. Neil Davidson has given us what is easily the most comprehensive account yet of the ‘life and times’ of the concept of ‘bourgeois revolution’ [and] has also provided us with a refined set of theoretical tools for understanding the often complex interactions between political revolutions which overturn state institutions and social revolutions which involve a more thoroughgoing transformation of social relations.” —Colin Mooers, author of The Making of Bourgeois Europe “Davidson’s book is one of immense and impressive erudition. His knowledge of the history of Marxist theory and historiography is as detailed as it is comprehensive, and must be well-nigh unrivalled. The endless, complex debates that characterize the Marxist tradition are distilled with clarity and illumination.” —Times Literary Supplement “A brilliant and fascinating book, wide-ranging and lucidly written.” —Jairus Banaji, author of Theory as History
Author: Colin Barker
Publisher: Haymarket Books
ISBN: 164259489X
Category : History
Languages : en
Pages : 436
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Book Description
This ambitious volume examines revolutionary situations during a non-revolutionary historical conjuncture--the neoliberal era. The last three decades have seen an increase in the number of political upheavals that challenge existing power structures, many of them taking the form of urban revolts. This book compellingly explores a series of such upheavals--in Eastern Europe, South Africa, Indonesia, Argentina, Bolivia, Venezuela, sub-Saharan Africa (including Congo, Zimbabwe, Burkina Faso) and Egypt. Each chapter studies the ways in which protest movements developed into insurgent challenges to state power, and the strategies that regimes have deployed to contain and repress revolt. In addition to empirical chapters, the book engages in theorization of revolution, dealing with questions such as the patterning of revolution in contemporary history, the relationship between class struggle and social movements, and the prospects of socialist revolution in the twenty-first century.
Author: Elaine P. Miller
Publisher: Columbia University Press
ISBN: 0231537115
Category : Philosophy
Languages : en
Pages : 265
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Book Description
While philosophy and psychoanalysis privilege language and conceptual distinctions and mistrust the image, the philosopher and psychoanalyst Julia Kristeva recognizes the power of art and the imagination to unblock important sources of meaning. She also appreciates the process through which creative acts counteract and transform feelings of violence and depression. Reviewing Kristeva's corpus, Elaine P. Miller considers the intellectual's "aesthetic idea" and "thought specular" in their capacity to reshape depressive thought on both the individual and cultural level. She revisits Kristeva's reading of Walter Benjamin with reference to melancholic art and the imagination's allegorical structure; her analysis of Byzantine iconoclasm in relation to Freud's psychoanalytic theory of negation and Hegel's dialectical negativity; her understanding of Proust as an exemplary practitioner of sublimation; her rereading of Kant and Arendt in terms of art as an intentional lingering with foreignness; and her argument that forgiveness is both a philosophical and psychoanalytic method of transcending a "stuck" existence. Focusing on specific artworks that illustrate Kristeva's ideas, from ancient Greek tragedy to early photography, contemporary installation art, and film, Miller positions creative acts as a form of "spiritual inoculation" against the violence of our society and its discouragement of thought and reflection.
Author: Chaim Stern
Publisher: CCAR Press
ISBN: 9780916694012
Category : Religion
Languages : en
Pages : 804
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Book Description
Profoundly rooted in Jewish tradition, Gates of Prayer has become the standard liturgical work for the Reform Movement. This prayerbook contains a variety of services for weekdays, Shabbat and festivals, Israeli Independence Day, Holocaust Remembrance Day and Tisha Be-av. Also contains special readings, meditations and 70 songs complete with transliterations.
Author: Michael Naas
Publisher: Edinburgh University Press
ISBN: 1474471234
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Helene Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell.
