Alfred Hitchcock's Silent Films PDF Download
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Author: Marc Raymond Strauss
Publisher: McFarland
ISBN: 0786481927
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Alfred Hitchcock called the silent "the purest form of cinema," and the ten silent films he directed between 1925 and 1929 reveal the young director's mature artistry. Hitchcock's silents have often been characterized as the work of a talented amateur, a young director practicing his craft during a pre-sound era of antiquated instruments and poor film techniques--the director experimented with myriad points of view, unique camera angles and movements, and special effects such as dissolves, blurriness, and violent cuts. These films, however, contain the first appearances of some of his greatest and most familiar techniques: the vertigo-inducing crowd scene, the symbolic use of inanimate objects, the manipulation of the audience's emotions, and the self-conscious, often macabre wit. This work discovers Hitchcock's early talent and skill through close readings of the films from The Pleasure Garden to the silent version of Blackmail, using shot-by-shot descriptions and interpretations. Each film's chapter includes technical information, a summary of the critical response from the film's release to the present, and detailed analysis of the camera techniques and themes Hitchcock uses.
Author: Marc Raymond Strauss
Publisher: McFarland
ISBN: 0786481927
Category : Performing Arts
Languages : en
Pages : 225
Get Book Here
Book Description
Alfred Hitchcock called the silent "the purest form of cinema," and the ten silent films he directed between 1925 and 1929 reveal the young director's mature artistry. Hitchcock's silents have often been characterized as the work of a talented amateur, a young director practicing his craft during a pre-sound era of antiquated instruments and poor film techniques--the director experimented with myriad points of view, unique camera angles and movements, and special effects such as dissolves, blurriness, and violent cuts. These films, however, contain the first appearances of some of his greatest and most familiar techniques: the vertigo-inducing crowd scene, the symbolic use of inanimate objects, the manipulation of the audience's emotions, and the self-conscious, often macabre wit. This work discovers Hitchcock's early talent and skill through close readings of the films from The Pleasure Garden to the silent version of Blackmail, using shot-by-shot descriptions and interpretations. Each film's chapter includes technical information, a summary of the critical response from the film's release to the present, and detailed analysis of the camera techniques and themes Hitchcock uses.
Author: Charlotte Chandler
Publisher: Simon and Schuster
ISBN: 1847397093
Category : Biography & Autobiography
Languages : en
Pages : 433
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Book Description
IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.
Author: Jack Sullivan
Publisher: Yale University Press
ISBN: 0300134665
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
"A wonderfully coherent, comprehensive, groundbreaking, and thoroughly engaging study” of how the director of Psycho and The Birds used music in his films (Sidney Gottlieb, editor of Hitchcock on Hitchcock). Alfred Hitchcock employed more musical styles and techniques than any film director in history, from Marlene Dietrich singing Cole Porter in Stage Fright to the revolutionary electronic soundtrack of The Birds. Many of his films—including Notorious, Rear Window, Vertigo, North by Northwest, and Psycho—are landmarks in the history of film music. Now author and musicologist Jack Sullivan presents the first in-depth study of the role music plays in Hitchcock’s films. Based on extensive interviews with composers, writers, and actors, as well as archival research, Sullivan discusses how Hitchcock used music to influence his cinematic atmospheres, characterizations, and even storylines. Sullivan examines the director’s relationships with various composers, especially Bernard Herrmann, and tells the stories behind some of their now-iconic musical choices. Covering the entire director’s career, from the early British works up to Family Plot, this engaging work will change the way we watch—and listen—to Hitchcock’s movies.
Author: Marc Raymond Strauss
Publisher: McFarland
ISBN: 0786443081
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
Alfred Hitchcock's imperative was to charge the screen with emotion. Subject matter and acting were, for him, subordinate to "all of the technical aspects that made the audience scream." Focusing on onscreen objects in Hitchcock's films, this study examines staircases, eyeglasses, lamps, doors, candles, cigarettes, buildings, monuments, statues and dozens of other props that the director treated as subjective protagonists, their roles nearly equal to the actors'. Examining each of the director's 52 extant films, this book provides a comprehensive exploration of Hitchcock's treatment of objects as subjects.
Author: Jonathan Freedman
Publisher: Cambridge University Press
ISBN: 131630101X
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Alfred Hitchcock was, despite his English origins and early career, an American master. Arriving on US shores in 1939, for the next three decades he created a series of masterpieces that redefined the nature and possibilities of cinema itself: Rebecca, Notorious, Strangers on a Train, Rear Window, Vertigo and Psycho, to name just a few. In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender and desire over his American career. This Companion explores the way in which Hitchcock was transformed by the country where he made his home and did much of his greatest work. This book will be invaluable as a guide for both fans and students of Hitchcock and twentieth-century American culture, providing a set of new perspectives on a much-loved and hugely influential director.
Author: Richard Allen
Publisher: Columbia University Press
ISBN: 9780231135757
Category : Biography & Autobiography
Languages : en
Pages : 346
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Book Description
Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.
Author: Gene D. Phillips
Publisher: Boston : Twayne Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Focuses on the career and achievements of the director who envisioned a new kind of thriller.
![The Encyclopedia of the Mexican-American War [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/ERnOEAAAQBAJ?fife=w80-h100)
Author: Spencer C. Tucker
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 3088
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Book Description
This user-friendly encyclopedia comprises a wide array of accessible yet detailed entries that address the military, social, political, cultural, and economic aspects of the Mexican-American War. The Encyclopedia of the Mexican-American War: A Political, Social, and Military History provides an in-depth examination of not only the military conflict itself, but also the impact of the war on both nations; and how this conflict was the first waged by Americans on foreign soil and served to establish critical U.S. military, political, and foreign policy precedents. The entries analyze the Mexican-American War from both the American and Mexican perspectives, in equal measure. In addition to discussing the various campaigns, battles, weapons systems, and other aspects of military history, the three-volume work also contextualizes the conflict within its social, cultural, political, and economic milieu, and places the Mexican-American War into its proper historical and historiographical contexts by covering the eras both before and after the war. This information is particularly critical for students of American history because the conflict fomented sectional conflict in the United States, which resulted in the U.S. Civil War.
Author: Tom Cohen
Publisher: Cambridge University Press
ISBN: 9780521599672
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
A critique of cultural studies that invokes Bakhtin, Benjamin, and de Man.
Author: Marc Raymond Strauss
Publisher: McFarland
ISBN: 0786428090
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Alfred Hitchcock made many great films, but he also made many that critics and audiences largely dismissed. These least celebrated films, despite their admitted flaws and relative obscurity, offer much to reward the open-minded viewer. This critical study examines and reappraises fifteen such films generally overlooked by scholars and Hitchcock aficionados: Juno and the Paycock, The Skin Game, Waltzes from Vienna, Jamaica Inn, The Paradine Case, Under Capricorn, I Confess, Torn Curtain, Number Seventeen, Rich and Strange, Secret Agent, Mr. and Mrs. Smith, Stage Fright, The Wrong Man, and Topaz. Each film is discussed and analyzed in detail, revealing the master's touch in many previously unheralded ways. Brief assessments of the films from popular review compendia introduce each one, and excerpted highlights of numerous works of scholarship are liberally sprinkled throughout the text. In addition, wonderful rare still photographs from each film are included. Readers will come away with a richer sense of the director's talents in these films, adding to their appreciation of his work in unexpected ways.
