Mr. Beethoven PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Mr. Beethoven PDF full book. Access full book title Mr. Beethoven by Paul Griffiths. Download full books in PDF and EPUB format.
Author: Paul Griffiths
Publisher: New York Review of Books
ISBN: 168137580X
Category : Fiction
Languages : en
Pages : 313
Get Book Here
Book Description
Shortlisted for the 2020 Goldsmiths Prize Based on the German composer's own correspondence, this inventive, counterfactual work of historical fiction imagines Beethoven traveling to America to write an oratorio based on the Book of Job. It is a matter of historical record that in 1823 the Handel and Haydn Society of Boston (active to this day) sought to commission Beethoven to write an oratorio. The premise of Paul Griffiths’s ingenious novel is that Beethoven accepted the commission and traveled to the United States to oversee its first performance. Griffiths grants the composer a few extra years of life and, starting with his voyage across the Atlantic and entry into Boston Harbor, chronicles his adventures and misadventures in a new world in which, great man though he is, he finds himself a new man. Relying entirely on historically attested possibilities to develop the plot, Griffiths shows Beethoven learning a form of sign language, struggling to rein in the uncertain inspiration of Reverend Ballou (his designated librettist), and finding a kindred spirit in the widowed Mrs. Hill, all the while keeping his hosts guessing as to whether he will come through with his promised composition. (And just what, the reader also wonders, will this new piece by Beethoven turn out to be?) The book that emerges is an improvisation, as virtuosic as it is delicate, on a historical theme.
Author: Paul Griffiths
Publisher: New York Review of Books
ISBN: 168137580X
Category : Fiction
Languages : en
Pages : 313
Get Book Here
Book Description
Shortlisted for the 2020 Goldsmiths Prize Based on the German composer's own correspondence, this inventive, counterfactual work of historical fiction imagines Beethoven traveling to America to write an oratorio based on the Book of Job. It is a matter of historical record that in 1823 the Handel and Haydn Society of Boston (active to this day) sought to commission Beethoven to write an oratorio. The premise of Paul Griffiths’s ingenious novel is that Beethoven accepted the commission and traveled to the United States to oversee its first performance. Griffiths grants the composer a few extra years of life and, starting with his voyage across the Atlantic and entry into Boston Harbor, chronicles his adventures and misadventures in a new world in which, great man though he is, he finds himself a new man. Relying entirely on historically attested possibilities to develop the plot, Griffiths shows Beethoven learning a form of sign language, struggling to rein in the uncertain inspiration of Reverend Ballou (his designated librettist), and finding a kindred spirit in the widowed Mrs. Hill, all the while keeping his hosts guessing as to whether he will come through with his promised composition. (And just what, the reader also wonders, will this new piece by Beethoven turn out to be?) The book that emerges is an improvisation, as virtuosic as it is delicate, on a historical theme.
Author: Handel and Haydn Society (Boston, Mass.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 166
Get Book Here
Book Description
Author: William Frothingham Bradbury
Publisher: BoD – Books on Demand
ISBN: 3385311411
Category : Fiction
Languages : en
Pages : 670
Get Book Here
Book Description
Reprint of the original, first published in 1883.
Author: James A. Keene
Publisher: Glenbridge Publishing Ltd.
ISBN: 0944435661
Category : Education
Languages : en
Pages : 450
Get Book Here
Book Description
Keene provides a detailed account of music instruction in colonial and nationalized America from the 1600s to the end of the 1960s. (Music)
Author: Horatio William Parker
Publisher:
ISBN:
Category : Cantatas, Sacred
Languages : la
Pages : 200
Get Book Here
Book Description
Author: Handel and Haydn Society (Boston, Mass.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 280
Get Book Here
Book Description
Author: John Sullivan Dwight
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 428
Get Book Here
Book Description
Author: Caryl Clark
Publisher: Cambridge University Press
ISBN: 9781107129016
Category : Music
Languages : en
Pages : 524
Get Book Here
Book Description
For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.
Author: Michael Broyles
Publisher: Indiana University Press
ISBN: 0253357047
Category : Biography & Autobiography
Languages : en
Pages : 432
Get Book Here
Book Description
Examines America's early reception to Beethoven, the use of his work and image in American music, movies, stage works, and other forms of popular culture, and related topics.
Author: Jeanice Brooks
Publisher: Cambridge University Press
ISBN: 1107328314
Category : Music
Languages : en
Pages : 307
Get Book Here
Book Description
Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and shows how her ideas relate to broader currents in French aesthetics and culture.
