History of South Indian (Carnatic) Music PDF Download
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Author: R. Rangaramanuja Iyengar
Publisher:
ISBN:
Category : Carnatic music
Languages : en
Pages : 572
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Book Description
Author: R. Rangaramanuja Iyengar
Publisher:
ISBN:
Category : Carnatic music
Languages : en
Pages : 572
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Book Description
Author: Ludwig Pesch
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
This Is An Indispensable And Enriching Reference Work For The Connoisseur, Practising Musician, Interested Amateur, Impresario Teacher And Student.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 487
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Book Description
Author: Raghunathaswami Rangaramanuja Ayyangar
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ludwig Pesch
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 410
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Book Description
This Is An Indispensable And Enriching Reference Work For The Connoisseur, Practising Musician, Interested Amateur, Impresario Teacher And Student.
Author: K.G. Vijayakrishnan
Publisher: Walter de Gruyter
ISBN: 3110198886
Category : Language Arts & Disciplines
Languages : en
Pages : 359
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Book Description
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.
Author: T. Sankaran
Publisher: Wesleyan University Press
ISBN: 0819500755
Category : Music
Languages : en
Pages : 210
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Book Description
This book offers an account of Carnatic music culture drawing on the knowledge of T. Sankaran, a musician raised in an illustrious non-Brahmin devadasi family, and his long affiliation with cultural institutions including All India Radio (AIR) and the Tamil Isai Sangam (Tamil Music Academy). Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. The memoir provides insight into the way AIR worked as a modern, bureaucratic institution, and how the opening of government music colleges interacted with caste politics and shifted women's participation in public performance. The book is polyvocal, as Sankaran's writing is interwoven with passages from Daniel M. Neuman's book The Life of Music in North India, which inspired Sankaran's project, as well as transcripts from interviews with Sankaran by Matthew Allen. Includes rare archival photos.
Author: T.M. Krishna
Publisher: Harper Collins
ISBN: 9350298228
Category : Music
Languages : en
Pages : 268
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Book Description
One of the foremost Karnatik vocalists today, T.M. Krishna writes lucidly and passionately about the form, its history, its problems and where it stands todayT.M. Krishna begins his sweeping exploration of the tradition of Karnatik music with a fundamental question: what is music? Taking nothing for granted and addressing readers from across the spectrum - musicians, musicologists as well as laypeople - Krishna provides a path-breaking overview of south Indian classical music.
Author: Lakshmi Subramanian
Publisher: OUP India
ISBN: 9780198071907
Category : Music
Languages : en
Pages : 232
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Book Description
This book deals with the production of knowledge about music and the related institution-building process in south India. It also examines the role of identity, imagination, nationalism, and patronage in the development of musical tradition in south India.
Author: Rafael Reina
Publisher: Routledge
ISBN: 1317180135
Category : Music
Languages : en
Pages : 476
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Book Description
Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings
